#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#59: Always protect the floor when painting (or pouring concrete)|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#37: Operate with radical transparency.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#39: Be the early stepping stone in an artist’s career|#61: No all male install teams.|#81: Things come alive when there is friction.|#91: Embrace doubt.|#111: Do it together.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#54: What about disabled artists?|#10: Don’t be obsessed with numbers.|#68: Once in a while we need to get out of utopia and get something done.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#82: Clean and sterile looks professional, but really boring.|#40: Follow the artist|#53: Immaterial support for artists is important.|#65: No excuses: Thursday morning, team meeting.|#15: Kunsthal Gent aims to be an extension of public space.|#4: Pay what you can.|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#59: Always protect the floor when painting (or pouring concrete)|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#37: Operate with radical transparency.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#39: Be the early stepping stone in an artist’s career|#61: No all male install teams.|#81: Things come alive when there is friction.|#91: Embrace doubt.|#111: Do it together.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#54: What about disabled artists?|#10: Don’t be obsessed with numbers.|#68: Once in a while we need to get out of utopia and get something done.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#82: Clean and sterile looks professional, but really boring.|#40: Follow the artist|#53: Immaterial support for artists is important.|#65: No excuses: Thursday morning, team meeting.|#15: Kunsthal Gent aims to be an extension of public space.|#4: Pay what you can.|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|
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Kunstal Gent is accessible, also for less mobile visitors and persons with an auditory or visual handicap.

Less mobile visitors
  • All stairs and steps on the ground floor are provided with a slope.
  • There are benches in the hall church and adapted toilets.
  • Kunsthal Gent is located on the edge of the Patershol and surrounded by cobbled streets.
  • The first floor (KHG#01 and KHG#03) is currently only accessible via stairs.
Persons with an auditory handicap
  • Informative room texts are available in the museum.
  • Most of the works in Kunsthal Gent are very visual.
  • All film fragments are subtitled (always in English, sometimes additionally in Dutch).
Persons with a visual handicap
  • Guide dogs are welcome in the museum.