#111: Do it together.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#44: No name tags at dinner.|#74: Last one out turns of the lights.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#99: Evolve according to changing needs.|#68: Once in a while we need to get out of utopia and get something done.|#132: Things will always look weird when you’re the first doing it.|#37: Operate with radical transparency.|#4: Pay what you can.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#36: We support production separately.|#53: Immaterial support for artists is important.|#14: Can you also remain a toddler institution?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#30: Don’t work with artists who are assholes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#59: Always protect the floor when painting (or pouring concrete)|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#26: More artists, less borders.|#61: No all male install teams.|#98: The success of it will not lie in the result but in the process.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#111: Do it together.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#44: No name tags at dinner.|#74: Last one out turns of the lights.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#99: Evolve according to changing needs.|#68: Once in a while we need to get out of utopia and get something done.|#132: Things will always look weird when you’re the first doing it.|#37: Operate with radical transparency.|#4: Pay what you can.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#36: We support production separately.|#53: Immaterial support for artists is important.|#14: Can you also remain a toddler institution?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#30: Don’t work with artists who are assholes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#59: Always protect the floor when painting (or pouring concrete)|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#26: More artists, less borders.|#61: No all male install teams.|#98: The success of it will not lie in the result but in the process.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|
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Émilie Brout & Maxime Marion

Werkperiode in Kunsthal Gent: 01.03.2021 - 21.03.2021

De praktijk van Émilie Brout & Maxime Marion (1984 en 1982, wonen en werken in Parijs) richt zich op de cultuur en het gebruik van het web: ze werken vaak met en rond het internet. Hun werk krijgt vorm in verschillende media, maar ze onderzoeken in het bijzonder het medium video, waarvan ze de grenzen opzoeken via niet-lineaire verhaallijnen, video’s zonder einde, en de context waarin het werk getoond wordt. Door zorgvuldige ontcijfering proberen ze de economische, politieke en juridische specificiteiten van bestaande systemen of structuren te identificeren alvorens ze te infiltreren, en sporen na te laten of erover te rapporteren in hun werk, soms met narratieve vormen. In Kunsthal Gent maken ze een geheel nieuwe film waarin ze onderzoeken hoe het technokapitalisme kan infiltreren in elk klein aspect van ons leven, en hoe het onze perceptie van de wereld en van onszelf verandert. Parallel hieraan ontwikkelen ze discrete installaties die de tentoonstellingsruimte in vraag stellen.

Émilie Brout & Maxime Marion - Na hun studie bij ENSA Nancy en ESA in Aix-en-Provence waren ze twee jaar lang verbonden aan het EnsadLab onderzoekslaboratorium van de Ecole Nationale Supérieure des Arts Décoratifs in Parijs, waar hun samenwerking begon. Hun werk werd onderscheiden door de François Schneider Foundation Prize (2011), de Arte Laguna Digital Art Prize (2014) en de Sciences Po Public Prize for Contemporary Art (2019), en maakt deel uit van de collecties van het FRAC Aquitaine en Poitou-Charentes. Recente solotentoonstellingen: galerie 22,48 m2 , Parijs (2019), Villa du Parc, Annemasse (2018), Pori Art Museum, Pori, Finland (2018) en Steve Turner Gallery, Los Angeles, Verenigde Staten (2017).

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