#90: The best systems have a failure or ‘a hole’ in them…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#81: Things come alive when there is friction.|#29: We make the program for the artist that we exhibit.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#16: Kunsthal Gent will always be a construction site.|#2: Bring something new to the city of Ghent.|#137: Use the publication as programming space|#92: We’re a learning organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#117: Consider design, organisational structures and architecture as programme.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#32: Be pan-gender polyphonic.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#10: Don’t be obsessed with numbers.|#36: We support production separately.|#40: Follow the artist|#62: Be kind. Full dishwasher: empty it.|#14: Can you also remain a toddler institution?|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#90: The best systems have a failure or ‘a hole’ in them…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#81: Things come alive when there is friction.|#29: We make the program for the artist that we exhibit.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#16: Kunsthal Gent will always be a construction site.|#2: Bring something new to the city of Ghent.|#137: Use the publication as programming space|#92: We’re a learning organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#117: Consider design, organisational structures and architecture as programme.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#32: Be pan-gender polyphonic.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#10: Don’t be obsessed with numbers.|#36: We support production separately.|#40: Follow the artist|#62: Be kind. Full dishwasher: empty it.|#14: Can you also remain a toddler institution?|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|
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14.04.2023 19:00

Pay what you can

Vrijdagavonden: Where Do We Go From Here

  • The bar is open from 19:00
  • Program starts at 20:00
  • Entrance: Pay What You Can
Where Do We Go From Here

After a series of dinners that design conversation events around collectivity in Brussels, Martina Petrović brings Where Do We Go From Here to Kunsthal Gent.

For this evening she invites Robert Monchen (In De Frigo, In De Ruimte, Biennale van Belgie, Pizza Gallery) to talk about his experiences of initiating and organising off-spaces in Ghent. A three-course meal will be served, each dish will unwind a layer of Robert’s art director trajectory. Together we will revisit the past projects, present ones and dream of future ones of collective organising.

The dinner table has its own politics, how one sets it influences the conversation around it. It can generate questions, introduce different ways of composing a menu, and question the tools we use. It can unveil the social structures that make the table possible, sometimes unexpected surprising flavours appear on one’s plate and many other delicious subjects can surface on it.

Through a format of dinner we will explore how different collectives operate, what are the politics behind the modes of being and working together, where are the difficulties and what are exciting new possibilities of working with different structures.

These encounters allow us to collect tools, inspiration and to learn from existing experience on how to collectivise. Further to question what are the challenges, where to search for help, or what is the strength of working in these alternative ways.

Registration is necessary.

Friday Evenings

Every Friday evening for 9 weeks, Kunsthal Gent will host a program centered around one or more artists, a collective or organization. From an artist talk, debate or book presentation to a performance, documentary or film evening.

The events are partly related to Kunsthal Gent's artistic program and have grown out of the courses of artists with whom we currently collaborate, such as the evenings with Eleni Kamma (in collaboration with Hans Bryssinck and KASK Performance students), Dieter Durinck and Ben Benaouisse.

However, much of Vrijdagavonden's program comes about in dialogue and collaboration with local partners and artists. For this series we collaborated with, among others, Lochness, School of Love, Martina Petrović & Robert Monchen (In de Ruimte) Filip Van Dingenen and Hélène Meyer (Piloot).

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Programme Friday Evenings

17.03 — Ghosts of the Monastery
Film evening about the carmelite monastery.

24.03De Nieuwe Organisatie
Ben Benaouisse looks back after four months at Kunsthal Gent.

31.03Deep Hanging Out
A pot-luck evening with School of Love: reflecting together on non-romantic love.

07.04Nessy Xtreme
Lochness transforms Kunsthal Gent's old chapel into a modular platform. Break a leg!

14.04Where Do We Go From Here
A public three-course dinner in which Martina Petroviç talks to Robert Monchen (In De Ruimte) about his experience with off-spaces.

21.04Casting Call: Introducing Meta-Pierke
Together with KASK performance students, Eleni Kamma presents a new video. A costume by Jivan Van der Ende.

28.04White Balls on Walls
Being more inclusive? More difficult than expected! A documentary by Sarah Vos, i.c.w. the Stedelijk Museum in Amsterdam.

05.05Travelogue of De Lieve
Video by Filip Van Dingenen and Hélène Meyer about a parade of troubadours along De Lieve. With debriefing.

12.05Boekpresentatie 'Bootleg Paintings'
Posture Editions presents Dieter Durinck's new book.

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