#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#64: Arrange a distribution of forces.|#40: Follow the artist|#51: How do we invite the true unknown?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#39: Be the early stepping stone in an artist’s career|#62: Be kind. Full dishwasher: empty it.|#28: Make Contracts.|#124: Do less, do it better.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#54: What about disabled artists?|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#132: Things will always look weird when you’re the first doing it.|#16: Kunsthal Gent will always be a construction site.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#6: Demand that visitors are active.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#64: Arrange a distribution of forces.|#40: Follow the artist|#51: How do we invite the true unknown?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#39: Be the early stepping stone in an artist’s career|#62: Be kind. Full dishwasher: empty it.|#28: Make Contracts.|#124: Do less, do it better.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#54: What about disabled artists?|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#132: Things will always look weird when you’re the first doing it.|#16: Kunsthal Gent will always be a construction site.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#6: Demand that visitors are active.|
