#3: Entrance to all exhibitions at Kunsthal Gent is free.|#98: The success of it will not lie in the result but in the process.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#90: The best systems have a failure or ‘a hole’ in them…|#17: An exhibition is never finished.|#132: Things will always look weird when you’re the first doing it.|#119: Be a space of production.|#56: Take a lunch break.|#68: Once in a while we need to get out of utopia and get something done.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#99: Evolve according to changing needs.|#54: What about disabled artists?|#65: No excuses: Thursday morning, team meeting.|#94: No objections? Just do it.|#40: Follow the artist|#36: We support production separately.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#28: Make Contracts.|#10: Don’t be obsessed with numbers.|#2: Bring something new to the city of Ghent.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#51: How do we invite the true unknown?|#59: Always protect the floor when painting (or pouring concrete)|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#98: The success of it will not lie in the result but in the process.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#90: The best systems have a failure or ‘a hole’ in them…|#17: An exhibition is never finished.|#132: Things will always look weird when you’re the first doing it.|#119: Be a space of production.|#56: Take a lunch break.|#68: Once in a while we need to get out of utopia and get something done.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#99: Evolve according to changing needs.|#54: What about disabled artists?|#65: No excuses: Thursday morning, team meeting.|#94: No objections? Just do it.|#40: Follow the artist|#36: We support production separately.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#28: Make Contracts.|#10: Don’t be obsessed with numbers.|#2: Bring something new to the city of Ghent.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#51: How do we invite the true unknown?|#59: Always protect the floor when painting (or pouring concrete)|
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21.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
The Young and the Beautiful: Maya Deren + Anna De Sutter 

Meshes of the Afternoon, Maya Deren & Alexander Hamid
—US, 1943, 14’, zwart-wit, 16mm


At Land, Maya Deren
—US, 1944, 14’, zwart-wit, 16mm


The Sublimation of Anna De Sutter, Anna De Sutter
—BE, 2019, 16’, kleur, digitaal



“Each individual is the center of a personal vortex; and the aggressive variety and enormity of the adventures which swirl about and confront him are unified only by his personal identity.... The integrity of the individual identity is counterpointed to the volatile character of a relativistic universe.”
- Maya Deren

Ticket: 8 euro / 5 euro (reductie)

For more information:
https://offoff.be/events/the-young-and-the-beautiful-maya-deren-anna-de-sutter/

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