#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#94: No objections? Just do it.|#34: We pay artists.|#68: Once in a while we need to get out of utopia and get something done.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#35: The artist fee should be good.|#59: Always protect the floor when painting (or pouring concrete)|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#2: Bring something new to the city of Ghent.|#117: Consider design, organisational structures and architecture as programme.|#98: The success of it will not lie in the result but in the process.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#64: Arrange a distribution of forces.|#90: The best systems have a failure or ‘a hole’ in them…|#132: Things will always look weird when you’re the first doing it.|#20: Are exhibitions the most suitable form for the art that we present?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#65: No excuses: Thursday morning, team meeting.|#14: Can you also remain a toddler institution?|#92: We’re a learning organisation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#62: Be kind. Full dishwasher: empty it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#137: Use the publication as programming space|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#94: No objections? Just do it.|#34: We pay artists.|#68: Once in a while we need to get out of utopia and get something done.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#35: The artist fee should be good.|#59: Always protect the floor when painting (or pouring concrete)|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#2: Bring something new to the city of Ghent.|#117: Consider design, organisational structures and architecture as programme.|#98: The success of it will not lie in the result but in the process.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#64: Arrange a distribution of forces.|#90: The best systems have a failure or ‘a hole’ in them…|#132: Things will always look weird when you’re the first doing it.|#20: Are exhibitions the most suitable form for the art that we present?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#65: No excuses: Thursday morning, team meeting.|#14: Can you also remain a toddler institution?|#92: We’re a learning organisation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#62: Be kind. Full dishwasher: empty it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#137: Use the publication as programming space|
