#82: Clean and sterile looks professional, but really boring.|#20: Are exhibitions the most suitable form for the art that we present?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#84: The White Cube is a lie.|#15: Kunsthal Gent aims to be an extension of public space.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#19: Have fun at the exhibition.|#51: How do we invite the true unknown?|#64: Arrange a distribution of forces.|#39: Be the early stepping stone in an artist’s career|#92: We’re a learning organisation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#99: Evolve according to changing needs.|#29: We make the program for the artist that we exhibit.|#36: We support production separately.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#117: Consider design, organisational structures and architecture as programme.|#68: Once in a while we need to get out of utopia and get something done.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#40: Follow the artist|#119: Be a space of production.|#132: Things will always look weird when you’re the first doing it.|#82: Clean and sterile looks professional, but really boring.|#20: Are exhibitions the most suitable form for the art that we present?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#84: The White Cube is a lie.|#15: Kunsthal Gent aims to be an extension of public space.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#19: Have fun at the exhibition.|#51: How do we invite the true unknown?|#64: Arrange a distribution of forces.|#39: Be the early stepping stone in an artist’s career|#92: We’re a learning organisation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#99: Evolve according to changing needs.|#29: We make the program for the artist that we exhibit.|#36: We support production separately.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#117: Consider design, organisational structures and architecture as programme.|#68: Once in a while we need to get out of utopia and get something done.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#40: Follow the artist|#119: Be a space of production.|#132: Things will always look weird when you’re the first doing it.|
