#54: What about disabled artists?|#26: More artists, less borders.|#55: Keep basic human needs on the forefront.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#6: Demand that visitors are active.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#68: Once in a while we need to get out of utopia and get something done.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#39: Be the early stepping stone in an artist’s career|#35: The artist fee should be good.|#37: Operate with radical transparency.|#62: Be kind. Full dishwasher: empty it.|#65: No excuses: Thursday morning, team meeting.|#124: Do less, do it better.|#107: Build a community / scene.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#64: Arrange a distribution of forces.|#29: We make the program for the artist that we exhibit.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#20: Are exhibitions the most suitable form for the art that we present?|#105: Kunsthal Gent is local in scale, but globally connected.|#32: Be pan-gender polyphonic.|#92: We’re a learning organisation.|#117: Consider design, organisational structures and architecture as programme.|#54: What about disabled artists?|#26: More artists, less borders.|#55: Keep basic human needs on the forefront.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#6: Demand that visitors are active.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#68: Once in a while we need to get out of utopia and get something done.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#39: Be the early stepping stone in an artist’s career|#35: The artist fee should be good.|#37: Operate with radical transparency.|#62: Be kind. Full dishwasher: empty it.|#65: No excuses: Thursday morning, team meeting.|#124: Do less, do it better.|#107: Build a community / scene.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#64: Arrange a distribution of forces.|#29: We make the program for the artist that we exhibit.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#20: Are exhibitions the most suitable form for the art that we present?|#105: Kunsthal Gent is local in scale, but globally connected.|#32: Be pan-gender polyphonic.|#92: We’re a learning organisation.|#117: Consider design, organisational structures and architecture as programme.|
This website uses cookies to improve your user experience. More info

21.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
The Young and the Beautiful: Maya Deren + Anna De Sutter 

Meshes of the Afternoon, Maya Deren & Alexander Hamid
—US, 1943, 14’, zwart-wit, 16mm


At Land, Maya Deren
—US, 1944, 14’, zwart-wit, 16mm


The Sublimation of Anna De Sutter, Anna De Sutter
—BE, 2019, 16’, kleur, digitaal



“Each individual is the center of a personal vortex; and the aggressive variety and enormity of the adventures which swirl about and confront him are unified only by his personal identity.... The integrity of the individual identity is counterpointed to the volatile character of a relativistic universe.”
- Maya Deren

Ticket: 8 euro / 5 euro (reductie)

For more information:
https://offoff.be/events/the-young-and-the-beautiful-maya-deren-anna-de-sutter/

Meshesoftheafternoon 768x514