#20: Are exhibitions the most suitable form for the art that we present?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#10: Don’t be obsessed with numbers.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#34: We pay artists.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#90: The best systems have a failure or ‘a hole’ in them…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#32: Be pan-gender polyphonic.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#59: Always protect the floor when painting (or pouring concrete)|#132: Things will always look weird when you’re the first doing it.|#64: Arrange a distribution of forces.|#137: Use the publication as programming space|#112: Spaces today don’t need to be curated, but occupied.|#40: Follow the artist|#53: Immaterial support for artists is important.|#26: More artists, less borders.|#61: No all male install teams.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#30: Don’t work with artists who are assholes.|#39: Be the early stepping stone in an artist’s career|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#74: Last one out turns of the lights.|#20: Are exhibitions the most suitable form for the art that we present?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#10: Don’t be obsessed with numbers.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#34: We pay artists.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#90: The best systems have a failure or ‘a hole’ in them…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#32: Be pan-gender polyphonic.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#59: Always protect the floor when painting (or pouring concrete)|#132: Things will always look weird when you’re the first doing it.|#64: Arrange a distribution of forces.|#137: Use the publication as programming space|#112: Spaces today don’t need to be curated, but occupied.|#40: Follow the artist|#53: Immaterial support for artists is important.|#26: More artists, less borders.|#61: No all male install teams.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#30: Don’t work with artists who are assholes.|#39: Be the early stepping stone in an artist’s career|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#74: Last one out turns of the lights.|
