#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#111: Do it together.|#59: Always protect the floor when painting (or pouring concrete)|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#29: We make the program for the artist that we exhibit.|#21: Live with the exhibition, spend time with it.|#51: How do we invite the true unknown?|#34: We pay artists.|#127: Remain practical: what happens to the work in an endless exhibition?|#32: Be pan-gender polyphonic.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#105: Kunsthal Gent is local in scale, but globally connected.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#39: Be the early stepping stone in an artist’s career|#28: Make Contracts.|#37: Operate with radical transparency.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#99: Evolve according to changing needs.|#4: Pay what you can.|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#111: Do it together.|#59: Always protect the floor when painting (or pouring concrete)|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#29: We make the program for the artist that we exhibit.|#21: Live with the exhibition, spend time with it.|#51: How do we invite the true unknown?|#34: We pay artists.|#127: Remain practical: what happens to the work in an endless exhibition?|#32: Be pan-gender polyphonic.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#105: Kunsthal Gent is local in scale, but globally connected.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#39: Be the early stepping stone in an artist’s career|#28: Make Contracts.|#37: Operate with radical transparency.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#99: Evolve according to changing needs.|#4: Pay what you can.|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|