#124: Do less, do it better.|#94: No objections? Just do it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#16: Kunsthal Gent will always be a construction site.|#35: The artist fee should be good.|#82: Clean and sterile looks professional, but really boring.|#62: Be kind. Full dishwasher: empty it.|#19: Have fun at the exhibition.|#65: No excuses: Thursday morning, team meeting.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#55: Keep basic human needs on the forefront.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#64: Arrange a distribution of forces.|#68: Once in a while we need to get out of utopia and get something done.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#53: Immaterial support for artists is important.|#37: Operate with radical transparency.|#124: Do less, do it better.|#94: No objections? Just do it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#16: Kunsthal Gent will always be a construction site.|#35: The artist fee should be good.|#82: Clean and sterile looks professional, but really boring.|#62: Be kind. Full dishwasher: empty it.|#19: Have fun at the exhibition.|#65: No excuses: Thursday morning, team meeting.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#55: Keep basic human needs on the forefront.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#64: Arrange a distribution of forces.|#68: Once in a while we need to get out of utopia and get something done.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#53: Immaterial support for artists is important.|#37: Operate with radical transparency.|
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De Gebruikershandleiding voor Kunsthal Gent legt uit waar de organisatie uit bestaat, hoe ze is opgericht, voor wie ze is bedoeld, hoe ze kan worden gebruikt en wat ze kan bieden. Ze is bedoeld voor zowel de gebruikers (inclusief het publiek), als voor de medewerkers en de betrokken kunstenaars. De Gebruikershandleiding bestaat uit citaten uit de visietekst van Kunsthal Gent, uit persoonlijke notities en teamvergaderingen, en citaten van sprekers die werden uitgenodigd binnen het najaarsprogramma van 2018.

User's Manual: Draft #1