#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#137: Use the publication as programming space|#16: Kunsthal Gent will always be a construction site.|#53: Immaterial support for artists is important.|#119: Be a space of production.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#35: The artist fee should be good.|#32: Be pan-gender polyphonic.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#51: How do we invite the true unknown?|#105: Kunsthal Gent is local in scale, but globally connected.|#37: Operate with radical transparency.|#84: The White Cube is a lie.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#82: Clean and sterile looks professional, but really boring.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#64: Arrange a distribution of forces.|#62: Be kind. Full dishwasher: empty it.|#112: Spaces today don’t need to be curated, but occupied.|#92: We’re a learning organisation.|#107: Build a community / scene.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#137: Use the publication as programming space|#16: Kunsthal Gent will always be a construction site.|#53: Immaterial support for artists is important.|#119: Be a space of production.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#35: The artist fee should be good.|#32: Be pan-gender polyphonic.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#51: How do we invite the true unknown?|#105: Kunsthal Gent is local in scale, but globally connected.|#37: Operate with radical transparency.|#84: The White Cube is a lie.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#82: Clean and sterile looks professional, but really boring.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#64: Arrange a distribution of forces.|#62: Be kind. Full dishwasher: empty it.|#112: Spaces today don’t need to be curated, but occupied.|#92: We’re a learning organisation.|#107: Build a community / scene.|
