#84: The White Cube is a lie.|#59: Always protect the floor when painting (or pouring concrete)|#111: Do it together.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#14: Can you also remain a toddler institution?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#26: More artists, less borders.|#91: Embrace doubt.|#92: We’re a learning organisation.|#15: Kunsthal Gent aims to be an extension of public space.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#28: Make Contracts.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#74: Last one out turns of the lights.|#56: Take a lunch break.|#90: The best systems have a failure or ‘a hole’ in them…|#36: We support production separately.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#99: Evolve according to changing needs.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#37: Operate with radical transparency.|#89: Build-in impurity within the organisation.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#119: Be a space of production.|#84: The White Cube is a lie.|#59: Always protect the floor when painting (or pouring concrete)|#111: Do it together.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#14: Can you also remain a toddler institution?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#26: More artists, less borders.|#91: Embrace doubt.|#92: We’re a learning organisation.|#15: Kunsthal Gent aims to be an extension of public space.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#28: Make Contracts.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#74: Last one out turns of the lights.|#56: Take a lunch break.|#90: The best systems have a failure or ‘a hole’ in them…|#36: We support production separately.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#99: Evolve according to changing needs.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#37: Operate with radical transparency.|#89: Build-in impurity within the organisation.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#119: Be a space of production.|
This website uses cookies to improve your user experience. More info

29.03.2019 01:00

Talk by the artists

Pay what you can

Thomas Min & Egon van Herreweghe:
Time to get in shape

On Thursday 28 March, Thomas Min & Egon Van Herreweghe organize a live stream film screening about Muscle Beach, of which they have recreated the fence in the Kunsthal Ghent.

The images are streamed from Venice Beach (Los Angeles, CA) and edited live. By zooming in on Muscle Beach they teleport the art lovers and curious viewers to the West Coast of the US to shed light on the contrast between the two locations. Because while we finish the day, Venice Beach is still shining in the sun.

Three years ago Thomas Min & Egon Van Herreweghe already had the fence of Muscle Beach in sight. At that time they could not have predicted that they would recreate the installation in full scale 2019. The work can be seen in full at Kunsthal Ghent until the end of May. Afterwards, the artists will regularly cut out a piece and move it to private and public locations. But before the time comes, Min and Van Herreweghe want to zoom in on their "love at first sight".

The live stream film screening will take place on Thursday 28 March from 10 p.m. to 1 a.m. and is freely accessible at all times. Address: Kunsthal Ghent, Lange Steenstraat 14, 9000 Ghent, www.kunsthal.gent

Promo-beeld