#10: Don’t be obsessed with numbers.|#61: No all male install teams.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#81: Things come alive when there is friction.|#137: Use the publication as programming space|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#51: How do we invite the true unknown?|#29: We make the program for the artist that we exhibit.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#65: No excuses: Thursday morning, team meeting.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#17: An exhibition is never finished.|#44: No name tags at dinner.|#59: Always protect the floor when painting (or pouring concrete)|#35: The artist fee should be good.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#6: Demand that visitors are active.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#30: Don’t work with artists who are assholes.|#19: Have fun at the exhibition.|#90: The best systems have a failure or ‘a hole’ in them…|#10: Don’t be obsessed with numbers.|#61: No all male install teams.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#81: Things come alive when there is friction.|#137: Use the publication as programming space|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#51: How do we invite the true unknown?|#29: We make the program for the artist that we exhibit.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#65: No excuses: Thursday morning, team meeting.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#17: An exhibition is never finished.|#44: No name tags at dinner.|#59: Always protect the floor when painting (or pouring concrete)|#35: The artist fee should be good.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#6: Demand that visitors are active.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#30: Don’t work with artists who are assholes.|#19: Have fun at the exhibition.|#90: The best systems have a failure or ‘a hole’ in them…|
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Opening: 25.01.2019 – 18:00

25.01—12.05.2019

Exhibition

Platform voor Grafisch Ontwerp

The graphic identity of Kunsthal Gent functions as a medium for communication, but also as a platform for graphic designers. The aim is to position ourselves in contrast with and in protest against the standardisation of communication—a trend that is unfortunately creeping into the broader cultural sector, whereby the viewer’s graphic preferences are confirmed rather than surprised. In collaboration with LUCA School Of Arts (Inge Ketelers) and KASK School Of Arts (Thomas Desmet), Kunsthal Gent invited 9 designers to create a poster for one of the activities during the opening weekend, taking into account an element provided by Kunsthal.

Designers:

Hermine Cooreman, Bart de Baets, Sara De Bondt, Daphne Pannier, Audrey Quaranta, Amina Saadi, Lennart Van den Bossche, Lien Van Leemput and Maud Vervenne

Platform voor Grafisch Ontwerp

MDC KH posters2 MR