#2: Bring something new to the city of Ghent.|#17: An exhibition is never finished.|#61: No all male install teams.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#37: Operate with radical transparency.|#137: Use the publication as programming space|#112: Spaces today don’t need to be curated, but occupied.|#65: No excuses: Thursday morning, team meeting.|#28: Make Contracts.|#68: Once in a while we need to get out of utopia and get something done.|#51: How do we invite the true unknown?|#82: Clean and sterile looks professional, but really boring.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#90: The best systems have a failure or ‘a hole’ in them…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#34: We pay artists.|#10: Don’t be obsessed with numbers.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#40: Follow the artist|#84: The White Cube is a lie.|#81: Things come alive when there is friction.|#98: The success of it will not lie in the result but in the process.|#6: Demand that visitors are active.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#56: Take a lunch break.|#2: Bring something new to the city of Ghent.|#17: An exhibition is never finished.|#61: No all male install teams.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#37: Operate with radical transparency.|#137: Use the publication as programming space|#112: Spaces today don’t need to be curated, but occupied.|#65: No excuses: Thursday morning, team meeting.|#28: Make Contracts.|#68: Once in a while we need to get out of utopia and get something done.|#51: How do we invite the true unknown?|#82: Clean and sterile looks professional, but really boring.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#90: The best systems have a failure or ‘a hole’ in them…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#34: We pay artists.|#10: Don’t be obsessed with numbers.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#40: Follow the artist|#84: The White Cube is a lie.|#81: Things come alive when there is friction.|#98: The success of it will not lie in the result but in the process.|#6: Demand that visitors are active.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#56: Take a lunch break.|
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11.11.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
The Young & the Beautiful: Guernica/Perséphone/ Les Choses Qu’On Laisse Tomber et Qui Roulent

Guernica, Robert Hessens & Alain Resnais

—FR, 1951, 13’, black-white, HD digital

Perséphone, Luc De Heusch (als Luc Zangrie)

—BE, 1950, black-white, sound, digital

Pourquoi on ne laisse pas tomber: Les Choses Qu’On Laisse Tomber et Qui Roulent, La Chambre Automatique

—BE, 2018, 26’, color, digital

“Je souhaite approcher par le film la complexité de la pensée, son mécanisme interne. Dès qu'on descend dans l'inconscient, l'émotion naît. Et le cinéma ne devrait être qu'un montage d'émotions.”

- Alain Resnais

Ticket: 8 euro / 5 euro (reductie)