#37: Operate with radical transparency.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#99: Evolve according to changing needs.|#65: No excuses: Thursday morning, team meeting.|#82: Clean and sterile looks professional, but really boring.|#55: Keep basic human needs on the forefront.|#53: Immaterial support for artists is important.|#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#15: Kunsthal Gent aims to be an extension of public space.|#34: We pay artists.|#36: We support production separately.|#32: Be pan-gender polyphonic.|#64: Arrange a distribution of forces.|#117: Consider design, organisational structures and architecture as programme.|#54: What about disabled artists?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#14: Can you also remain a toddler institution?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#61: No all male install teams.|#16: Kunsthal Gent will always be a construction site.|#68: Once in a while we need to get out of utopia and get something done.|#37: Operate with radical transparency.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#99: Evolve according to changing needs.|#65: No excuses: Thursday morning, team meeting.|#82: Clean and sterile looks professional, but really boring.|#55: Keep basic human needs on the forefront.|#53: Immaterial support for artists is important.|#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#15: Kunsthal Gent aims to be an extension of public space.|#34: We pay artists.|#36: We support production separately.|#32: Be pan-gender polyphonic.|#64: Arrange a distribution of forces.|#117: Consider design, organisational structures and architecture as programme.|#54: What about disabled artists?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#14: Can you also remain a toddler institution?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#61: No all male install teams.|#16: Kunsthal Gent will always be a construction site.|#68: Once in a while we need to get out of utopia and get something done.|