#39: Be the early stepping stone in an artist’s career|#53: Immaterial support for artists is important.|#117: Consider design, organisational structures and architecture as programme.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#99: Evolve according to changing needs.|#64: Arrange a distribution of forces.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#68: Once in a while we need to get out of utopia and get something done.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#119: Be a space of production.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#44: No name tags at dinner.|#17: An exhibition is never finished.|#35: The artist fee should be good.|#98: The success of it will not lie in the result but in the process.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#84: The White Cube is a lie.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#81: Things come alive when there is friction.|#62: Be kind. Full dishwasher: empty it.|#89: Build-in impurity within the organisation.|#111: Do it together.|#40: Follow the artist|#39: Be the early stepping stone in an artist’s career|#53: Immaterial support for artists is important.|#117: Consider design, organisational structures and architecture as programme.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#99: Evolve according to changing needs.|#64: Arrange a distribution of forces.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#68: Once in a while we need to get out of utopia and get something done.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#119: Be a space of production.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#44: No name tags at dinner.|#17: An exhibition is never finished.|#35: The artist fee should be good.|#98: The success of it will not lie in the result but in the process.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#84: The White Cube is a lie.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#81: Things come alive when there is friction.|#62: Be kind. Full dishwasher: empty it.|#89: Build-in impurity within the organisation.|#111: Do it together.|#40: Follow the artist|
