#39: Be the early stepping stone in an artist’s career|#28: Make Contracts.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#2: Bring something new to the city of Ghent.|#17: An exhibition is never finished.|#132: Things will always look weird when you’re the first doing it.|#19: Have fun at the exhibition.|#30: Don’t work with artists who are assholes.|#51: How do we invite the true unknown?|#91: Embrace doubt.|#65: No excuses: Thursday morning, team meeting.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#127: Remain practical: what happens to the work in an endless exhibition?|#34: We pay artists.|#94: No objections? Just do it.|#62: Be kind. Full dishwasher: empty it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#21: Live with the exhibition, spend time with it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#99: Evolve according to changing needs.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#32: Be pan-gender polyphonic.|#82: Clean and sterile looks professional, but really boring.|#74: Last one out turns of the lights.|#39: Be the early stepping stone in an artist’s career|#28: Make Contracts.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#2: Bring something new to the city of Ghent.|#17: An exhibition is never finished.|#132: Things will always look weird when you’re the first doing it.|#19: Have fun at the exhibition.|#30: Don’t work with artists who are assholes.|#51: How do we invite the true unknown?|#91: Embrace doubt.|#65: No excuses: Thursday morning, team meeting.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#127: Remain practical: what happens to the work in an endless exhibition?|#34: We pay artists.|#94: No objections? Just do it.|#62: Be kind. Full dishwasher: empty it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#21: Live with the exhibition, spend time with it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#99: Evolve according to changing needs.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#32: Be pan-gender polyphonic.|#82: Clean and sterile looks professional, but really boring.|#74: Last one out turns of the lights.|
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05.05.2023 19:00

Film night

Pay what you can

Vrijdagavonden: Travelogue of De Lieve

  • The bar is open from 19:00
  • Program starts at 20:00
  • Entrance: Pay What You Can
Travelogue Of De Lieve

Piloot Public Art Platform presents: Travelogue of De Lieve, a video by Filip Van Dingenen and Hélène Meyer, about a parade of troubadours along De Lieve, Europe's oldest canal.

In the summer of 2022, a troupe of troubadours marched for several days along the original route of De Lieve. The canal starts in Ghent at the Gravensteen Castle and runs as far as the Rabot, but originally it connected the city with the North Sea until its mouth at the Zwin. As the Zwin silted up, the economic importance of the Lieve declined and, over the centuries, large parts of the route disappeared. For several years, Lieve's voice has played a leading role in Filip Van Dingenen's research around Tondelier, the urban development focus of PILOOT Public Art Platform.

Friday Evenings

Every Friday evening for 9 weeks, Kunsthal Gent will host a program centered around one or more artists, a collective or organization. From an artist talk, debate or book presentation to a performance, documentary or film evening.

The events are partly related to Kunsthal Gent's artistic program and have grown out of the courses of artists with whom we currently collaborate, such as the evenings with Eleni Kamma (in collaboration with Hans Bryssinck and KASK Performance students), Dieter Durinck and Ben Benaouisse.

However, much of Vrijdagavonden's program comes about in dialogue and collaboration with local partners and artists. For this series we collaborated with, among others, Lochness, School of Love, Martina Petrović & Robert Monchen (In de Ruimte) Filip Van Dingenen and Hélène Meyer (Piloot).

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Programme Friday Evenings

17.03 — Ghosts of the Monastery
Film evening about the carmelite monastery.

24.03De Nieuwe Organisatie
Ben Benaouisse looks back after four months at Kunsthal Gent.

31.03Deep Hanging Out
A pot-luck evening with School of Love: reflecting together on non-romantic love.

07.04Nessy Xtreme
Lochness transforms Kunsthal Gent's old chapel into a modular platform. Break a leg!

14.04Where Do We Go From Here
A public three-course dinner in which Martina Petroviç talks to Robert Monchen (In De Ruimte) about his experience with off-spaces.

21.04Casting Call: Introducing Meta-Pierke
Together with KASK performance students, Eleni Kamma presents a new video. A costume by Jivan Van der Ende.

28.04White Balls on Walls
Being more inclusive? More difficult than expected! A documentary by Sarah Vos, i.c.w. the Stedelijk Museum in Amsterdam.

05.05Travelogue of De Lieve
Video by Filip Van Dingenen and Hélène Meyer about a parade of troubadours along De Lieve. With debriefing.

12.05Boekpresentatie 'Bootleg Paintings'
Posture Editions presents Dieter Durinck's new book.

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