#92: We’re a learning organisation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#82: Clean and sterile looks professional, but really boring.|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#98: The success of it will not lie in the result but in the process.|#53: Immaterial support for artists is important.|#94: No objections? Just do it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#16: Kunsthal Gent will always be a construction site.|#6: Demand that visitors are active.|#10: Don’t be obsessed with numbers.|#119: Be a space of production.|#2: Bring something new to the city of Ghent.|#51: How do we invite the true unknown?|#26: More artists, less borders.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#132: Things will always look weird when you’re the first doing it.|#15: Kunsthal Gent aims to be an extension of public space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#91: Embrace doubt.|#4: Pay what you can.|#90: The best systems have a failure or ‘a hole’ in them…|#92: We’re a learning organisation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#82: Clean and sterile looks professional, but really boring.|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#98: The success of it will not lie in the result but in the process.|#53: Immaterial support for artists is important.|#94: No objections? Just do it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#16: Kunsthal Gent will always be a construction site.|#6: Demand that visitors are active.|#10: Don’t be obsessed with numbers.|#119: Be a space of production.|#2: Bring something new to the city of Ghent.|#51: How do we invite the true unknown?|#26: More artists, less borders.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#132: Things will always look weird when you’re the first doing it.|#15: Kunsthal Gent aims to be an extension of public space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#91: Embrace doubt.|#4: Pay what you can.|#90: The best systems have a failure or ‘a hole’ in them…|
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De Gebruikershandleiding voor Kunsthal Gent legt uit waar de organisatie uit bestaat, hoe ze is opgericht, voor wie ze is bedoeld, hoe ze kan worden gebruikt en wat ze kan bieden. Ze is bedoeld voor zowel de gebruikers (inclusief het publiek), als voor de medewerkers en de betrokken kunstenaars. De Gebruikershandleiding bestaat uit citaten uit de visietekst van Kunsthal Gent, uit persoonlijke notities en teamvergaderingen, en citaten van sprekers die werden uitgenodigd binnen het najaarsprogramma van 2018.

User's Manual: Draft #1