#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#132: Things will always look weird when you’re the first doing it.|#55: Keep basic human needs on the forefront.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#37: Operate with radical transparency.|#81: Things come alive when there is friction.|#2: Bring something new to the city of Ghent.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#64: Arrange a distribution of forces.|#30: Don’t work with artists who are assholes.|#111: Do it together.|#91: Embrace doubt.|#21: Live with the exhibition, spend time with it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#15: Kunsthal Gent aims to be an extension of public space.|#61: No all male install teams.|#14: Can you also remain a toddler institution?|#6: Demand that visitors are active.|#40: Follow the artist|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#53: Immaterial support for artists is important.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#132: Things will always look weird when you’re the first doing it.|#55: Keep basic human needs on the forefront.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#37: Operate with radical transparency.|#81: Things come alive when there is friction.|#2: Bring something new to the city of Ghent.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#64: Arrange a distribution of forces.|#30: Don’t work with artists who are assholes.|#111: Do it together.|#91: Embrace doubt.|#21: Live with the exhibition, spend time with it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#15: Kunsthal Gent aims to be an extension of public space.|#61: No all male install teams.|#14: Can you also remain a toddler institution?|#6: Demand that visitors are active.|#40: Follow the artist|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#53: Immaterial support for artists is important.|