#44: No name tags at dinner.|#74: Last one out turns of the lights.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#119: Be a space of production.|#39: Be the early stepping stone in an artist’s career|#124: Do less, do it better.|#20: Are exhibitions the most suitable form for the art that we present?|#107: Build a community / scene.|#137: Use the publication as programming space|#94: No objections? Just do it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#35: The artist fee should be good.|#84: The White Cube is a lie.|#17: An exhibition is never finished.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#34: We pay artists.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#127: Remain practical: what happens to the work in an endless exhibition?|#53: Immaterial support for artists is important.|#62: Be kind. Full dishwasher: empty it.|#4: Pay what you can.|#61: No all male install teams.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#44: No name tags at dinner.|#74: Last one out turns of the lights.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#119: Be a space of production.|#39: Be the early stepping stone in an artist’s career|#124: Do less, do it better.|#20: Are exhibitions the most suitable form for the art that we present?|#107: Build a community / scene.|#137: Use the publication as programming space|#94: No objections? Just do it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#35: The artist fee should be good.|#84: The White Cube is a lie.|#17: An exhibition is never finished.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#34: We pay artists.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#127: Remain practical: what happens to the work in an endless exhibition?|#53: Immaterial support for artists is important.|#62: Be kind. Full dishwasher: empty it.|#4: Pay what you can.|#61: No all male install teams.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|
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Kunstal Gent is accessible, also for less mobile visitors and persons with an auditory or visual handicap.

Less mobile visitors
  • All stairs and steps on the ground floor are provided with a slope.
  • There are benches in the hall church and adapted toilets.
  • Kunsthal Gent is located on the edge of the Patershol and surrounded by cobbled streets.
  • The first floor (KHG#01 and KHG#03) is currently only accessible via stairs.
Persons with an auditory handicap
  • Informative room texts are available in the museum.
  • Most of the works in Kunsthal Gent are very visual.
  • All film fragments are subtitled (always in English, sometimes additionally in Dutch).
Persons with a visual handicap
  • Guide dogs are welcome in the museum.