#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#54: What about disabled artists?|#16: Kunsthal Gent will always be a construction site.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#107: Build a community / scene.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#56: Take a lunch break.|#37: Operate with radical transparency.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#2: Bring something new to the city of Ghent.|#4: Pay what you can.|#39: Be the early stepping stone in an artist’s career|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#21: Live with the exhibition, spend time with it.|#89: Build-in impurity within the organisation.|#137: Use the publication as programming space|#28: Make Contracts.|#61: No all male install teams.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#127: Remain practical: what happens to the work in an endless exhibition?|#64: Arrange a distribution of forces.|#84: The White Cube is a lie.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#26: More artists, less borders.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#54: What about disabled artists?|#16: Kunsthal Gent will always be a construction site.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#107: Build a community / scene.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#56: Take a lunch break.|#37: Operate with radical transparency.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#2: Bring something new to the city of Ghent.|#4: Pay what you can.|#39: Be the early stepping stone in an artist’s career|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#21: Live with the exhibition, spend time with it.|#89: Build-in impurity within the organisation.|#137: Use the publication as programming space|#28: Make Contracts.|#61: No all male install teams.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#127: Remain practical: what happens to the work in an endless exhibition?|#64: Arrange a distribution of forces.|#84: The White Cube is a lie.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#26: More artists, less borders.|
