#65: No excuses: Thursday morning, team meeting.|#92: We’re a learning organisation.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|#56: Take a lunch break.|#62: Be kind. Full dishwasher: empty it.|#6: Demand that visitors are active.|#127: Remain practical: what happens to the work in an endless exhibition?|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#84: The White Cube is a lie.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#124: Do less, do it better.|#26: More artists, less borders.|#61: No all male install teams.|#19: Have fun at the exhibition.|#37: Operate with radical transparency.|#107: Build a community / scene.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#51: How do we invite the true unknown?|#112: Spaces today don’t need to be curated, but occupied.|#65: No excuses: Thursday morning, team meeting.|#92: We’re a learning organisation.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|#56: Take a lunch break.|#62: Be kind. Full dishwasher: empty it.|#6: Demand that visitors are active.|#127: Remain practical: what happens to the work in an endless exhibition?|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#84: The White Cube is a lie.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#124: Do less, do it better.|#26: More artists, less borders.|#61: No all male install teams.|#19: Have fun at the exhibition.|#37: Operate with radical transparency.|#107: Build a community / scene.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#51: How do we invite the true unknown?|#112: Spaces today don’t need to be curated, but occupied.|
