#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#30: Don’t work with artists who are assholes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#16: Kunsthal Gent will always be a construction site.|#55: Keep basic human needs on the forefront.|#98: The success of it will not lie in the result but in the process.|#4: Pay what you can.|#132: Things will always look weird when you’re the first doing it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#54: What about disabled artists?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#51: How do we invite the true unknown?|#124: Do less, do it better.|#112: Spaces today don’t need to be curated, but occupied.|#21: Live with the exhibition, spend time with it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#81: Things come alive when there is friction.|#65: No excuses: Thursday morning, team meeting.|#39: Be the early stepping stone in an artist’s career|#74: Last one out turns of the lights.|#53: Immaterial support for artists is important.|#10: Don’t be obsessed with numbers.|#117: Consider design, organisational structures and architecture as programme.|#32: Be pan-gender polyphonic.|#56: Take a lunch break.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#30: Don’t work with artists who are assholes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#16: Kunsthal Gent will always be a construction site.|#55: Keep basic human needs on the forefront.|#98: The success of it will not lie in the result but in the process.|#4: Pay what you can.|#132: Things will always look weird when you’re the first doing it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#54: What about disabled artists?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#51: How do we invite the true unknown?|#124: Do less, do it better.|#112: Spaces today don’t need to be curated, but occupied.|#21: Live with the exhibition, spend time with it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#81: Things come alive when there is friction.|#65: No excuses: Thursday morning, team meeting.|#39: Be the early stepping stone in an artist’s career|#74: Last one out turns of the lights.|#53: Immaterial support for artists is important.|#10: Don’t be obsessed with numbers.|#117: Consider design, organisational structures and architecture as programme.|#32: Be pan-gender polyphonic.|#56: Take a lunch break.|
