#132: Things will always look weird when you’re the first doing it.|#82: Clean and sterile looks professional, but really boring.|#36: We support production separately.|#28: Make Contracts.|#39: Be the early stepping stone in an artist’s career|#68: Once in a while we need to get out of utopia and get something done.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#90: The best systems have a failure or ‘a hole’ in them…|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#29: We make the program for the artist that we exhibit.|#51: How do we invite the true unknown?|#40: Follow the artist|#26: More artists, less borders.|#99: Evolve according to changing needs.|#54: What about disabled artists?|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#119: Be a space of production.|#74: Last one out turns of the lights.|#21: Live with the exhibition, spend time with it.|#59: Always protect the floor when painting (or pouring concrete)|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#91: Embrace doubt.|#55: Keep basic human needs on the forefront.|#132: Things will always look weird when you’re the first doing it.|#82: Clean and sterile looks professional, but really boring.|#36: We support production separately.|#28: Make Contracts.|#39: Be the early stepping stone in an artist’s career|#68: Once in a while we need to get out of utopia and get something done.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#90: The best systems have a failure or ‘a hole’ in them…|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#29: We make the program for the artist that we exhibit.|#51: How do we invite the true unknown?|#40: Follow the artist|#26: More artists, less borders.|#99: Evolve according to changing needs.|#54: What about disabled artists?|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#119: Be a space of production.|#74: Last one out turns of the lights.|#21: Live with the exhibition, spend time with it.|#59: Always protect the floor when painting (or pouring concrete)|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#91: Embrace doubt.|#55: Keep basic human needs on the forefront.|
