#124: Do less, do it better.|#94: No objections? Just do it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#16: Kunsthal Gent will always be a construction site.|#35: The artist fee should be good.|#82: Clean and sterile looks professional, but really boring.|#62: Be kind. Full dishwasher: empty it.|#19: Have fun at the exhibition.|#65: No excuses: Thursday morning, team meeting.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#55: Keep basic human needs on the forefront.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#64: Arrange a distribution of forces.|#68: Once in a while we need to get out of utopia and get something done.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#53: Immaterial support for artists is important.|#37: Operate with radical transparency.|#124: Do less, do it better.|#94: No objections? Just do it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#16: Kunsthal Gent will always be a construction site.|#35: The artist fee should be good.|#82: Clean and sterile looks professional, but really boring.|#62: Be kind. Full dishwasher: empty it.|#19: Have fun at the exhibition.|#65: No excuses: Thursday morning, team meeting.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#55: Keep basic human needs on the forefront.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#64: Arrange a distribution of forces.|#68: Once in a while we need to get out of utopia and get something done.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#53: Immaterial support for artists is important.|#37: Operate with radical transparency.|