#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#74: Last one out turns of the lights.|#117: Consider design, organisational structures and architecture as programme.|#32: Be pan-gender polyphonic.|#14: Can you also remain a toddler institution?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#92: We’re a learning organisation.|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#15: Kunsthal Gent aims to be an extension of public space.|#21: Live with the exhibition, spend time with it.|#89: Build-in impurity within the organisation.|#17: An exhibition is never finished.|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#65: No excuses: Thursday morning, team meeting.|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#74: Last one out turns of the lights.|#117: Consider design, organisational structures and architecture as programme.|#32: Be pan-gender polyphonic.|#14: Can you also remain a toddler institution?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#92: We’re a learning organisation.|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#15: Kunsthal Gent aims to be an extension of public space.|#21: Live with the exhibition, spend time with it.|#89: Build-in impurity within the organisation.|#17: An exhibition is never finished.|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#65: No excuses: Thursday morning, team meeting.|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|