#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|#34: We pay artists.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#81: Things come alive when there is friction.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#98: The success of it will not lie in the result but in the process.|#74: Last one out turns of the lights.|#32: Be pan-gender polyphonic.|#19: Have fun at the exhibition.|#89: Build-in impurity within the organisation.|#84: The White Cube is a lie.|#54: What about disabled artists?|#4: Pay what you can.|#29: We make the program for the artist that we exhibit.|#68: Once in a while we need to get out of utopia and get something done.|#20: Are exhibitions the most suitable form for the art that we present?|#51: How do we invite the true unknown?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#6: Demand that visitors are active.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#91: Embrace doubt.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|#34: We pay artists.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#81: Things come alive when there is friction.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#98: The success of it will not lie in the result but in the process.|#74: Last one out turns of the lights.|#32: Be pan-gender polyphonic.|#19: Have fun at the exhibition.|#89: Build-in impurity within the organisation.|#84: The White Cube is a lie.|#54: What about disabled artists?|#4: Pay what you can.|#29: We make the program for the artist that we exhibit.|#68: Once in a while we need to get out of utopia and get something done.|#20: Are exhibitions the most suitable form for the art that we present?|#51: How do we invite the true unknown?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#6: Demand that visitors are active.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#91: Embrace doubt.|