#3: Entrance to all exhibitions at Kunsthal Gent is free.|#44: No name tags at dinner.|#2: Bring something new to the city of Ghent.|#62: Be kind. Full dishwasher: empty it.|#117: Consider design, organisational structures and architecture as programme.|#68: Once in a while we need to get out of utopia and get something done.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|#30: Don’t work with artists who are assholes.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#65: No excuses: Thursday morning, team meeting.|#32: Be pan-gender polyphonic.|#51: How do we invite the true unknown?|#105: Kunsthal Gent is local in scale, but globally connected.|#74: Last one out turns of the lights.|#124: Do less, do it better.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#19: Have fun at the exhibition.|#98: The success of it will not lie in the result but in the process.|#82: Clean and sterile looks professional, but really boring.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#111: Do it together.|#29: We make the program for the artist that we exhibit.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#44: No name tags at dinner.|#2: Bring something new to the city of Ghent.|#62: Be kind. Full dishwasher: empty it.|#117: Consider design, organisational structures and architecture as programme.|#68: Once in a while we need to get out of utopia and get something done.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|#30: Don’t work with artists who are assholes.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#65: No excuses: Thursday morning, team meeting.|#32: Be pan-gender polyphonic.|#51: How do we invite the true unknown?|#105: Kunsthal Gent is local in scale, but globally connected.|#74: Last one out turns of the lights.|#124: Do less, do it better.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#19: Have fun at the exhibition.|#98: The success of it will not lie in the result but in the process.|#82: Clean and sterile looks professional, but really boring.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#111: Do it together.|#29: We make the program for the artist that we exhibit.|
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11.11.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
The Young & the Beautiful: Guernica/Perséphone/ Les Choses Qu’On Laisse Tomber et Qui Roulent

Guernica, Robert Hessens & Alain Resnais

—FR, 1951, 13’, black-white, HD digital

Perséphone, Luc De Heusch (als Luc Zangrie)

—BE, 1950, black-white, sound, digital

Pourquoi on ne laisse pas tomber: Les Choses Qu’On Laisse Tomber et Qui Roulent, La Chambre Automatique

—BE, 2018, 26’, color, digital

“Je souhaite approcher par le film la complexité de la pensée, son mécanisme interne. Dès qu'on descend dans l'inconscient, l'émotion naît. Et le cinéma ne devrait être qu'un montage d'émotions.”

- Alain Resnais

Ticket: 8 euro / 5 euro (reductie)