Vrijdagavonden: Meeting Grounds: Essay as Event

#117: Consider design, organisational structures and architecture as programme.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#37: Operate with radical transparency.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#14: Can you also remain a toddler institution?|#21: Live with the exhibition, spend time with it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#132: Things will always look weird when you’re the first doing it.|#65: No excuses: Thursday morning, team meeting.|#137: Use the publication as programming space|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#92: We’re a learning organisation.|#39: Be the early stepping stone in an artist’s career|#15: Kunsthal Gent aims to be an extension of public space.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#36: We support production separately.|#10: Don’t be obsessed with numbers.|#17: An exhibition is never finished.|#61: No all male install teams.|#2: Bring something new to the city of Ghent.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#37: Operate with radical transparency.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#14: Can you also remain a toddler institution?|#21: Live with the exhibition, spend time with it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#132: Things will always look weird when you’re the first doing it.|#65: No excuses: Thursday morning, team meeting.|#137: Use the publication as programming space|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#92: We’re a learning organisation.|#39: Be the early stepping stone in an artist’s career|#15: Kunsthal Gent aims to be an extension of public space.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#36: We support production separately.|#10: Don’t be obsessed with numbers.|#17: An exhibition is never finished.|#61: No all male install teams.|#2: Bring something new to the city of Ghent.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|

17.11.2023 17:00

Gathering with Paul Bailey

Pay what you can

Vrijdagavonden: Meeting Grounds: Essay as Event