#21: Live with the exhibition, spend time with it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#16: Kunsthal Gent will always be a construction site.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#98: The success of it will not lie in the result but in the process.|#39: Be the early stepping stone in an artist’s career|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#81: Things come alive when there is friction.|#99: Evolve according to changing needs.|#90: The best systems have a failure or ‘a hole’ in them…|#28: Make Contracts.|#92: We’re a learning organisation.|#74: Last one out turns of the lights.|#124: Do less, do it better.|#137: Use the publication as programming space|#84: The White Cube is a lie.|#89: Build-in impurity within the organisation.|#111: Do it together.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#35: The artist fee should be good.|#117: Consider design, organisational structures and architecture as programme.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#21: Live with the exhibition, spend time with it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#16: Kunsthal Gent will always be a construction site.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#98: The success of it will not lie in the result but in the process.|#39: Be the early stepping stone in an artist’s career|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#81: Things come alive when there is friction.|#99: Evolve according to changing needs.|#90: The best systems have a failure or ‘a hole’ in them…|#28: Make Contracts.|#92: We’re a learning organisation.|#74: Last one out turns of the lights.|#124: Do less, do it better.|#137: Use the publication as programming space|#84: The White Cube is a lie.|#89: Build-in impurity within the organisation.|#111: Do it together.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#35: The artist fee should be good.|#117: Consider design, organisational structures and architecture as programme.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|
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Opening: 22.11.2019 – 19:00

22.11—∞

Exhibition

Charlotte Stuby:
Keepsake

CHARLOTTE STUBY (CH)
Keepsake
Kunsthal Gent, 22/11/19 — ∞

Opening on Friday 22 November 2019
Musical performance at 20:00


Keepsake is a textile installation by Charlotte Stuby created for Kunsthal Gent.

Charlotte Stuby's research on textile in urban landscapes reflects a fascination for its functionality. Her work not only forms a reaction on observations and memories but also plays with existing ideas related to classical tapestry such as layout, scale, fragility and shape. Furthermore, her work questions the use of symbols and landmarks as a common practice, when appropriations become the subject of new stories. By the use of « appliqué » technique and embroidery, an overlap of (non-) references and (non-) figurative shapes turn into a narrative composition, completed by primary colours.

For this installation, textile becomes a central element of the historical architecture of Kunsthal Gent. The mural hanging redefines the space by recomposing its chronology. Charlotte Stuby's work ties in with Kunsthal Gent's Endless Exhibition, in which works do not have a definitive place but can be moved or adapted in the future. Her installation aims at involving inside and outside of the building, as a banner for the ever-changing future of Kunsthal Gent.

Charlotte Stuby (1989, CH) lives and works in Brussels. After a Bachelor’s degree in Visual Arts at ECwAL in Lausanne (CH) in 2013, Stuby continued her studies in Belgium and obtained a Master’s degree in Textile Design at LUCA School of Arts in Ghent in 2017.

She participated in several exhibitions in Switzerland (Pazioli, La Placette, Indiana) and Belgium: in Ghent (019, Museum of Moving Practice), Brussels (Sagacity), Leuven (LUCA Biennale). Her book Creature in Reality was published in 2018 by Grafische Cel, LUCA School of Arts, Ghent.

Charlotte Stuby:
Keepsake

MDC KH FEB2022 006 LR

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