#99: Evolve according to changing needs.|#59: Always protect the floor when painting (or pouring concrete)|#28: Make Contracts.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#14: Can you also remain a toddler institution?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#119: Be a space of production.|#30: Don’t work with artists who are assholes.|#15: Kunsthal Gent aims to be an extension of public space.|#64: Arrange a distribution of forces.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#112: Spaces today don’t need to be curated, but occupied.|#91: Embrace doubt.|#20: Are exhibitions the most suitable form for the art that we present?|#90: The best systems have a failure or ‘a hole’ in them…|#4: Pay what you can.|#98: The success of it will not lie in the result but in the process.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#6: Demand that visitors are active.|#137: Use the publication as programming space|#53: Immaterial support for artists is important.|#68: Once in a while we need to get out of utopia and get something done.|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#99: Evolve according to changing needs.|#59: Always protect the floor when painting (or pouring concrete)|#28: Make Contracts.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#14: Can you also remain a toddler institution?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#119: Be a space of production.|#30: Don’t work with artists who are assholes.|#15: Kunsthal Gent aims to be an extension of public space.|#64: Arrange a distribution of forces.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#112: Spaces today don’t need to be curated, but occupied.|#91: Embrace doubt.|#20: Are exhibitions the most suitable form for the art that we present?|#90: The best systems have a failure or ‘a hole’ in them…|#4: Pay what you can.|#98: The success of it will not lie in the result but in the process.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#6: Demand that visitors are active.|#137: Use the publication as programming space|#53: Immaterial support for artists is important.|#68: Once in a while we need to get out of utopia and get something done.|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|
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POC POC 2

POC POC is het netwerk en experimenteel platform van The Constant Now, dat jonge beeldende kunstenaars van kleur verbindt met kunstprofessionals. Het project wil nieuw talent mondiger maken door hun netwerk en vaardigheden te verbreden. Het belangrijkste doel is om van elkaar te leren en samen te werken met partners, instellingen en mentoren om de kunstwereld inclusiever en diverser te maken.

De tweede editie, POC POC 2, biedt werksessies van januari 2023 - juni 2024, met workshops, artist talks, locatiebezoeken, private talks en publieke presentaties.

Kunsthal Gent ondersteunt POCPOC 2 via een reeks collectieve werksessies waarin we ons verdiepen in de praktijk van de deelnemende kunstenaars. In het najaar van 2023 wordt een publiek moment georganiseerd.

Kunstenaars POCPOC 2:

Yi Zhang
Günbike erdemir
Souhaila Maalem
Diego Herman
Fatemeh Towhidloo
Brahim Tall
Diane Marie
Shen Ozdemir
Fareed Aziz
Kapinga Muela Kabeya
NML Art Project

Coaches POCPOC 2:

Joachim Naudts (Extra City)
Sorana Munsya (Onafhankelijk curator)
Hélène Dumenil (Ballon Rouge)
Danielle van Zuijlen (Kunsthal Gent)
Magali Elali (The Constant Now)

TCNPOCPOC