#137: Use the publication as programming space|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#37: Operate with radical transparency.|#132: Things will always look weird when you’re the first doing it.|#64: Arrange a distribution of forces.|#59: Always protect the floor when painting (or pouring concrete)|#54: What about disabled artists?|#53: Immaterial support for artists is important.|#29: We make the program for the artist that we exhibit.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#90: The best systems have a failure or ‘a hole’ in them…|#107: Build a community / scene.|#62: Be kind. Full dishwasher: empty it.|#55: Keep basic human needs on the forefront.|#44: No name tags at dinner.|#32: Be pan-gender polyphonic.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#91: Embrace doubt.|#68: Once in a while we need to get out of utopia and get something done.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#84: The White Cube is a lie.|#34: We pay artists.|#28: Make Contracts.|#137: Use the publication as programming space|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#37: Operate with radical transparency.|#132: Things will always look weird when you’re the first doing it.|#64: Arrange a distribution of forces.|#59: Always protect the floor when painting (or pouring concrete)|#54: What about disabled artists?|#53: Immaterial support for artists is important.|#29: We make the program for the artist that we exhibit.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#90: The best systems have a failure or ‘a hole’ in them…|#107: Build a community / scene.|#62: Be kind. Full dishwasher: empty it.|#55: Keep basic human needs on the forefront.|#44: No name tags at dinner.|#32: Be pan-gender polyphonic.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#91: Embrace doubt.|#68: Once in a while we need to get out of utopia and get something done.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#84: The White Cube is a lie.|#34: We pay artists.|#28: Make Contracts.|
