#137: Use the publication as programming space|#94: No objections? Just do it.|#117: Consider design, organisational structures and architecture as programme.|#132: Things will always look weird when you’re the first doing it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#14: Can you also remain a toddler institution?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#35: The artist fee should be good.|#59: Always protect the floor when painting (or pouring concrete)|#89: Build-in impurity within the organisation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#39: Be the early stepping stone in an artist’s career|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#6: Demand that visitors are active.|#4: Pay what you can.|#37: Operate with radical transparency.|#64: Arrange a distribution of forces.|#10: Don’t be obsessed with numbers.|#32: Be pan-gender polyphonic.|#124: Do less, do it better.|#119: Be a space of production.|#54: What about disabled artists?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#137: Use the publication as programming space|#94: No objections? Just do it.|#117: Consider design, organisational structures and architecture as programme.|#132: Things will always look weird when you’re the first doing it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#14: Can you also remain a toddler institution?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#35: The artist fee should be good.|#59: Always protect the floor when painting (or pouring concrete)|#89: Build-in impurity within the organisation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#39: Be the early stepping stone in an artist’s career|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#6: Demand that visitors are active.|#4: Pay what you can.|#37: Operate with radical transparency.|#64: Arrange a distribution of forces.|#10: Don’t be obsessed with numbers.|#32: Be pan-gender polyphonic.|#124: Do less, do it better.|#119: Be a space of production.|#54: What about disabled artists?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|
