#131: A visitor who comes back after a week might discover new additions to the exhibition.|#40: Follow the artist|#17: An exhibition is never finished.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#62: Be kind. Full dishwasher: empty it.|#53: Immaterial support for artists is important.|#16: Kunsthal Gent will always be a construction site.|#117: Consider design, organisational structures and architecture as programme.|#19: Have fun at the exhibition.|#37: Operate with radical transparency.|#56: Take a lunch break.|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#91: Embrace doubt.|#20: Are exhibitions the most suitable form for the art that we present?|#51: How do we invite the true unknown?|#15: Kunsthal Gent aims to be an extension of public space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#92: We’re a learning organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#74: Last one out turns of the lights.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#6: Demand that visitors are active.|#10: Don’t be obsessed with numbers.|#32: Be pan-gender polyphonic.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#40: Follow the artist|#17: An exhibition is never finished.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#62: Be kind. Full dishwasher: empty it.|#53: Immaterial support for artists is important.|#16: Kunsthal Gent will always be a construction site.|#117: Consider design, organisational structures and architecture as programme.|#19: Have fun at the exhibition.|#37: Operate with radical transparency.|#56: Take a lunch break.|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#91: Embrace doubt.|#20: Are exhibitions the most suitable form for the art that we present?|#51: How do we invite the true unknown?|#15: Kunsthal Gent aims to be an extension of public space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#92: We’re a learning organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#74: Last one out turns of the lights.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#6: Demand that visitors are active.|#10: Don’t be obsessed with numbers.|#32: Be pan-gender polyphonic.|
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07.12.2023 17:30

Pay what you can

Syllabus Reading Group #19

On Thursday 2 February, we will start a new series of Syllabus Reading Group gatherings. In the coming months, we will organise the Reading Group on the 1st Thursday of each month, from 17:30 to 19:00. This first meeting, we will determine the direction together with you; the starting point will continue to be the work of Silvia Federici and other texts in line with her activist-feminist practice.

We will meet live in the Syllabus room and also test the possibility of joining online. Be very welcome and bring books or texts you would like to read or discuss together! In the company of Sara O’Rourke, anthropologist who is working on a PhD on the practice of a.o. Jesse Jones.

Info
  • Live gathering in Syllabus (possibility to join online)

  • Language: Dutch and English

Syllabus Reading Group