#51: How do we invite the true unknown?|#68: Once in a while we need to get out of utopia and get something done.|#81: Things come alive when there is friction.|#44: No name tags at dinner.|#53: Immaterial support for artists is important.|#84: The White Cube is a lie.|#30: Don’t work with artists who are assholes.|#59: Always protect the floor when painting (or pouring concrete)|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#32: Be pan-gender polyphonic.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#6: Demand that visitors are active.|#98: The success of it will not lie in the result but in the process.|#90: The best systems have a failure or ‘a hole’ in them…|#56: Take a lunch break.|#29: We make the program for the artist that we exhibit.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#111: Do it together.|#39: Be the early stepping stone in an artist’s career|#51: How do we invite the true unknown?|#68: Once in a while we need to get out of utopia and get something done.|#81: Things come alive when there is friction.|#44: No name tags at dinner.|#53: Immaterial support for artists is important.|#84: The White Cube is a lie.|#30: Don’t work with artists who are assholes.|#59: Always protect the floor when painting (or pouring concrete)|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#32: Be pan-gender polyphonic.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#6: Demand that visitors are active.|#98: The success of it will not lie in the result but in the process.|#90: The best systems have a failure or ‘a hole’ in them…|#56: Take a lunch break.|#29: We make the program for the artist that we exhibit.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#111: Do it together.|#39: Be the early stepping stone in an artist’s career|
