#98: The success of it will not lie in the result but in the process.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#94: No objections? Just do it.|#92: We’re a learning organisation.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#20: Are exhibitions the most suitable form for the art that we present?|#17: An exhibition is never finished.|#28: Make Contracts.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#53: Immaterial support for artists is important.|#90: The best systems have a failure or ‘a hole’ in them…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#107: Build a community / scene.|#26: More artists, less borders.|#54: What about disabled artists?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#89: Build-in impurity within the organisation.|#84: The White Cube is a lie.|#82: Clean and sterile looks professional, but really boring.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#4: Pay what you can.|#98: The success of it will not lie in the result but in the process.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#94: No objections? Just do it.|#92: We’re a learning organisation.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#20: Are exhibitions the most suitable form for the art that we present?|#17: An exhibition is never finished.|#28: Make Contracts.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#53: Immaterial support for artists is important.|#90: The best systems have a failure or ‘a hole’ in them…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#107: Build a community / scene.|#26: More artists, less borders.|#54: What about disabled artists?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#89: Build-in impurity within the organisation.|#84: The White Cube is a lie.|#82: Clean and sterile looks professional, but really boring.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#4: Pay what you can.|
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Opening: 13.02.2020 – 14:00

13—15.02.2020

Exhibition

NEIN presents:
Enter Through The Void, Exit Through The Gift Shop

Enter Through The Void, Exit Through The Gift Shop

Enter Through The Void, Exit Through The Gift Shop is a brand new arts festival at CAMPO victoria and Kunsthal Ghent. Next to showcasing international artists that blur the boundaries between performance and visual art, the programme aims to reflect on the ecology of a contemporary arts festival by applying the circle of sustainability and by showing the invisible layers of presentation moments.

For three days a temporary exhibition layer of art installations and beds are placed in Kunsthal Gent. This reproductive zone of the arts festival Enter Through The Void, Exit Through The Gift Shop is installed to provide an accommodation for the performance artists that show their work at CAMPO victoria during the arts festival.

Each day this zone of care is complemented by daily talks hosted by Engagement arts, Caveat & Curators Anonymous.

━━━ Installations / Tents by artists ━ 14:00 - 18:00 ━━━

Lara Grimmelprez & Astrid De Mazière
Joris Kerremans, Sarah Callewaert & Toon Verdonck
Egon Van Herreweghe
Shervin Sheikh Rezaei
Romain Tallet
Juliet Merie, Charlotte Stuby & Danbi Hur
Leon de Bruijne & Eline Harmse
Helen Van de Vloet
Lieselot Siddiki & Luka Lazhuli
Olivier Goethals
Natasha Rijkhoff
Sofia Caesar

━━━ Talks ━ 15:00 - 17:00 ━━━

☿ 13.02 / Engagement arts ☿
Engagement is an artist-led movement tackling sexual harassment, sexism and power abuse in the Belgian arts field.

❤ 14.02 / Caveat ❤
Caveat is a collective research project reflecting and acting on the ecology of artistic practice.

♚ 15.02 / Curators Anonymous ♚
Curators Anonymous, is a non-profit, non-affiliated association of curators in Belgium, founded in 2019 offering a platform for exchange on pressing issues affecting curators.————


Enter Through The Void, Exit Through The Gift Shop is supported by CAMPO, Kunsthal Gent, d e t h e a t e r m a k e r, Stad Gent, Cultuur Gent, Kingdom of the Netherlands and the Flemish Government.

NEIN presents:
Enter Through The Void, Exit Through The Gift Shop

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