#15: Kunsthal Gent aims to be an extension of public space.|#36: We support production separately.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#34: We pay artists.|#112: Spaces today don’t need to be curated, but occupied.|#29: We make the program for the artist that we exhibit.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#53: Immaterial support for artists is important.|#10: Don’t be obsessed with numbers.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#84: The White Cube is a lie.|#137: Use the publication as programming space|#55: Keep basic human needs on the forefront.|#40: Follow the artist|#89: Build-in impurity within the organisation.|#14: Can you also remain a toddler institution?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#62: Be kind. Full dishwasher: empty it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#15: Kunsthal Gent aims to be an extension of public space.|#36: We support production separately.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#34: We pay artists.|#112: Spaces today don’t need to be curated, but occupied.|#29: We make the program for the artist that we exhibit.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#53: Immaterial support for artists is important.|#10: Don’t be obsessed with numbers.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#84: The White Cube is a lie.|#137: Use the publication as programming space|#55: Keep basic human needs on the forefront.|#40: Follow the artist|#89: Build-in impurity within the organisation.|#14: Can you also remain a toddler institution?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#62: Be kind. Full dishwasher: empty it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|