Te gast: Nazli Dinçel

#51: How do we invite the true unknown?|#98: The success of it will not lie in the result but in the process.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#92: We’re a learning organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#59: Always protect the floor when painting (or pouring concrete)|#44: No name tags at dinner.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#37: Operate with radical transparency.|#6: Demand that visitors are active.|#105: Kunsthal Gent is local in scale, but globally connected.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#137: Use the publication as programming space|#62: Be kind. Full dishwasher: empty it.|#2: Bring something new to the city of Ghent.|#54: What about disabled artists?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#30: Don’t work with artists who are assholes.|#127: Remain practical: what happens to the work in an endless exhibition?|#107: Build a community / scene.|#35: The artist fee should be good.|#74: Last one out turns of the lights.|#124: Do less, do it better.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#51: How do we invite the true unknown?|#98: The success of it will not lie in the result but in the process.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#92: We’re a learning organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#59: Always protect the floor when painting (or pouring concrete)|#44: No name tags at dinner.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#37: Operate with radical transparency.|#6: Demand that visitors are active.|#105: Kunsthal Gent is local in scale, but globally connected.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#137: Use the publication as programming space|#62: Be kind. Full dishwasher: empty it.|#2: Bring something new to the city of Ghent.|#54: What about disabled artists?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#30: Don’t work with artists who are assholes.|#127: Remain practical: what happens to the work in an endless exhibition?|#107: Build a community / scene.|#35: The artist fee should be good.|#74: Last one out turns of the lights.|#124: Do less, do it better.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|

09.12.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
Te gast: Nazli Dinçel