#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#29: We make the program for the artist that we exhibit.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#32: Be pan-gender polyphonic.|#40: Follow the artist|#15: Kunsthal Gent aims to be an extension of public space.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#89: Build-in impurity within the organisation.|#99: Evolve according to changing needs.|#90: The best systems have a failure or ‘a hole’ in them…|#26: More artists, less borders.|#21: Live with the exhibition, spend time with it.|#44: No name tags at dinner.|#10: Don’t be obsessed with numbers.|#112: Spaces today don’t need to be curated, but occupied.|#119: Be a space of production.|#35: The artist fee should be good.|#20: Are exhibitions the most suitable form for the art that we present?|#61: No all male install teams.|#84: The White Cube is a lie.|#2: Bring something new to the city of Ghent.|#6: Demand that visitors are active.|#137: Use the publication as programming space|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#29: We make the program for the artist that we exhibit.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#32: Be pan-gender polyphonic.|#40: Follow the artist|#15: Kunsthal Gent aims to be an extension of public space.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#89: Build-in impurity within the organisation.|#99: Evolve according to changing needs.|#90: The best systems have a failure or ‘a hole’ in them…|#26: More artists, less borders.|#21: Live with the exhibition, spend time with it.|#44: No name tags at dinner.|#10: Don’t be obsessed with numbers.|#112: Spaces today don’t need to be curated, but occupied.|#119: Be a space of production.|#35: The artist fee should be good.|#20: Are exhibitions the most suitable form for the art that we present?|#61: No all male install teams.|#84: The White Cube is a lie.|#2: Bring something new to the city of Ghent.|#6: Demand that visitors are active.|#137: Use the publication as programming space|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|
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11.11.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
The Young & the Beautiful: Guernica/Perséphone/ Les Choses Qu’On Laisse Tomber et Qui Roulent

Guernica, Robert Hessens & Alain Resnais

—FR, 1951, 13’, black-white, HD digital

Perséphone, Luc De Heusch (als Luc Zangrie)

—BE, 1950, black-white, sound, digital

Pourquoi on ne laisse pas tomber: Les Choses Qu’On Laisse Tomber et Qui Roulent, La Chambre Automatique

—BE, 2018, 26’, color, digital

“Je souhaite approcher par le film la complexité de la pensée, son mécanisme interne. Dès qu'on descend dans l'inconscient, l'émotion naît. Et le cinéma ne devrait être qu'un montage d'émotions.”

- Alain Resnais

Ticket: 8 euro / 5 euro (reductie)