#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#64: Arrange a distribution of forces.|#56: Take a lunch break.|#81: Things come alive when there is friction.|#16: Kunsthal Gent will always be a construction site.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#137: Use the publication as programming space|#111: Do it together.|#32: Be pan-gender polyphonic.|#17: An exhibition is never finished.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#124: Do less, do it better.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#10: Don’t be obsessed with numbers.|#29: We make the program for the artist that we exhibit.|#44: No name tags at dinner.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#39: Be the early stepping stone in an artist’s career|#54: What about disabled artists?|#28: Make Contracts.|#6: Demand that visitors are active.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#64: Arrange a distribution of forces.|#56: Take a lunch break.|#81: Things come alive when there is friction.|#16: Kunsthal Gent will always be a construction site.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#137: Use the publication as programming space|#111: Do it together.|#32: Be pan-gender polyphonic.|#17: An exhibition is never finished.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#124: Do less, do it better.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#10: Don’t be obsessed with numbers.|#29: We make the program for the artist that we exhibit.|#44: No name tags at dinner.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#39: Be the early stepping stone in an artist’s career|#54: What about disabled artists?|#28: Make Contracts.|#6: Demand that visitors are active.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|
