#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#64: Arrange a distribution of forces.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#54: What about disabled artists?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#94: No objections? Just do it.|#112: Spaces today don’t need to be curated, but occupied.|#10: Don’t be obsessed with numbers.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#34: We pay artists.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#4: Pay what you can.|#55: Keep basic human needs on the forefront.|#30: Don’t work with artists who are assholes.|#37: Operate with radical transparency.|#119: Be a space of production.|#90: The best systems have a failure or ‘a hole’ in them…|#137: Use the publication as programming space|#29: We make the program for the artist that we exhibit.|#40: Follow the artist|#127: Remain practical: what happens to the work in an endless exhibition?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#64: Arrange a distribution of forces.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#54: What about disabled artists?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#94: No objections? Just do it.|#112: Spaces today don’t need to be curated, but occupied.|#10: Don’t be obsessed with numbers.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#34: We pay artists.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#4: Pay what you can.|#55: Keep basic human needs on the forefront.|#30: Don’t work with artists who are assholes.|#37: Operate with radical transparency.|#119: Be a space of production.|#90: The best systems have a failure or ‘a hole’ in them…|#137: Use the publication as programming space|#29: We make the program for the artist that we exhibit.|#40: Follow the artist|#127: Remain practical: what happens to the work in an endless exhibition?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#92: We’re a learning organisation.|
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Croxhapox (BE)

‘Schuivende grond’

Het ontwikkelingsprogramma van Kunsthal Gent ondersteunt 6 kunstenaars, collectieven of kleine organisaties per jaar in hun artistieke ontwikkeling. De eerste deelnemer is croxhapox (1990), een hedendaags experimenteel kunstcentrum in Gent. Sinds 2018 wordt croxhapox herdacht door nieuw artistiek team bestaande uit 5 kunstenaars (Ann De Keersmaecker, Samira El Khadraoui, Stijn Van Dorpe, Maarten Van Luchene en Anyuta Wiazemsky Snauwaert). Sindsdien staan samenwerkingen met andere partijen en het buiten de kunstruimte treden centraal in hun werking.

Tijdens hun residentieperiode in Kunsthal Gent onderzocht het nieuwe artistiek team van croxhapox de parameters voor hun toekomstige werking. De presentaties tijdens het openingsweekend kunnen worden gezien als voorstellingen van hoe croxhapox in de toekomst als nomadisch kunstenaarsinitiatief nieuwe ruimtes en nieuwe manieren van tonen wil onderzoeken. Gedurende het openingsweekend is croxhapox via documenten en sporen aanwezig op de eerste verdieping van de houten constructie in Kunsthal Gent. Daar vind je ook het volledige programma van activiteiten door croxhapox gedurende het openingsweekend.

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