#26: More artists, less borders.|#14: Can you also remain a toddler institution?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#20: Are exhibitions the most suitable form for the art that we present?|#2: Bring something new to the city of Ghent.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#74: Last one out turns of the lights.|#65: No excuses: Thursday morning, team meeting.|#92: We’re a learning organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#64: Arrange a distribution of forces.|#36: We support production separately.|#127: Remain practical: what happens to the work in an endless exhibition?|#89: Build-in impurity within the organisation.|#119: Be a space of production.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#137: Use the publication as programming space|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#19: Have fun at the exhibition.|#30: Don’t work with artists who are assholes.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#59: Always protect the floor when painting (or pouring concrete)|#117: Consider design, organisational structures and architecture as programme.|#26: More artists, less borders.|#14: Can you also remain a toddler institution?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#20: Are exhibitions the most suitable form for the art that we present?|#2: Bring something new to the city of Ghent.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#74: Last one out turns of the lights.|#65: No excuses: Thursday morning, team meeting.|#92: We’re a learning organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#64: Arrange a distribution of forces.|#36: We support production separately.|#127: Remain practical: what happens to the work in an endless exhibition?|#89: Build-in impurity within the organisation.|#119: Be a space of production.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#137: Use the publication as programming space|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#19: Have fun at the exhibition.|#30: Don’t work with artists who are assholes.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#59: Always protect the floor when painting (or pouring concrete)|#117: Consider design, organisational structures and architecture as programme.|