#20: Are exhibitions the most suitable form for the art that we present?|#2: Bring something new to the city of Ghent.|#32: Be pan-gender polyphonic.|#30: Don’t work with artists who are assholes.|#94: No objections? Just do it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#44: No name tags at dinner.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#137: Use the publication as programming space|#37: Operate with radical transparency.|#10: Don’t be obsessed with numbers.|#107: Build a community / scene.|#74: Last one out turns of the lights.|#111: Do it together.|#81: Things come alive when there is friction.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#19: Have fun at the exhibition.|#82: Clean and sterile looks professional, but really boring.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#59: Always protect the floor when painting (or pouring concrete)|#55: Keep basic human needs on the forefront.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#64: Arrange a distribution of forces.|#20: Are exhibitions the most suitable form for the art that we present?|#2: Bring something new to the city of Ghent.|#32: Be pan-gender polyphonic.|#30: Don’t work with artists who are assholes.|#94: No objections? Just do it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#44: No name tags at dinner.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#137: Use the publication as programming space|#37: Operate with radical transparency.|#10: Don’t be obsessed with numbers.|#107: Build a community / scene.|#74: Last one out turns of the lights.|#111: Do it together.|#81: Things come alive when there is friction.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#19: Have fun at the exhibition.|#82: Clean and sterile looks professional, but really boring.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#59: Always protect the floor when painting (or pouring concrete)|#55: Keep basic human needs on the forefront.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#64: Arrange a distribution of forces.|
