#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#90: The best systems have a failure or ‘a hole’ in them…|#137: Use the publication as programming space|#14: Can you also remain a toddler institution?|#36: We support production separately.|#4: Pay what you can.|#55: Keep basic human needs on the forefront.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#37: Operate with radical transparency.|#64: Arrange a distribution of forces.|#39: Be the early stepping stone in an artist’s career|#51: How do we invite the true unknown?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#15: Kunsthal Gent aims to be an extension of public space.|#62: Be kind. Full dishwasher: empty it.|#40: Follow the artist|#34: We pay artists.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#119: Be a space of production.|#44: No name tags at dinner.|#26: More artists, less borders.|#74: Last one out turns of the lights.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#90: The best systems have a failure or ‘a hole’ in them…|#137: Use the publication as programming space|#14: Can you also remain a toddler institution?|#36: We support production separately.|#4: Pay what you can.|#55: Keep basic human needs on the forefront.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#37: Operate with radical transparency.|#64: Arrange a distribution of forces.|#39: Be the early stepping stone in an artist’s career|#51: How do we invite the true unknown?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#15: Kunsthal Gent aims to be an extension of public space.|#62: Be kind. Full dishwasher: empty it.|#40: Follow the artist|#34: We pay artists.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#119: Be a space of production.|#44: No name tags at dinner.|#26: More artists, less borders.|#74: Last one out turns of the lights.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|
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08.12.2022 17:00

Doctoraatsverdediging

Pay what you can

Tine Guns: “Het fotoboek als visuele pageturner. Bewegen en bewogen worden”

Tine Guns (Image research unit) defends her doctoral research in the arts:

"The photobook as visual pageturner. Moving and being moved".

The PhD was supervised by supervisor Dr Isolde Vanhee (LUCA School of Arts / KU Leuven), co-supervisor Inge Ketelers (LUCA School of Arts), Dr Sofie Verdoodt (Sint-Lucas Antwerp) and Dr Geert Goiris (Royal Academy of Fine Arts Antwerp).

The jury members are:

  • Dr. Veerle Van der Sluys (vice dean research Associate Faculty of Arts KU Leuven, LUCA School of Arts, head of the examination committee)
  • Dr. Isolde Vanhee (supervisor, LUCA School of Arts / KU Leuven)
  • Dr. Sofie Verdoodt (Sint-Lucas Antwerp) Dr. Geert Goiris (Royal Academy of Fine Arts Antwerp)
  • Prof. Dr. Stéphane Symons (KU Leuven)
  • Dr. Liesbeth Dean (LUCA School of Arts / KU Leuven)
  • Tom Viaene (Sint-Lucas Antwerpen)

The public defence will take place on Thursday 8 December 2022 at 17h00 in Kunsthal Gent. A reception will be offered as of 19h30. You can register for the defence here until Wednesday 7 December by purchasing a free ticket.

Register
Tine Guns