#26: More artists, less borders.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#55: Keep basic human needs on the forefront.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#62: Be kind. Full dishwasher: empty it.|#91: Embrace doubt.|#19: Have fun at the exhibition.|#4: Pay what you can.|#98: The success of it will not lie in the result but in the process.|#99: Evolve according to changing needs.|#84: The White Cube is a lie.|#68: Once in a while we need to get out of utopia and get something done.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#20: Are exhibitions the most suitable form for the art that we present?|#105: Kunsthal Gent is local in scale, but globally connected.|#90: The best systems have a failure or ‘a hole’ in them…|#53: Immaterial support for artists is important.|#107: Build a community / scene.|#28: Make Contracts.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#127: Remain practical: what happens to the work in an endless exhibition?|#132: Things will always look weird when you’re the first doing it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#26: More artists, less borders.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#55: Keep basic human needs on the forefront.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#62: Be kind. Full dishwasher: empty it.|#91: Embrace doubt.|#19: Have fun at the exhibition.|#4: Pay what you can.|#98: The success of it will not lie in the result but in the process.|#99: Evolve according to changing needs.|#84: The White Cube is a lie.|#68: Once in a while we need to get out of utopia and get something done.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#20: Are exhibitions the most suitable form for the art that we present?|#105: Kunsthal Gent is local in scale, but globally connected.|#90: The best systems have a failure or ‘a hole’ in them…|#53: Immaterial support for artists is important.|#107: Build a community / scene.|#28: Make Contracts.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#127: Remain practical: what happens to the work in an endless exhibition?|#132: Things will always look weird when you’re the first doing it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|
This website uses cookies to improve your user experience. More info

26.01.2023 18:00

Workshop

Pay what you can

Univers’elle presenteert: Urban Safe Space met Leto Keunen

Bar Univers'elle invites artist Leto Keunen for the workshop Urban Safe Space, in which she uses textiles to discuss feelings of insecurity and fear in public space. The workshop is part of her project 'Urban Quilts'. During the workshop, we make a subjective mapping of public space: we visualise pain points, frustrations, feelings of insecurity or experiences in the city. We talk about our fears and the moments when these fears occur. Everyone is welcome! Whether you want to share an experience or not always remains your own choice.

Bar Univers'elle
Univers'elle, a network of Ghent women with a focus on diversity, organises monthly Bar Univers'elle. Since 2021, they regularly convene in Syllabus, an artwork by Jesse Jones: a monumental curtain in Kunsthal Gent that welcomes (activist) groups.

Info
American girl in italy 1951