#132: Things will always look weird when you’re the first doing it.|#82: Clean and sterile looks professional, but really boring.|#36: We support production separately.|#28: Make Contracts.|#39: Be the early stepping stone in an artist’s career|#68: Once in a while we need to get out of utopia and get something done.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#90: The best systems have a failure or ‘a hole’ in them…|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#29: We make the program for the artist that we exhibit.|#51: How do we invite the true unknown?|#40: Follow the artist|#26: More artists, less borders.|#99: Evolve according to changing needs.|#54: What about disabled artists?|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#119: Be a space of production.|#74: Last one out turns of the lights.|#21: Live with the exhibition, spend time with it.|#59: Always protect the floor when painting (or pouring concrete)|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#91: Embrace doubt.|#55: Keep basic human needs on the forefront.|#132: Things will always look weird when you’re the first doing it.|#82: Clean and sterile looks professional, but really boring.|#36: We support production separately.|#28: Make Contracts.|#39: Be the early stepping stone in an artist’s career|#68: Once in a while we need to get out of utopia and get something done.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#90: The best systems have a failure or ‘a hole’ in them…|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#29: We make the program for the artist that we exhibit.|#51: How do we invite the true unknown?|#40: Follow the artist|#26: More artists, less borders.|#99: Evolve according to changing needs.|#54: What about disabled artists?|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#119: Be a space of production.|#74: Last one out turns of the lights.|#21: Live with the exhibition, spend time with it.|#59: Always protect the floor when painting (or pouring concrete)|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#91: Embrace doubt.|#55: Keep basic human needs on the forefront.|
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Kunsthal Gent – Lange Steenstraat 14 – 9000 Gent

During the weekend, Kunsthal Gent is an exhibition space where you determine the ticket price yourself (Pay What You Can).

On working days it is a workplace for artists and artistic organisations, but there are also public activities: from lectures and workshops to screenings and performances.

Opening Hours

Saturday and Sunday from 11.00 am to 6.00 pm.

Kunsthal Gent will be closed in September due to construction. We look forward to welcoming you to our brand new bar and opening on September 30.

Ticket price during opening hours

Pay What You Can!

PWYC2
UiTPAS

Kunsthal Gent is a UiTPAS partner. UiTPAS is a savings and benefits card for all kinds of leisure activities in Ghent. Are you coming to visit Kunsthal Gent? Don't forget your UiTPAS and save a point!

More info about UiTPAS