#89: Build-in impurity within the organisation.|#15: Kunsthal Gent aims to be an extension of public space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#91: Embrace doubt.|#19: Have fun at the exhibition.|#127: Remain practical: what happens to the work in an endless exhibition?|#61: No all male install teams.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#20: Are exhibitions the most suitable form for the art that we present?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#32: Be pan-gender polyphonic.|#90: The best systems have a failure or ‘a hole’ in them…|#107: Build a community / scene.|#59: Always protect the floor when painting (or pouring concrete)|#54: What about disabled artists?|#98: The success of it will not lie in the result but in the process.|#119: Be a space of production.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#30: Don’t work with artists who are assholes.|#64: Arrange a distribution of forces.|#17: An exhibition is never finished.|#44: No name tags at dinner.|#35: The artist fee should be good.|#26: More artists, less borders.|#89: Build-in impurity within the organisation.|#15: Kunsthal Gent aims to be an extension of public space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#91: Embrace doubt.|#19: Have fun at the exhibition.|#127: Remain practical: what happens to the work in an endless exhibition?|#61: No all male install teams.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#20: Are exhibitions the most suitable form for the art that we present?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#32: Be pan-gender polyphonic.|#90: The best systems have a failure or ‘a hole’ in them…|#107: Build a community / scene.|#59: Always protect the floor when painting (or pouring concrete)|#54: What about disabled artists?|#98: The success of it will not lie in the result but in the process.|#119: Be a space of production.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#30: Don’t work with artists who are assholes.|#64: Arrange a distribution of forces.|#17: An exhibition is never finished.|#44: No name tags at dinner.|#35: The artist fee should be good.|#26: More artists, less borders.|