#26: More artists, less borders.|#92: We’re a learning organisation.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#81: Things come alive when there is friction.|#55: Keep basic human needs on the forefront.|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#36: We support production separately.|#137: Use the publication as programming space|#98: The success of it will not lie in the result but in the process.|#91: Embrace doubt.|#62: Be kind. Full dishwasher: empty it.|#117: Consider design, organisational structures and architecture as programme.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#29: We make the program for the artist that we exhibit.|#89: Build-in impurity within the organisation.|#37: Operate with radical transparency.|#61: No all male install teams.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#84: The White Cube is a lie.|#35: The artist fee should be good.|#6: Demand that visitors are active.|#26: More artists, less borders.|#92: We’re a learning organisation.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#81: Things come alive when there is friction.|#55: Keep basic human needs on the forefront.|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#36: We support production separately.|#137: Use the publication as programming space|#98: The success of it will not lie in the result but in the process.|#91: Embrace doubt.|#62: Be kind. Full dishwasher: empty it.|#117: Consider design, organisational structures and architecture as programme.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#29: We make the program for the artist that we exhibit.|#89: Build-in impurity within the organisation.|#37: Operate with radical transparency.|#61: No all male install teams.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#84: The White Cube is a lie.|#35: The artist fee should be good.|#6: Demand that visitors are active.|
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Opening: 25.01.2019 – 17:00

25.01—∞

Exhibition

Steve Van den Bosch:
Unreliable Sources

Untitled
2020
Material and d
imensions to be determined
A text about an undefined future work will be written by curator Post Brothers over the course of a year. Each draft of the text will be exhibited according to its progress.

Autocorrect
2019
Neon, timer

I know but when you ask me, I don’t
2012
Audio
A digital recording of the spoken title was stretched to match the duration of the exhibition’s opening hours.

Steve Van den Bosch (1975, BE) lives and works in Brussels and Antwerp, Belgium. His work has been described as balancing between invisibility and undeniable materiality. The often reduced appearance of his work is concerned with the artwork’s periphery. Not confined to any specific medium his practice focuses on the conditions that define (a) work and the often distorted outcomes of linear reasoning.

His work has been widely shown internationally at, a.o. : The Front Room, Contemporary Art Museum St. Louis, USA; Shanghai Biennale, CN; Kunsthalle Bern, CH; FormContent, London, UK and Witte de With, Rotterdam, NL.

Steve Van den Bosch:
Unreliable Sources

Steve van Den Bosch, Untitled, 2020, material and dimensions to be determined, photo © Michiel De Cleene

RELATED EVENTS

EXHIBITION VIEWS
Steve van Den Bosch, Autocorrect, 2019, neon & timer, photo © Michiel De Cleene Steve van Den Bosch, Autocorrect, 2019, neon & timer, photo © Michiel De Cleene
Steve van Den Bosch, I know but when you ask me, I don't, 2012, audio, photo © Michiel De Cleene Steve van Den Bosch, I know but when you ask me, I don't, 2012, audio, photo © Michiel De Cleene
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