#53: Immaterial support for artists is important.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#89: Build-in impurity within the organisation.|#105: Kunsthal Gent is local in scale, but globally connected.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#20: Are exhibitions the most suitable form for the art that we present?|#111: Do it together.|#84: The White Cube is a lie.|#44: No name tags at dinner.|#15: Kunsthal Gent aims to be an extension of public space.|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#137: Use the publication as programming space|#68: Once in a while we need to get out of utopia and get something done.|#56: Take a lunch break.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#132: Things will always look weird when you’re the first doing it.|#34: We pay artists.|#107: Build a community / scene.|#35: The artist fee should be good.|#14: Can you also remain a toddler institution?|#39: Be the early stepping stone in an artist’s career|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#53: Immaterial support for artists is important.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#89: Build-in impurity within the organisation.|#105: Kunsthal Gent is local in scale, but globally connected.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#20: Are exhibitions the most suitable form for the art that we present?|#111: Do it together.|#84: The White Cube is a lie.|#44: No name tags at dinner.|#15: Kunsthal Gent aims to be an extension of public space.|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#137: Use the publication as programming space|#68: Once in a while we need to get out of utopia and get something done.|#56: Take a lunch break.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#132: Things will always look weird when you’re the first doing it.|#34: We pay artists.|#107: Build a community / scene.|#35: The artist fee should be good.|#14: Can you also remain a toddler institution?|#39: Be the early stepping stone in an artist’s career|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|
