#61: No all male install teams.|#36: We support production separately.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#15: Kunsthal Gent aims to be an extension of public space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#119: Be a space of production.|#16: Kunsthal Gent will always be a construction site.|#10: Don’t be obsessed with numbers.|#62: Be kind. Full dishwasher: empty it.|#6: Demand that visitors are active.|#111: Do it together.|#32: Be pan-gender polyphonic.|#26: More artists, less borders.|#92: We’re a learning organisation.|#94: No objections? Just do it.|#20: Are exhibitions the most suitable form for the art that we present?|#51: How do we invite the true unknown?|#124: Do less, do it better.|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#4: Pay what you can.|#98: The success of it will not lie in the result but in the process.|#59: Always protect the floor when painting (or pouring concrete)|#61: No all male install teams.|#36: We support production separately.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#15: Kunsthal Gent aims to be an extension of public space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#119: Be a space of production.|#16: Kunsthal Gent will always be a construction site.|#10: Don’t be obsessed with numbers.|#62: Be kind. Full dishwasher: empty it.|#6: Demand that visitors are active.|#111: Do it together.|#32: Be pan-gender polyphonic.|#26: More artists, less borders.|#92: We’re a learning organisation.|#94: No objections? Just do it.|#20: Are exhibitions the most suitable form for the art that we present?|#51: How do we invite the true unknown?|#124: Do less, do it better.|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#4: Pay what you can.|#98: The success of it will not lie in the result but in the process.|#59: Always protect the floor when painting (or pouring concrete)|
