#36: We support production separately.|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#39: Be the early stepping stone in an artist’s career|#59: Always protect the floor when painting (or pouring concrete)|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#132: Things will always look weird when you’re the first doing it.|#62: Be kind. Full dishwasher: empty it.|#90: The best systems have a failure or ‘a hole’ in them…|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#119: Be a space of production.|#81: Things come alive when there is friction.|#84: The White Cube is a lie.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#26: More artists, less borders.|#55: Keep basic human needs on the forefront.|#16: Kunsthal Gent will always be a construction site.|#137: Use the publication as programming space|#64: Arrange a distribution of forces.|#92: We’re a learning organisation.|#61: No all male install teams.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#36: We support production separately.|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#39: Be the early stepping stone in an artist’s career|#59: Always protect the floor when painting (or pouring concrete)|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#132: Things will always look weird when you’re the first doing it.|#62: Be kind. Full dishwasher: empty it.|#90: The best systems have a failure or ‘a hole’ in them…|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#119: Be a space of production.|#81: Things come alive when there is friction.|#84: The White Cube is a lie.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#26: More artists, less borders.|#55: Keep basic human needs on the forefront.|#16: Kunsthal Gent will always be a construction site.|#137: Use the publication as programming space|#64: Arrange a distribution of forces.|#92: We’re a learning organisation.|#61: No all male install teams.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|
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05—06.09.2019 20:00

Pay what you can

Uitgeverij het balanseer nodigt uit:

Thursday, September 5:
20:00 doors
20:30 Colette Broeckaert & A. De Causmaecker
Markéta de Borggraef & Frederik Croene
21:30 Köhn (Köhn 1 quadraphonic)

Friday, September 6:
20:00 doors
20:30 Carolina Rizzi & Omar Grandoso
21:30 Frederik Croene (Cul de Sac)

Kunsthal Gent, Lange Steenstraat 14, 9000 Ghent
entrance 10€, 16€ (two evenings)

het balanseer / Kunsthal Gent / KRAAK / Quatremains

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