Vrijdagavonden: Malpertuis Reprise

#61: No all male install teams.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#54: What about disabled artists?|#117: Consider design, organisational structures and architecture as programme.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#74: Last one out turns of the lights.|#112: Spaces today don’t need to be curated, but occupied.|#99: Evolve according to changing needs.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#98: The success of it will not lie in the result but in the process.|#30: Don’t work with artists who are assholes.|#132: Things will always look weird when you’re the first doing it.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#82: Clean and sterile looks professional, but really boring.|#6: Demand that visitors are active.|#51: How do we invite the true unknown?|#94: No objections? Just do it.|#20: Are exhibitions the most suitable form for the art that we present?|#55: Keep basic human needs on the forefront.|#2: Bring something new to the city of Ghent.|#39: Be the early stepping stone in an artist’s career|#59: Always protect the floor when painting (or pouring concrete)|#61: No all male install teams.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#54: What about disabled artists?|#117: Consider design, organisational structures and architecture as programme.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#74: Last one out turns of the lights.|#112: Spaces today don’t need to be curated, but occupied.|#99: Evolve according to changing needs.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#98: The success of it will not lie in the result but in the process.|#30: Don’t work with artists who are assholes.|#132: Things will always look weird when you’re the first doing it.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#82: Clean and sterile looks professional, but really boring.|#6: Demand that visitors are active.|#51: How do we invite the true unknown?|#94: No objections? Just do it.|#20: Are exhibitions the most suitable form for the art that we present?|#55: Keep basic human needs on the forefront.|#2: Bring something new to the city of Ghent.|#39: Be the early stepping stone in an artist’s career|#59: Always protect the floor when painting (or pouring concrete)|

07.04.2023 19:00

Old chapel becomes modular space

Pay what you can

Vrijdagavonden: Lochness — Nessy Xtreme