#15: Kunsthal Gent aims to be an extension of public space.|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#2: Bring something new to the city of Ghent.|#14: Can you also remain a toddler institution?|#127: Remain practical: what happens to the work in an endless exhibition?|#51: How do we invite the true unknown?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#55: Keep basic human needs on the forefront.|#65: No excuses: Thursday morning, team meeting.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#39: Be the early stepping stone in an artist’s career|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#99: Evolve according to changing needs.|#91: Embrace doubt.|#81: Things come alive when there is friction.|#84: The White Cube is a lie.|#117: Consider design, organisational structures and architecture as programme.|#19: Have fun at the exhibition.|#26: More artists, less borders.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#137: Use the publication as programming space|#15: Kunsthal Gent aims to be an extension of public space.|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#2: Bring something new to the city of Ghent.|#14: Can you also remain a toddler institution?|#127: Remain practical: what happens to the work in an endless exhibition?|#51: How do we invite the true unknown?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#55: Keep basic human needs on the forefront.|#65: No excuses: Thursday morning, team meeting.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#39: Be the early stepping stone in an artist’s career|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#99: Evolve according to changing needs.|#91: Embrace doubt.|#81: Things come alive when there is friction.|#84: The White Cube is a lie.|#117: Consider design, organisational structures and architecture as programme.|#19: Have fun at the exhibition.|#26: More artists, less borders.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#137: Use the publication as programming space|
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24.11.2019 11:00

finissage

Pay what you can

de vylder vinck tailleu:
Unless Ever People

Finissage of the exhibition UNLESS EVER PEOPLE / CARITAS FOR FREESPACE
Sunday 24 November, 11:00 - 18:00

Welcome for the finissage of UNLESS EVER PEOPLE / CARITAS FOR FREESPACE, an exhibition by the Ghent firm of architects de vylder vinck taillieu. The exhibition is a representation of the CARITAS project, which the firm realised on the site of the Karus Psychiatric Centre in Melle near Ghent. The office spared the outdated Sint-Jozef building from demolition and gave the 'ruin' a beautiful, new role as a therapeutic space. An earlier version of this exhibition won the Silver Lion for young and promising work at the Biennale Architettura 2018 in Venice and is on view in Belgium for the first time.

MDC KH DV 1 001 LR

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