#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#15: Kunsthal Gent aims to be an extension of public space.|#74: Last one out turns of the lights.|#29: We make the program for the artist that we exhibit.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#30: Don’t work with artists who are assholes.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#132: Things will always look weird when you’re the first doing it.|#65: No excuses: Thursday morning, team meeting.|#61: No all male install teams.|#99: Evolve according to changing needs.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#64: Arrange a distribution of forces.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#51: How do we invite the true unknown?|#17: An exhibition is never finished.|#112: Spaces today don’t need to be curated, but occupied.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#15: Kunsthal Gent aims to be an extension of public space.|#74: Last one out turns of the lights.|#29: We make the program for the artist that we exhibit.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#30: Don’t work with artists who are assholes.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#132: Things will always look weird when you’re the first doing it.|#65: No excuses: Thursday morning, team meeting.|#61: No all male install teams.|#99: Evolve according to changing needs.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#64: Arrange a distribution of forces.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#51: How do we invite the true unknown?|#17: An exhibition is never finished.|#112: Spaces today don’t need to be curated, but occupied.|
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05—06.09.2019 20:00

Pay what you can

Uitgeverij het balanseer nodigt uit:

Thursday, September 5:
20:00 doors
20:30 Colette Broeckaert & A. De Causmaecker
Markéta de Borggraef & Frederik Croene
21:30 Köhn (Köhn 1 quadraphonic)

Friday, September 6:
20:00 doors
20:30 Carolina Rizzi & Omar Grandoso
21:30 Frederik Croene (Cul de Sac)

Kunsthal Gent, Lange Steenstraat 14, 9000 Ghent
entrance 10€, 16€ (two evenings)

het balanseer / Kunsthal Gent / KRAAK / Quatremains

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