#117: Consider design, organisational structures and architecture as programme.|#74: Last one out turns of the lights.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#81: Things come alive when there is friction.|#10: Don’t be obsessed with numbers.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#20: Are exhibitions the most suitable form for the art that we present?|#44: No name tags at dinner.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#59: Always protect the floor when painting (or pouring concrete)|#4: Pay what you can.|#107: Build a community / scene.|#82: Clean and sterile looks professional, but really boring.|#92: We’re a learning organisation.|#91: Embrace doubt.|#39: Be the early stepping stone in an artist’s career|#36: We support production separately.|#90: The best systems have a failure or ‘a hole’ in them…|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#117: Consider design, organisational structures and architecture as programme.|#74: Last one out turns of the lights.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#81: Things come alive when there is friction.|#10: Don’t be obsessed with numbers.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#20: Are exhibitions the most suitable form for the art that we present?|#44: No name tags at dinner.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#59: Always protect the floor when painting (or pouring concrete)|#4: Pay what you can.|#107: Build a community / scene.|#82: Clean and sterile looks professional, but really boring.|#92: We’re a learning organisation.|#91: Embrace doubt.|#39: Be the early stepping stone in an artist’s career|#36: We support production separately.|#90: The best systems have a failure or ‘a hole’ in them…|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|
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De Gebruikershandleiding voor Kunsthal Gent legt uit waar de organisatie uit bestaat, hoe ze is opgericht, voor wie ze is bedoeld, hoe ze kan worden gebruikt en wat ze kan bieden. Ze is bedoeld voor zowel de gebruikers (inclusief het publiek), als voor de medewerkers en de betrokken kunstenaars. De Gebruikershandleiding bestaat uit citaten uit de visietekst van Kunsthal Gent, uit persoonlijke notities en teamvergaderingen, en citaten van sprekers die werden uitgenodigd binnen het najaarsprogramma van 2018.

User's Manual: Draft #1