#36: We support production separately.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#64: Arrange a distribution of forces.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#35: The artist fee should be good.|#14: Can you also remain a toddler institution?|#62: Be kind. Full dishwasher: empty it.|#54: What about disabled artists?|#28: Make Contracts.|#59: Always protect the floor when painting (or pouring concrete)|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#99: Evolve according to changing needs.|#68: Once in a while we need to get out of utopia and get something done.|#107: Build a community / scene.|#105: Kunsthal Gent is local in scale, but globally connected.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#30: Don’t work with artists who are assholes.|#112: Spaces today don’t need to be curated, but occupied.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#44: No name tags at dinner.|#53: Immaterial support for artists is important.|#132: Things will always look weird when you’re the first doing it.|#36: We support production separately.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#64: Arrange a distribution of forces.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#35: The artist fee should be good.|#14: Can you also remain a toddler institution?|#62: Be kind. Full dishwasher: empty it.|#54: What about disabled artists?|#28: Make Contracts.|#59: Always protect the floor when painting (or pouring concrete)|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#99: Evolve according to changing needs.|#68: Once in a while we need to get out of utopia and get something done.|#107: Build a community / scene.|#105: Kunsthal Gent is local in scale, but globally connected.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#30: Don’t work with artists who are assholes.|#112: Spaces today don’t need to be curated, but occupied.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#44: No name tags at dinner.|#53: Immaterial support for artists is important.|#132: Things will always look weird when you’re the first doing it.|
