#119: Be a space of production.|#82: Clean and sterile looks professional, but really boring.|#30: Don’t work with artists who are assholes.|#17: An exhibition is never finished.|#6: Demand that visitors are active.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#111: Do it together.|#53: Immaterial support for artists is important.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#26: More artists, less borders.|#90: The best systems have a failure or ‘a hole’ in them…|#28: Make Contracts.|#35: The artist fee should be good.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#21: Live with the exhibition, spend time with it.|#2: Bring something new to the city of Ghent.|#92: We’re a learning organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#40: Follow the artist|#107: Build a community / scene.|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#117: Consider design, organisational structures and architecture as programme.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#119: Be a space of production.|#82: Clean and sterile looks professional, but really boring.|#30: Don’t work with artists who are assholes.|#17: An exhibition is never finished.|#6: Demand that visitors are active.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#111: Do it together.|#53: Immaterial support for artists is important.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#26: More artists, less borders.|#90: The best systems have a failure or ‘a hole’ in them…|#28: Make Contracts.|#35: The artist fee should be good.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#21: Live with the exhibition, spend time with it.|#2: Bring something new to the city of Ghent.|#92: We’re a learning organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#40: Follow the artist|#107: Build a community / scene.|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#117: Consider design, organisational structures and architecture as programme.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|
