#99: Evolve according to changing needs.|#59: Always protect the floor when painting (or pouring concrete)|#28: Make Contracts.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#14: Can you also remain a toddler institution?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#119: Be a space of production.|#30: Don’t work with artists who are assholes.|#15: Kunsthal Gent aims to be an extension of public space.|#64: Arrange a distribution of forces.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#112: Spaces today don’t need to be curated, but occupied.|#91: Embrace doubt.|#20: Are exhibitions the most suitable form for the art that we present?|#90: The best systems have a failure or ‘a hole’ in them…|#4: Pay what you can.|#98: The success of it will not lie in the result but in the process.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#6: Demand that visitors are active.|#137: Use the publication as programming space|#53: Immaterial support for artists is important.|#68: Once in a while we need to get out of utopia and get something done.|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#99: Evolve according to changing needs.|#59: Always protect the floor when painting (or pouring concrete)|#28: Make Contracts.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#14: Can you also remain a toddler institution?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#119: Be a space of production.|#30: Don’t work with artists who are assholes.|#15: Kunsthal Gent aims to be an extension of public space.|#64: Arrange a distribution of forces.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#112: Spaces today don’t need to be curated, but occupied.|#91: Embrace doubt.|#20: Are exhibitions the most suitable form for the art that we present?|#90: The best systems have a failure or ‘a hole’ in them…|#4: Pay what you can.|#98: The success of it will not lie in the result but in the process.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#6: Demand that visitors are active.|#137: Use the publication as programming space|#53: Immaterial support for artists is important.|#68: Once in a while we need to get out of utopia and get something done.|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|
