#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#89: Build-in impurity within the organisation.|#6: Demand that visitors are active.|#40: Follow the artist|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#119: Be a space of production.|#137: Use the publication as programming space|#53: Immaterial support for artists is important.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#61: No all male install teams.|#15: Kunsthal Gent aims to be an extension of public space.|#68: Once in a while we need to get out of utopia and get something done.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#82: Clean and sterile looks professional, but really boring.|#91: Embrace doubt.|#32: Be pan-gender polyphonic.|#51: How do we invite the true unknown?|#112: Spaces today don’t need to be curated, but occupied.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#30: Don’t work with artists who are assholes.|#35: The artist fee should be good.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#89: Build-in impurity within the organisation.|#6: Demand that visitors are active.|#40: Follow the artist|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#119: Be a space of production.|#137: Use the publication as programming space|#53: Immaterial support for artists is important.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#61: No all male install teams.|#15: Kunsthal Gent aims to be an extension of public space.|#68: Once in a while we need to get out of utopia and get something done.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#82: Clean and sterile looks professional, but really boring.|#91: Embrace doubt.|#32: Be pan-gender polyphonic.|#51: How do we invite the true unknown?|#112: Spaces today don’t need to be curated, but occupied.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#30: Don’t work with artists who are assholes.|#35: The artist fee should be good.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|
