#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#105: Kunsthal Gent is local in scale, but globally connected.|#40: Follow the artist|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#107: Build a community / scene.|#137: Use the publication as programming space|#10: Don’t be obsessed with numbers.|#37: Operate with radical transparency.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#55: Keep basic human needs on the forefront.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#61: No all male install teams.|#132: Things will always look weird when you’re the first doing it.|#17: An exhibition is never finished.|#68: Once in a while we need to get out of utopia and get something done.|#84: The White Cube is a lie.|#28: Make Contracts.|#127: Remain practical: what happens to the work in an endless exhibition?|#34: We pay artists.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#94: No objections? Just do it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#2: Bring something new to the city of Ghent.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#105: Kunsthal Gent is local in scale, but globally connected.|#40: Follow the artist|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#107: Build a community / scene.|#137: Use the publication as programming space|#10: Don’t be obsessed with numbers.|#37: Operate with radical transparency.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#55: Keep basic human needs on the forefront.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#61: No all male install teams.|#132: Things will always look weird when you’re the first doing it.|#17: An exhibition is never finished.|#68: Once in a while we need to get out of utopia and get something done.|#84: The White Cube is a lie.|#28: Make Contracts.|#127: Remain practical: what happens to the work in an endless exhibition?|#34: We pay artists.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#94: No objections? Just do it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#2: Bring something new to the city of Ghent.|
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Kunstal Gent is accessible, also for less mobile visitors and persons with an auditory or visual handicap.

Less mobile visitors
  • All stairs and steps on the ground floor are provided with a slope.
  • There are benches in the hall church and adapted toilets.
  • Kunsthal Gent is located on the edge of the Patershol and surrounded by cobbled streets.
  • The first floor (KHG#01 and KHG#03) is currently only accessible via stairs.
Persons with an auditory handicap
  • Informative room texts are available in the museum.
  • Most of the works in Kunsthal Gent are very visual.
  • All film fragments are subtitled (always in English, sometimes additionally in Dutch).
Persons with a visual handicap
  • Guide dogs are welcome in the museum.