#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#99: Evolve according to changing needs.|#6: Demand that visitors are active.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#105: Kunsthal Gent is local in scale, but globally connected.|#54: What about disabled artists?|#14: Can you also remain a toddler institution?|#107: Build a community / scene.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#84: The White Cube is a lie.|#37: Operate with radical transparency.|#35: The artist fee should be good.|#81: Things come alive when there is friction.|#82: Clean and sterile looks professional, but really boring.|#51: How do we invite the true unknown?|#90: The best systems have a failure or ‘a hole’ in them…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#61: No all male install teams.|#65: No excuses: Thursday morning, team meeting.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#99: Evolve according to changing needs.|#6: Demand that visitors are active.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#105: Kunsthal Gent is local in scale, but globally connected.|#54: What about disabled artists?|#14: Can you also remain a toddler institution?|#107: Build a community / scene.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#84: The White Cube is a lie.|#37: Operate with radical transparency.|#35: The artist fee should be good.|#81: Things come alive when there is friction.|#82: Clean and sterile looks professional, but really boring.|#51: How do we invite the true unknown?|#90: The best systems have a failure or ‘a hole’ in them…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#61: No all male install teams.|#65: No excuses: Thursday morning, team meeting.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|#32: Be pan-gender polyphonic.|
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Dit is versie #1.2 van de Gebruikershandleiding van Kunsthal Gent.

Hierin wordt uitgelegd wat de organisatie is, hoe ze is opgezet, voor wie ze bedoeld is, hoe ze gebruikt kan worden en wat ze te bieden heeft. Dit document is gemaakt voor de gebruikers (waaronder het
publiek), maar ook voor het team en de betrokken kunstenaars. Net als bij het bedienen van een machine of het zich eigen maken van een onderwerp, kan deze handleiding nodig zijn om optimaal
gebruik te kunnen maken van Kunsthal Gent.

De inhoud is afkomstig uit versie #1 van de Manual, uit persoonlijke aantekeningen, team- en bestuursvergaderingen, interviews, artist talks, publicaties en specifieke bijdragen van kunstenaars.

User's Manual: Draft #1.2