#61: No all male install teams.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#53: Immaterial support for artists is important.|#92: We’re a learning organisation.|#21: Live with the exhibition, spend time with it.|#107: Build a community / scene.|#127: Remain practical: what happens to the work in an endless exhibition?|#65: No excuses: Thursday morning, team meeting.|#137: Use the publication as programming space|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#99: Evolve according to changing needs.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#98: The success of it will not lie in the result but in the process.|#39: Be the early stepping stone in an artist’s career|#74: Last one out turns of the lights.|#112: Spaces today don’t need to be curated, but occupied.|#90: The best systems have a failure or ‘a hole’ in them…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#94: No objections? Just do it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#6: Demand that visitors are active.|#89: Build-in impurity within the organisation.|#14: Can you also remain a toddler institution?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#61: No all male install teams.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#53: Immaterial support for artists is important.|#92: We’re a learning organisation.|#21: Live with the exhibition, spend time with it.|#107: Build a community / scene.|#127: Remain practical: what happens to the work in an endless exhibition?|#65: No excuses: Thursday morning, team meeting.|#137: Use the publication as programming space|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#99: Evolve according to changing needs.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#98: The success of it will not lie in the result but in the process.|#39: Be the early stepping stone in an artist’s career|#74: Last one out turns of the lights.|#112: Spaces today don’t need to be curated, but occupied.|#90: The best systems have a failure or ‘a hole’ in them…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#94: No objections? Just do it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#6: Demand that visitors are active.|#89: Build-in impurity within the organisation.|#14: Can you also remain a toddler institution?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|
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09.12.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
Te gast: Nazli Dinçel

Between Relating and Use

—US/AR, 2018, 9’, color, 16mm

Shape of a Surface

—TR, 2017, 9’, color, 16mm

Solitary Acts (4,5,6)

—US/TR, 2015, 23’ color, 16mm

Untitled

—US, 2016, 12’, color, digital

Instructions on How to Make a Film

—CA/VS, 2018, 13’, black-white, 16mm

Nazli Dinçels 16mm films are made entirely by hand. She scratches, types, sews and stamps her letters on the image. These physical actions are related to traditional women's tasks in her Turkish upbringing, such as cooking or carpet weaving. In doing so, she searches for a visual language that can express what it means to be a Turkish immigrant in the United States today, to make films there on celluloid. She pushes her often painful, embarrassing and sexually charged childhood memories into her films, both literally and figuratively. Text becomes image, the image becomes body.

Tickets: 8 euro /5 euro (reductie)

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