#10: Don’t be obsessed with numbers.|#61: No all male install teams.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#81: Things come alive when there is friction.|#137: Use the publication as programming space|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#51: How do we invite the true unknown?|#29: We make the program for the artist that we exhibit.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#65: No excuses: Thursday morning, team meeting.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#17: An exhibition is never finished.|#44: No name tags at dinner.|#59: Always protect the floor when painting (or pouring concrete)|#35: The artist fee should be good.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#6: Demand that visitors are active.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#30: Don’t work with artists who are assholes.|#19: Have fun at the exhibition.|#90: The best systems have a failure or ‘a hole’ in them…|#10: Don’t be obsessed with numbers.|#61: No all male install teams.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#81: Things come alive when there is friction.|#137: Use the publication as programming space|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#51: How do we invite the true unknown?|#29: We make the program for the artist that we exhibit.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#65: No excuses: Thursday morning, team meeting.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#17: An exhibition is never finished.|#44: No name tags at dinner.|#59: Always protect the floor when painting (or pouring concrete)|#35: The artist fee should be good.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#6: Demand that visitors are active.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#30: Don’t work with artists who are assholes.|#19: Have fun at the exhibition.|#90: The best systems have a failure or ‘a hole’ in them…|
