#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#92: We’re a learning organisation.|#36: We support production separately.|#94: No objections? Just do it.|#29: We make the program for the artist that we exhibit.|#34: We pay artists.|#20: Are exhibitions the most suitable form for the art that we present?|#28: Make Contracts.|#61: No all male install teams.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#59: Always protect the floor when painting (or pouring concrete)|#10: Don’t be obsessed with numbers.|#40: Follow the artist|#105: Kunsthal Gent is local in scale, but globally connected.|#51: How do we invite the true unknown?|#56: Take a lunch break.|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#16: Kunsthal Gent will always be a construction site.|#89: Build-in impurity within the organisation.|#35: The artist fee should be good.|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#92: We’re a learning organisation.|#36: We support production separately.|#94: No objections? Just do it.|#29: We make the program for the artist that we exhibit.|#34: We pay artists.|#20: Are exhibitions the most suitable form for the art that we present?|#28: Make Contracts.|#61: No all male install teams.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#59: Always protect the floor when painting (or pouring concrete)|#10: Don’t be obsessed with numbers.|#40: Follow the artist|#105: Kunsthal Gent is local in scale, but globally connected.|#51: How do we invite the true unknown?|#56: Take a lunch break.|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#16: Kunsthal Gent will always be a construction site.|#89: Build-in impurity within the organisation.|#35: The artist fee should be good.|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|
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24.11.2019 11:00

finissage

Pay what you can

de vylder vinck tailleu:
Unless Ever People

Finissage of the exhibition UNLESS EVER PEOPLE / CARITAS FOR FREESPACE
Sunday 24 November, 11:00 - 18:00

Welcome for the finissage of UNLESS EVER PEOPLE / CARITAS FOR FREESPACE, an exhibition by the Ghent firm of architects de vylder vinck taillieu. The exhibition is a representation of the CARITAS project, which the firm realised on the site of the Karus Psychiatric Centre in Melle near Ghent. The office spared the outdated Sint-Jozef building from demolition and gave the 'ruin' a beautiful, new role as a therapeutic space. An earlier version of this exhibition won the Silver Lion for young and promising work at the Biennale Architettura 2018 in Venice and is on view in Belgium for the first time.

MDC KH DV 1 001 LR

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