#39: Be the early stepping stone in an artist’s career|#29: We make the program for the artist that we exhibit.|#32: Be pan-gender polyphonic.|#94: No objections? Just do it.|#28: Make Contracts.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#4: Pay what you can.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#98: The success of it will not lie in the result but in the process.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#124: Do less, do it better.|#81: Things come alive when there is friction.|#62: Be kind. Full dishwasher: empty it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#53: Immaterial support for artists is important.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#51: How do we invite the true unknown?|#90: The best systems have a failure or ‘a hole’ in them…|#54: What about disabled artists?|#68: Once in a while we need to get out of utopia and get something done.|#117: Consider design, organisational structures and architecture as programme.|#112: Spaces today don’t need to be curated, but occupied.|#107: Build a community / scene.|#74: Last one out turns of the lights.|#39: Be the early stepping stone in an artist’s career|#29: We make the program for the artist that we exhibit.|#32: Be pan-gender polyphonic.|#94: No objections? Just do it.|#28: Make Contracts.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#4: Pay what you can.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#98: The success of it will not lie in the result but in the process.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#124: Do less, do it better.|#81: Things come alive when there is friction.|#62: Be kind. Full dishwasher: empty it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#53: Immaterial support for artists is important.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#51: How do we invite the true unknown?|#90: The best systems have a failure or ‘a hole’ in them…|#54: What about disabled artists?|#68: Once in a while we need to get out of utopia and get something done.|#117: Consider design, organisational structures and architecture as programme.|#112: Spaces today don’t need to be curated, but occupied.|#107: Build a community / scene.|#74: Last one out turns of the lights.|
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A group visit to Kunsthal Gent?

During the week Kunsthal Gent welcomes groups and schools. Send an email with your wishes via the button below. Then we plan a tailor-made visit that suits your group together.

Also the Ghent guides association Gandante offers guided tours in Kunsthal Gent. Their focus is mainly on the rich history of the Caermersklooster, but also the rich history of the fourteenth-century monastery is discussed.

  • A tour for a group of 1 hour costs 60 euros, a tour of up to 2 hours costs 90 euros. Mail info@gandante.be for information and bookings.
  • Open tours also take place on a regular basis, starting at 8 euros per person. Dates, registration and more information via the website of Gandante.