#35: The artist fee should be good.|#39: Be the early stepping stone in an artist’s career|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#105: Kunsthal Gent is local in scale, but globally connected.|#26: More artists, less borders.|#15: Kunsthal Gent aims to be an extension of public space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#65: No excuses: Thursday morning, team meeting.|#119: Be a space of production.|#6: Demand that visitors are active.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#89: Build-in impurity within the organisation.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#19: Have fun at the exhibition.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#132: Things will always look weird when you’re the first doing it.|#20: Are exhibitions the most suitable form for the art that we present?|#84: The White Cube is a lie.|#99: Evolve according to changing needs.|#10: Don’t be obsessed with numbers.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#39: Be the early stepping stone in an artist’s career|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#105: Kunsthal Gent is local in scale, but globally connected.|#26: More artists, less borders.|#15: Kunsthal Gent aims to be an extension of public space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#65: No excuses: Thursday morning, team meeting.|#119: Be a space of production.|#6: Demand that visitors are active.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#89: Build-in impurity within the organisation.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#19: Have fun at the exhibition.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#132: Things will always look weird when you’re the first doing it.|#20: Are exhibitions the most suitable form for the art that we present?|#84: The White Cube is a lie.|#99: Evolve according to changing needs.|#10: Don’t be obsessed with numbers.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#117: Consider design, organisational structures and architecture as programme.|