#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#14: Can you also remain a toddler institution?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#99: Evolve according to changing needs.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#90: The best systems have a failure or ‘a hole’ in them…|#35: The artist fee should be good.|#84: The White Cube is a lie.|#137: Use the publication as programming space|#34: We pay artists.|#61: No all male install teams.|#68: Once in a while we need to get out of utopia and get something done.|#28: Make Contracts.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#82: Clean and sterile looks professional, but really boring.|#89: Build-in impurity within the organisation.|#15: Kunsthal Gent aims to be an extension of public space.|#91: Embrace doubt.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#4: Pay what you can.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#36: We support production separately.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#14: Can you also remain a toddler institution?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#99: Evolve according to changing needs.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#90: The best systems have a failure or ‘a hole’ in them…|#35: The artist fee should be good.|#84: The White Cube is a lie.|#137: Use the publication as programming space|#34: We pay artists.|#61: No all male install teams.|#68: Once in a while we need to get out of utopia and get something done.|#28: Make Contracts.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#82: Clean and sterile looks professional, but really boring.|#89: Build-in impurity within the organisation.|#15: Kunsthal Gent aims to be an extension of public space.|#91: Embrace doubt.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#4: Pay what you can.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#36: We support production separately.|
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21.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
The Young and the Beautiful: Maya Deren + Anna De Sutter 

Meshes of the Afternoon, Maya Deren & Alexander Hamid
—US, 1943, 14’, zwart-wit, 16mm


At Land, Maya Deren
—US, 1944, 14’, zwart-wit, 16mm


The Sublimation of Anna De Sutter, Anna De Sutter
—BE, 2019, 16’, kleur, digitaal



“Each individual is the center of a personal vortex; and the aggressive variety and enormity of the adventures which swirl about and confront him are unified only by his personal identity.... The integrity of the individual identity is counterpointed to the volatile character of a relativistic universe.”
- Maya Deren

Ticket: 8 euro / 5 euro (reductie)

For more information:
https://offoff.be/events/the-young-and-the-beautiful-maya-deren-anna-de-sutter/

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