#10: Don’t be obsessed with numbers.|#56: Take a lunch break.|#99: Evolve according to changing needs.|#65: No excuses: Thursday morning, team meeting.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#92: We’re a learning organisation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#53: Immaterial support for artists is important.|#59: Always protect the floor when painting (or pouring concrete)|#82: Clean and sterile looks professional, but really boring.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#36: We support production separately.|#30: Don’t work with artists who are assholes.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#26: More artists, less borders.|#74: Last one out turns of the lights.|#84: The White Cube is a lie.|#14: Can you also remain a toddler institution?|#90: The best systems have a failure or ‘a hole’ in them…|#124: Do less, do it better.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#10: Don’t be obsessed with numbers.|#56: Take a lunch break.|#99: Evolve according to changing needs.|#65: No excuses: Thursday morning, team meeting.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#92: We’re a learning organisation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#53: Immaterial support for artists is important.|#59: Always protect the floor when painting (or pouring concrete)|#82: Clean and sterile looks professional, but really boring.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#36: We support production separately.|#30: Don’t work with artists who are assholes.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#26: More artists, less borders.|#74: Last one out turns of the lights.|#84: The White Cube is a lie.|#14: Can you also remain a toddler institution?|#90: The best systems have a failure or ‘a hole’ in them…|#124: Do less, do it better.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|
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Giften

Vind je het ook belangrijk dat Gent een levendige Kunsthal heeft, een zichtbaar platform voor lokale en internationale kunstenaars en organisaties?

Een bezoek aan Kunsthal Gent is gratis maar vrije giften zijn welkom volgens het principe pay what you can. Een gift laat je achter aan de balie of schrijf je over met vermelding "vrije gift Kunsthal Gent"

IBAN: BE02 8900 1514 2640

BIC: VDSPBE91

Giften aan Kunsthal Gent maken dit mee mogelijk:
  • Geen toegangsprijs voor tentoonstellingen en activiteiten in Kunsthal Gent
  • Een levendig en zichtbaar platform voor kunstenaars en -organisaties: lokaal en internationaal, opkomend en gevestigd
  • Drie speciale openingen per jaar met verschillende tentoonstellingen
  • Ondersteuning van zes kunstenaars of organisaties per jaar in het ontwikkelingsprogramma
  • ...

Kunsthal Gent is een vereniging zonder winstoogmerk. De werking wordt mogelijk gemaakt door giften van bezoekers en sponsors, met ondersteuning van de Stad Gent en de Vlaamse Gemeenschap, en met de hulp van vele vrijwilligers.