#74: Last one out turns of the lights.|#65: No excuses: Thursday morning, team meeting.|#26: More artists, less borders.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#64: Arrange a distribution of forces.|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#32: Be pan-gender polyphonic.|#2: Bring something new to the city of Ghent.|#117: Consider design, organisational structures and architecture as programme.|#94: No objections? Just do it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#15: Kunsthal Gent aims to be an extension of public space.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#90: The best systems have a failure or ‘a hole’ in them…|#127: Remain practical: what happens to the work in an endless exhibition?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#74: Last one out turns of the lights.|#65: No excuses: Thursday morning, team meeting.|#26: More artists, less borders.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#64: Arrange a distribution of forces.|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#32: Be pan-gender polyphonic.|#2: Bring something new to the city of Ghent.|#117: Consider design, organisational structures and architecture as programme.|#94: No objections? Just do it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#15: Kunsthal Gent aims to be an extension of public space.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#90: The best systems have a failure or ‘a hole’ in them…|#127: Remain practical: what happens to the work in an endless exhibition?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|