Apparatus 22 (RO/BE)

#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#127: Remain practical: what happens to the work in an endless exhibition?|#44: No name tags at dinner.|#117: Consider design, organisational structures and architecture as programme.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#84: The White Cube is a lie.|#119: Be a space of production.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#37: Operate with radical transparency.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#111: Do it together.|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#35: The artist fee should be good.|#54: What about disabled artists?|#34: We pay artists.|#94: No objections? Just do it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#137: Use the publication as programming space|#81: Things come alive when there is friction.|#4: Pay what you can.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#17: An exhibition is never finished.|#53: Immaterial support for artists is important.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#127: Remain practical: what happens to the work in an endless exhibition?|#44: No name tags at dinner.|#117: Consider design, organisational structures and architecture as programme.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#84: The White Cube is a lie.|#119: Be a space of production.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#37: Operate with radical transparency.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#111: Do it together.|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#35: The artist fee should be good.|#54: What about disabled artists?|#34: We pay artists.|#94: No objections? Just do it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#137: Use the publication as programming space|#81: Things come alive when there is friction.|#4: Pay what you can.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#17: An exhibition is never finished.|#53: Immaterial support for artists is important.|