#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|#56: Take a lunch break.|#62: Be kind. Full dishwasher: empty it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#34: We pay artists.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#81: Things come alive when there is friction.|#29: We make the program for the artist that we exhibit.|#4: Pay what you can.|#61: No all male install teams.|#17: An exhibition is never finished.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#20: Are exhibitions the most suitable form for the art that we present?|#99: Evolve according to changing needs.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#107: Build a community / scene.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#35: The artist fee should be good.|#28: Make Contracts.|#53: Immaterial support for artists is important.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|#56: Take a lunch break.|#62: Be kind. Full dishwasher: empty it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#34: We pay artists.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#81: Things come alive when there is friction.|#29: We make the program for the artist that we exhibit.|#4: Pay what you can.|#61: No all male install teams.|#17: An exhibition is never finished.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#20: Are exhibitions the most suitable form for the art that we present?|#99: Evolve according to changing needs.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#107: Build a community / scene.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#35: The artist fee should be good.|#28: Make Contracts.|#53: Immaterial support for artists is important.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|
