#54: What about disabled artists?|#10: Don’t be obsessed with numbers.|#92: We’re a learning organisation.|#59: Always protect the floor when painting (or pouring concrete)|#34: We pay artists.|#127: Remain practical: what happens to the work in an endless exhibition?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#44: No name tags at dinner.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#30: Don’t work with artists who are assholes.|#61: No all male install teams.|#82: Clean and sterile looks professional, but really boring.|#32: Be pan-gender polyphonic.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#14: Can you also remain a toddler institution?|#15: Kunsthal Gent aims to be an extension of public space.|#99: Evolve according to changing needs.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#62: Don’t be a dick. Full dishwasher: empty it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#119: Be a space of production.|#68: Once in a while we need to get out of utopia and get something done.|#54: What about disabled artists?|#10: Don’t be obsessed with numbers.|#92: We’re a learning organisation.|#59: Always protect the floor when painting (or pouring concrete)|#34: We pay artists.|#127: Remain practical: what happens to the work in an endless exhibition?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#44: No name tags at dinner.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#30: Don’t work with artists who are assholes.|#61: No all male install teams.|#82: Clean and sterile looks professional, but really boring.|#32: Be pan-gender polyphonic.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#14: Can you also remain a toddler institution?|#15: Kunsthal Gent aims to be an extension of public space.|#99: Evolve according to changing needs.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#62: Don’t be a dick. Full dishwasher: empty it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#119: Be a space of production.|#68: Once in a while we need to get out of utopia and get something done.|