#98: The success of it will not lie in the result but in the process.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#29: We make the program for the artist that we exhibit.|#56: Take a lunch break.|#92: We’re a learning organisation.|#2: Bring something new to the city of Ghent.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#21: Live with the exhibition, spend time with it.|#4: Pay what you can.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#10: Don’t be obsessed with numbers.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#94: No objections? Just do it.|#20: Are exhibitions the most suitable form for the art that we present?|#81: Things come alive when there is friction.|#40: Follow the artist|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#105: Kunsthal Gent is local in scale, but globally connected.|#34: We pay artists.|#62: Be kind. Full dishwasher: empty it.|#30: Don’t work with artists who are assholes.|#112: Spaces today don’t need to be curated, but occupied.|#98: The success of it will not lie in the result but in the process.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#29: We make the program for the artist that we exhibit.|#56: Take a lunch break.|#92: We’re a learning organisation.|#2: Bring something new to the city of Ghent.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#21: Live with the exhibition, spend time with it.|#4: Pay what you can.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#10: Don’t be obsessed with numbers.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#94: No objections? Just do it.|#20: Are exhibitions the most suitable form for the art that we present?|#81: Things come alive when there is friction.|#40: Follow the artist|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#105: Kunsthal Gent is local in scale, but globally connected.|#34: We pay artists.|#62: Be kind. Full dishwasher: empty it.|#30: Don’t work with artists who are assholes.|#112: Spaces today don’t need to be curated, but occupied.|
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08.12.2022 17:00

Doctoraatsverdediging

Pay what you can

Tine Guns: “Het fotoboek als visuele pageturner. Bewegen en bewogen worden”

Tine Guns (Image research unit) defends her doctoral research in the arts:

"The photobook as visual pageturner. Moving and being moved".

The PhD was supervised by supervisor Dr Isolde Vanhee (LUCA School of Arts / KU Leuven), co-supervisor Inge Ketelers (LUCA School of Arts), Dr Sofie Verdoodt (Sint-Lucas Antwerp) and Dr Geert Goiris (Royal Academy of Fine Arts Antwerp).

The jury members are:

  • Dr. Veerle Van der Sluys (vice dean research Associate Faculty of Arts KU Leuven, LUCA School of Arts, head of the examination committee)
  • Dr. Isolde Vanhee (supervisor, LUCA School of Arts / KU Leuven)
  • Dr. Sofie Verdoodt (Sint-Lucas Antwerp) Dr. Geert Goiris (Royal Academy of Fine Arts Antwerp)
  • Prof. Dr. Stéphane Symons (KU Leuven)
  • Dr. Liesbeth Dean (LUCA School of Arts / KU Leuven)
  • Tom Viaene (Sint-Lucas Antwerpen)

The public defence will take place on Thursday 8 December 2022 at 17h00 in Kunsthal Gent. A reception will be offered as of 19h30. You can register for the defence here until Wednesday 7 December by purchasing a free ticket.

Register
Tine Guns