#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#91: Embrace doubt.|#112: Spaces today don’t need to be curated, but occupied.|#19: Have fun at the exhibition.|#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#44: No name tags at dinner.|#64: Arrange a distribution of forces.|#132: Things will always look weird when you’re the first doing it.|#56: Take a lunch break.|#61: No all male install teams.|#107: Build a community / scene.|#74: Last one out turns of the lights.|#54: What about disabled artists?|#35: The artist fee should be good.|#17: An exhibition is never finished.|#10: Don’t be obsessed with numbers.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#92: We’re a learning organisation.|#40: Follow the artist|#29: We make the program for the artist that we exhibit.|#32: Be pan-gender polyphonic.|#62: Be kind. Full dishwasher: empty it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#91: Embrace doubt.|#112: Spaces today don’t need to be curated, but occupied.|#19: Have fun at the exhibition.|#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#44: No name tags at dinner.|#64: Arrange a distribution of forces.|#132: Things will always look weird when you’re the first doing it.|#56: Take a lunch break.|#61: No all male install teams.|#107: Build a community / scene.|#74: Last one out turns of the lights.|#54: What about disabled artists?|#35: The artist fee should be good.|#17: An exhibition is never finished.|#10: Don’t be obsessed with numbers.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#92: We’re a learning organisation.|#40: Follow the artist|#29: We make the program for the artist that we exhibit.|#32: Be pan-gender polyphonic.|#62: Be kind. Full dishwasher: empty it.|
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11.11.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
The Young & the Beautiful: Guernica/Perséphone/ Les Choses Qu’On Laisse Tomber et Qui Roulent

Guernica, Robert Hessens & Alain Resnais

—FR, 1951, 13’, black-white, HD digital

Perséphone, Luc De Heusch (als Luc Zangrie)

—BE, 1950, black-white, sound, digital

Pourquoi on ne laisse pas tomber: Les Choses Qu’On Laisse Tomber et Qui Roulent, La Chambre Automatique

—BE, 2018, 26’, color, digital

“Je souhaite approcher par le film la complexité de la pensée, son mécanisme interne. Dès qu'on descend dans l'inconscient, l'émotion naît. Et le cinéma ne devrait être qu'un montage d'émotions.”

- Alain Resnais

Ticket: 8 euro / 5 euro (reductie)