#35: The artist fee should be good.|#54: What about disabled artists?|#29: We make the program for the artist that we exhibit.|#26: More artists, less borders.|#40: Follow the artist|#117: Consider design, organisational structures and architecture as programme.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#68: Once in a while we need to get out of utopia and get something done.|#112: Spaces today don’t need to be curated, but occupied.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#137: Use the publication as programming space|#94: No objections? Just do it.|#74: Last one out turns of the lights.|#51: How do we invite the true unknown?|#89: Build-in impurity within the organisation.|#14: Can you also remain a toddler institution?|#61: No all male install teams.|#6: Demand that visitors are active.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#111: Do it together.|#105: Kunsthal Gent is local in scale, but globally connected.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#99: Evolve according to changing needs.|#4: Pay what you can.|#2: Bring something new to the city of Ghent.|#35: The artist fee should be good.|#54: What about disabled artists?|#29: We make the program for the artist that we exhibit.|#26: More artists, less borders.|#40: Follow the artist|#117: Consider design, organisational structures and architecture as programme.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#68: Once in a while we need to get out of utopia and get something done.|#112: Spaces today don’t need to be curated, but occupied.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#137: Use the publication as programming space|#94: No objections? Just do it.|#74: Last one out turns of the lights.|#51: How do we invite the true unknown?|#89: Build-in impurity within the organisation.|#14: Can you also remain a toddler institution?|#61: No all male install teams.|#6: Demand that visitors are active.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#111: Do it together.|#105: Kunsthal Gent is local in scale, but globally connected.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#99: Evolve according to changing needs.|#4: Pay what you can.|#2: Bring something new to the city of Ghent.|
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24.11.2019 11:00

finissage

Pay what you can

de vylder vinck tailleu:
Unless Ever People

Finissage of the exhibition UNLESS EVER PEOPLE / CARITAS FOR FREESPACE
Sunday 24 November, 11:00 - 18:00

Welcome for the finissage of UNLESS EVER PEOPLE / CARITAS FOR FREESPACE, an exhibition by the Ghent firm of architects de vylder vinck taillieu. The exhibition is a representation of the CARITAS project, which the firm realised on the site of the Karus Psychiatric Centre in Melle near Ghent. The office spared the outdated Sint-Jozef building from demolition and gave the 'ruin' a beautiful, new role as a therapeutic space. An earlier version of this exhibition won the Silver Lion for young and promising work at the Biennale Architettura 2018 in Venice and is on view in Belgium for the first time.

MDC KH DV 1 001 LR

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