#74: Last one out turns of the lights.|#51: How do we invite the true unknown?|#56: Take a lunch break.|#137: Use the publication as programming space|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#10: Don’t be obsessed with numbers.|#40: Follow the artist|#81: Things come alive when there is friction.|#29: We make the program for the artist that we exhibit.|#61: No all male install teams.|#32: Be pan-gender polyphonic.|#117: Consider design, organisational structures and architecture as programme.|#68: Once in a while we need to get out of utopia and get something done.|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#4: Pay what you can.|#111: Do it together.|#91: Embrace doubt.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#119: Be a space of production.|#44: No name tags at dinner.|#21: Live with the exhibition, spend time with it.|#74: Last one out turns of the lights.|#51: How do we invite the true unknown?|#56: Take a lunch break.|#137: Use the publication as programming space|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#10: Don’t be obsessed with numbers.|#40: Follow the artist|#81: Things come alive when there is friction.|#29: We make the program for the artist that we exhibit.|#61: No all male install teams.|#32: Be pan-gender polyphonic.|#117: Consider design, organisational structures and architecture as programme.|#68: Once in a while we need to get out of utopia and get something done.|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#4: Pay what you can.|#111: Do it together.|#91: Embrace doubt.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#119: Be a space of production.|#44: No name tags at dinner.|#21: Live with the exhibition, spend time with it.|