#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#92: We’re a learning organisation.|#36: We support production separately.|#94: No objections? Just do it.|#29: We make the program for the artist that we exhibit.|#34: We pay artists.|#20: Are exhibitions the most suitable form for the art that we present?|#28: Make Contracts.|#61: No all male install teams.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#59: Always protect the floor when painting (or pouring concrete)|#10: Don’t be obsessed with numbers.|#40: Follow the artist|#105: Kunsthal Gent is local in scale, but globally connected.|#51: How do we invite the true unknown?|#56: Take a lunch break.|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#16: Kunsthal Gent will always be a construction site.|#89: Build-in impurity within the organisation.|#35: The artist fee should be good.|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#92: We’re a learning organisation.|#36: We support production separately.|#94: No objections? Just do it.|#29: We make the program for the artist that we exhibit.|#34: We pay artists.|#20: Are exhibitions the most suitable form for the art that we present?|#28: Make Contracts.|#61: No all male install teams.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#59: Always protect the floor when painting (or pouring concrete)|#10: Don’t be obsessed with numbers.|#40: Follow the artist|#105: Kunsthal Gent is local in scale, but globally connected.|#51: How do we invite the true unknown?|#56: Take a lunch break.|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#16: Kunsthal Gent will always be a construction site.|#89: Build-in impurity within the organisation.|#35: The artist fee should be good.|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|
