#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|#56: Take a lunch break.|#62: Be kind. Full dishwasher: empty it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#34: We pay artists.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#81: Things come alive when there is friction.|#29: We make the program for the artist that we exhibit.|#4: Pay what you can.|#61: No all male install teams.|#17: An exhibition is never finished.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#20: Are exhibitions the most suitable form for the art that we present?|#99: Evolve according to changing needs.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#107: Build a community / scene.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#35: The artist fee should be good.|#28: Make Contracts.|#53: Immaterial support for artists is important.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|#56: Take a lunch break.|#62: Be kind. Full dishwasher: empty it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#34: We pay artists.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#81: Things come alive when there is friction.|#29: We make the program for the artist that we exhibit.|#4: Pay what you can.|#61: No all male install teams.|#17: An exhibition is never finished.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#20: Are exhibitions the most suitable form for the art that we present?|#99: Evolve according to changing needs.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#107: Build a community / scene.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#35: The artist fee should be good.|#28: Make Contracts.|#53: Immaterial support for artists is important.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|
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29.03.2019 01:00

Talk by the artists

Pay what you can

Thomas Min & Egon van Herreweghe:
Time to get in shape

On Thursday 28 March, Thomas Min & Egon Van Herreweghe organize a live stream film screening about Muscle Beach, of which they have recreated the fence in the Kunsthal Ghent.

The images are streamed from Venice Beach (Los Angeles, CA) and edited live. By zooming in on Muscle Beach they teleport the art lovers and curious viewers to the West Coast of the US to shed light on the contrast between the two locations. Because while we finish the day, Venice Beach is still shining in the sun.

Three years ago Thomas Min & Egon Van Herreweghe already had the fence of Muscle Beach in sight. At that time they could not have predicted that they would recreate the installation in full scale 2019. The work can be seen in full at Kunsthal Ghent until the end of May. Afterwards, the artists will regularly cut out a piece and move it to private and public locations. But before the time comes, Min and Van Herreweghe want to zoom in on their "love at first sight".

The live stream film screening will take place on Thursday 28 March from 10 p.m. to 1 a.m. and is freely accessible at all times. Address: Kunsthal Ghent, Lange Steenstraat 14, 9000 Ghent, www.kunsthal.gent

Promo-beeld