#90: The best systems have a failure or ‘a hole’ in them…|#51: How do we invite the true unknown?|#4: Pay what you can.|#17: An exhibition is never finished.|#56: Take a lunch break.|#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#89: Build-in impurity within the organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#55: Keep basic human needs on the forefront.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#54: What about disabled artists?|#26: More artists, less borders.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#124: Do less, do it better.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#35: The artist fee should be good.|#53: Immaterial support for artists is important.|#94: No objections? Just do it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#68: Once in a while we need to get out of utopia and get something done.|#20: Are exhibitions the most suitable form for the art that we present?|#111: Do it together.|#107: Build a community / scene.|#32: Be pan-gender polyphonic.|#90: The best systems have a failure or ‘a hole’ in them…|#51: How do we invite the true unknown?|#4: Pay what you can.|#17: An exhibition is never finished.|#56: Take a lunch break.|#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#89: Build-in impurity within the organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#55: Keep basic human needs on the forefront.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#54: What about disabled artists?|#26: More artists, less borders.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#124: Do less, do it better.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#35: The artist fee should be good.|#53: Immaterial support for artists is important.|#94: No objections? Just do it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#68: Once in a while we need to get out of utopia and get something done.|#20: Are exhibitions the most suitable form for the art that we present?|#111: Do it together.|#107: Build a community / scene.|#32: Be pan-gender polyphonic.|
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05—06.09.2019 20:00

Pay what you can

Uitgeverij het balanseer nodigt uit:

Thursday, September 5:
20:00 doors
20:30 Colette Broeckaert & A. De Causmaecker
Markéta de Borggraef & Frederik Croene
21:30 Köhn (Köhn 1 quadraphonic)

Friday, September 6:
20:00 doors
20:30 Carolina Rizzi & Omar Grandoso
21:30 Frederik Croene (Cul de Sac)

Kunsthal Gent, Lange Steenstraat 14, 9000 Ghent
entrance 10€, 16€ (two evenings)

het balanseer / Kunsthal Gent / KRAAK / Quatremains

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