#117: Consider design, organisational structures and architecture as programme.|#74: Last one out turns of the lights.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#81: Things come alive when there is friction.|#10: Don’t be obsessed with numbers.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#20: Are exhibitions the most suitable form for the art that we present?|#44: No name tags at dinner.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#59: Always protect the floor when painting (or pouring concrete)|#4: Pay what you can.|#107: Build a community / scene.|#82: Clean and sterile looks professional, but really boring.|#92: We’re a learning organisation.|#91: Embrace doubt.|#39: Be the early stepping stone in an artist’s career|#36: We support production separately.|#90: The best systems have a failure or ‘a hole’ in them…|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#117: Consider design, organisational structures and architecture as programme.|#74: Last one out turns of the lights.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#81: Things come alive when there is friction.|#10: Don’t be obsessed with numbers.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#20: Are exhibitions the most suitable form for the art that we present?|#44: No name tags at dinner.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#59: Always protect the floor when painting (or pouring concrete)|#4: Pay what you can.|#107: Build a community / scene.|#82: Clean and sterile looks professional, but really boring.|#92: We’re a learning organisation.|#91: Embrace doubt.|#39: Be the early stepping stone in an artist’s career|#36: We support production separately.|#90: The best systems have a failure or ‘a hole’ in them…|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|