#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#30: Don’t work with artists who are assholes.|#112: Spaces today don’t need to be curated, but occupied.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#62: Be kind. Full dishwasher: empty it.|#127: Remain practical: what happens to the work in an endless exhibition?|#99: Evolve according to changing needs.|#132: Things will always look weird when you’re the first doing it.|#119: Be a space of production.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#91: Embrace doubt.|#26: More artists, less borders.|#32: Be pan-gender polyphonic.|#94: No objections? Just do it.|#137: Use the publication as programming space|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#56: Take a lunch break.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#89: Build-in impurity within the organisation.|#53: Immaterial support for artists is important.|#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#30: Don’t work with artists who are assholes.|#112: Spaces today don’t need to be curated, but occupied.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#62: Be kind. Full dishwasher: empty it.|#127: Remain practical: what happens to the work in an endless exhibition?|#99: Evolve according to changing needs.|#132: Things will always look weird when you’re the first doing it.|#119: Be a space of production.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#91: Embrace doubt.|#26: More artists, less borders.|#32: Be pan-gender polyphonic.|#94: No objections? Just do it.|#137: Use the publication as programming space|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#56: Take a lunch break.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#89: Build-in impurity within the organisation.|#53: Immaterial support for artists is important.|
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25—28.07.2019 11:00

Care for a walk with an artwork?

Pay what you can

Gentse Feesten in Kunsthal Gent:
Performance Apparatus 22 'The Elastic Test'

The Elastic Test - a performance by Apparatus 22 (RO/BE)

Care for a walk with an artwork? Join The Elastic Test!

The Elastic Test is a walking-performance in which you carry the artwork Infinite Contradictions through the city. Together with two other participants, you negotiate in silence the course and movements of the leather flag from one street to the next...

Infinite Contradictions is about believing in multiplicity, in divergent perspectives that can cohabitate. It is about the other being in the same time and in the same place with us - in fact the other is an extension of us not an opposite -. The flag is very much about trying to grasp and sort paradoxes of contemporary society by being together.

Apparatus 22 (RO/BE) is a transdisciplinary art collective in residence in The Development Programme at Kunsthal Gent. During the Gentse Feesten they will perform for four days, five times a day, on 25, 26, 27 and 28 July, at 11:00 a.m., 1:00, 3:00, 5:00 and 7:00 p.m.

Start at the front desk
Free participation, click here to register.

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IMAGES
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