#111: Do it together.|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#92: We’re a learning organisation.|#132: Things will always look weird when you’re the first doing it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#51: How do we invite the true unknown?|#59: Always protect the floor when painting (or pouring concrete)|#36: We support production separately.|#10: Don’t be obsessed with numbers.|#84: The White Cube is a lie.|#26: More artists, less borders.|#89: Build-in impurity within the organisation.|#94: No objections? Just do it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#32: Be pan-gender polyphonic.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#16: Kunsthal Gent will always be a construction site.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#127: Remain practical: what happens to the work in an endless exhibition?|#111: Do it together.|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#92: We’re a learning organisation.|#132: Things will always look weird when you’re the first doing it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#51: How do we invite the true unknown?|#59: Always protect the floor when painting (or pouring concrete)|#36: We support production separately.|#10: Don’t be obsessed with numbers.|#84: The White Cube is a lie.|#26: More artists, less borders.|#89: Build-in impurity within the organisation.|#94: No objections? Just do it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#32: Be pan-gender polyphonic.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#16: Kunsthal Gent will always be a construction site.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#127: Remain practical: what happens to the work in an endless exhibition?|