#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#30: Don’t work with artists who are assholes.|#112: Spaces today don’t need to be curated, but occupied.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#62: Be kind. Full dishwasher: empty it.|#127: Remain practical: what happens to the work in an endless exhibition?|#99: Evolve according to changing needs.|#132: Things will always look weird when you’re the first doing it.|#119: Be a space of production.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#91: Embrace doubt.|#26: More artists, less borders.|#32: Be pan-gender polyphonic.|#94: No objections? Just do it.|#137: Use the publication as programming space|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#56: Take a lunch break.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#89: Build-in impurity within the organisation.|#53: Immaterial support for artists is important.|#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#30: Don’t work with artists who are assholes.|#112: Spaces today don’t need to be curated, but occupied.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#62: Be kind. Full dishwasher: empty it.|#127: Remain practical: what happens to the work in an endless exhibition?|#99: Evolve according to changing needs.|#132: Things will always look weird when you’re the first doing it.|#119: Be a space of production.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#91: Embrace doubt.|#26: More artists, less borders.|#32: Be pan-gender polyphonic.|#94: No objections? Just do it.|#137: Use the publication as programming space|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#56: Take a lunch break.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#89: Build-in impurity within the organisation.|#53: Immaterial support for artists is important.|
