#55: Keep basic human needs on the forefront.|#20: Are exhibitions the most suitable form for the art that we present?|#107: Build a community / scene.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#111: Do it together.|#89: Build-in impurity within the organisation.|#16: Kunsthal Gent will always be a construction site.|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#84: The White Cube is a lie.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#39: Be the early stepping stone in an artist’s career|#26: More artists, less borders.|#30: Don’t work with artists who are assholes.|#81: Things come alive when there is friction.|#29: We make the program for the artist that we exhibit.|#132: Things will always look weird when you’re the first doing it.|#54: What about disabled artists?|#28: Make Contracts.|#82: Clean and sterile looks professional, but really boring.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#55: Keep basic human needs on the forefront.|#20: Are exhibitions the most suitable form for the art that we present?|#107: Build a community / scene.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#111: Do it together.|#89: Build-in impurity within the organisation.|#16: Kunsthal Gent will always be a construction site.|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#84: The White Cube is a lie.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#39: Be the early stepping stone in an artist’s career|#26: More artists, less borders.|#30: Don’t work with artists who are assholes.|#81: Things come alive when there is friction.|#29: We make the program for the artist that we exhibit.|#132: Things will always look weird when you’re the first doing it.|#54: What about disabled artists?|#28: Make Contracts.|#82: Clean and sterile looks professional, but really boring.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|
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11—12.05.2019 12:00

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Les VoiZines present:
Zine happening V

11–12.05.2019
Sat: 12:00 — 20:00
Sun: 11:00 — 18:00

Les VoiZines was formed in 2012 by zine enthusiasts who thought it was high time Ghent got its very own zine fest. Turns out they weren't the only ones; the first Zine Happening immediately drew a big crowd and formed the base of an international community that still determines the cosy, DIY atmosphere at the festival today.After past editions at the local neighbourhood centre and the Industriemuseum, 2019 sees Zine Happening move to Kunsthal Gent, a new arts space in the center of the city. This year's edition promises to be even bigger, as they'll be collaborating with the likeminded Ghent Art Book Fair.As always the biggest part of the festival is taken up by the market, which will showcase zines by over 70 artists and collectives, from all over the world.Central to this year's edition is Leipzig native Anna Haifisch, a celebrated comic artist and organiser of zine fest Millionaires Club, who will be talking about her work (process) and read from her comics. But there's more: a bingo game with felt sculptures made by Leonee Vannut, tattoos by Dennis Tyfus, Lena Faict and Pinkythumby, an embroidery workshop by Ameli Neumann and lots more!

E² / Sterput (BE)
3° Verlag (DE)
Marjan Buning (NL)
Leonee Vannut (BE)
HAEDS (DK)
De Zandberg (BE)
Fanzinotheque Bxl (BE)
Valentin Godard (FR)
Strange Sequences (BE)
Laura Ibanez Lopez (ES)
Hocus Bogus Publishing (NL)
YUMYUM ZINES (BE)
Döner Club (IT)
Marktcorruptie (BE)
Manuel Rodriguez Navarro (CL)
•an-e-moi• (BE)
Vite (BE)
Günbike (TR) + Luz De AmorPauline (FR)
Boslabs (BE)
Livor Mortis (UK)
La Camaraderie (BE)
Line Across Circle (BE)
Sad Biscuit Studio & Friends (BE)
Pulp DeLuxe / Stripgids / De Stripgilde (BE)
Lucie Malbequi (FR)
L'Appât (BE)
Jozien Kennes (BE)
Sternstunden des Kapitalismus (DE)
Fanart (DE)
FEL (BE)
Gemma Álvarez (ES)
Wobby Club (NL)
Actes Nord (BE)
Chris Reijnen & Bart Bling (BE)
Alison Souffreau & Toyah Decorte (BE)
Yingda Dong (CN)
MCSV (AT)
Equinoxe (FR)
Clara Girke (DE)
ELI / Les Ateliers du Toner (BE)
Yi Wen Chen (CN)
Hélène Drénou (BE)
Linnea Lidegran Correia (SE)
Gabri Molist (ES)
Primitiv Print (RO)
Vodka Candy (BE)
Murf/Murw magazine (NL)
RASOIR (BE)
Dendrolagus (SE)
indekeuken (BE) & ChezRosi VERLAK (DE)
Mirjam Vesters (NL)
Iris Van Robays (BE)
Anaïs Rallo (FR)
PISSWIFE (NL)
Øistein Bergli (NO)
Brumeville (BE)
Letizia Acosta (USA)
Pietra Publications (BE)
Waar Zine De Vrouwen (BE)
Walter Joris (BE)
Yvonne Kengen (BE)
Noémie Barsolle (BE)
Anna Haifisch (DE)
Louise Vervaet (BE)
Stencilwerck (NL)
LUCA (BE)
KRZAK PAPIER (PL)

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