#107: Build a community / scene.|#29: We make the program for the artist that we exhibit.|#61: No all male install teams.|#84: The White Cube is a lie.|#98: The success of it will not lie in the result but in the process.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#82: Clean and sterile looks professional, but really boring.|#16: Kunsthal Gent will always be a construction site.|#40: Follow the artist|#92: We’re a learning organisation.|#14: Can you also remain a toddler institution?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#35: The artist fee should be good.|#15: Kunsthal Gent aims to be an extension of public space.|#124: Do less, do it better.|#74: Last one out turns of the lights.|#51: How do we invite the true unknown?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#119: Be a space of production.|#105: Kunsthal Gent is local in scale, but globally connected.|#53: Immaterial support for artists is important.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#26: More artists, less borders.|#107: Build a community / scene.|#29: We make the program for the artist that we exhibit.|#61: No all male install teams.|#84: The White Cube is a lie.|#98: The success of it will not lie in the result but in the process.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#82: Clean and sterile looks professional, but really boring.|#16: Kunsthal Gent will always be a construction site.|#40: Follow the artist|#92: We’re a learning organisation.|#14: Can you also remain a toddler institution?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#35: The artist fee should be good.|#15: Kunsthal Gent aims to be an extension of public space.|#124: Do less, do it better.|#74: Last one out turns of the lights.|#51: How do we invite the true unknown?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#119: Be a space of production.|#105: Kunsthal Gent is local in scale, but globally connected.|#53: Immaterial support for artists is important.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#26: More artists, less borders.|
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11.11.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
The Young & the Beautiful: Guernica/Perséphone/ Les Choses Qu’On Laisse Tomber et Qui Roulent

Guernica, Robert Hessens & Alain Resnais

—FR, 1951, 13’, black-white, HD digital

Perséphone, Luc De Heusch (als Luc Zangrie)

—BE, 1950, black-white, sound, digital

Pourquoi on ne laisse pas tomber: Les Choses Qu’On Laisse Tomber et Qui Roulent, La Chambre Automatique

—BE, 2018, 26’, color, digital

“Je souhaite approcher par le film la complexité de la pensée, son mécanisme interne. Dès qu'on descend dans l'inconscient, l'émotion naît. Et le cinéma ne devrait être qu'un montage d'émotions.”

- Alain Resnais

Ticket: 8 euro / 5 euro (reductie)