#17: An exhibition is never finished.|#51: How do we invite the true unknown?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#4: Pay what you can.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#26: More artists, less borders.|#65: No excuses: Thursday morning, team meeting.|#19: Have fun at the exhibition.|#32: Be pan-gender polyphonic.|#35: The artist fee should be good.|#111: Do it together.|#54: What about disabled artists?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#40: Follow the artist|#82: Clean and sterile looks professional, but really boring.|#98: The success of it will not lie in the result but in the process.|#91: Embrace doubt.|#29: We make the program for the artist that we exhibit.|#6: Demand that visitors are active.|#39: Be the early stepping stone in an artist’s career|#64: Arrange a distribution of forces.|#89: Build-in impurity within the organisation.|#34: We pay artists.|#94: No objections? Just do it.|#17: An exhibition is never finished.|#51: How do we invite the true unknown?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#4: Pay what you can.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#26: More artists, less borders.|#65: No excuses: Thursday morning, team meeting.|#19: Have fun at the exhibition.|#32: Be pan-gender polyphonic.|#35: The artist fee should be good.|#111: Do it together.|#54: What about disabled artists?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#40: Follow the artist|#82: Clean and sterile looks professional, but really boring.|#98: The success of it will not lie in the result but in the process.|#91: Embrace doubt.|#29: We make the program for the artist that we exhibit.|#6: Demand that visitors are active.|#39: Be the early stepping stone in an artist’s career|#64: Arrange a distribution of forces.|#89: Build-in impurity within the organisation.|#34: We pay artists.|#94: No objections? Just do it.|
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29.03.2019 01:00

Talk by the artists

Pay what you can

Thomas Min & Egon van Herreweghe:
Time to get in shape

On Thursday 28 March, Thomas Min & Egon Van Herreweghe organize a live stream film screening about Muscle Beach, of which they have recreated the fence in the Kunsthal Ghent.

The images are streamed from Venice Beach (Los Angeles, CA) and edited live. By zooming in on Muscle Beach they teleport the art lovers and curious viewers to the West Coast of the US to shed light on the contrast between the two locations. Because while we finish the day, Venice Beach is still shining in the sun.

Three years ago Thomas Min & Egon Van Herreweghe already had the fence of Muscle Beach in sight. At that time they could not have predicted that they would recreate the installation in full scale 2019. The work can be seen in full at Kunsthal Ghent until the end of May. Afterwards, the artists will regularly cut out a piece and move it to private and public locations. But before the time comes, Min and Van Herreweghe want to zoom in on their "love at first sight".

The live stream film screening will take place on Thursday 28 March from 10 p.m. to 1 a.m. and is freely accessible at all times. Address: Kunsthal Ghent, Lange Steenstraat 14, 9000 Ghent, www.kunsthal.gent

Promo-beeld