#51: How do we invite the true unknown?|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#132: Things will always look weird when you’re the first doing it.|#4: Pay what you can.|#20: Are exhibitions the most suitable form for the art that we present?|#40: Follow the artist|#37: Operate with radical transparency.|#92: We’re a learning organisation.|#59: Always protect the floor when painting (or pouring concrete)|#74: Last one out turns of the lights.|#35: The artist fee should be good.|#98: The success of it will not lie in the result but in the process.|#65: No excuses: Thursday morning, team meeting.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#21: Live with the exhibition, spend time with it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#29: We make the program for the artist that we exhibit.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#82: Clean and sterile looks professional, but really boring.|#51: How do we invite the true unknown?|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#132: Things will always look weird when you’re the first doing it.|#4: Pay what you can.|#20: Are exhibitions the most suitable form for the art that we present?|#40: Follow the artist|#37: Operate with radical transparency.|#92: We’re a learning organisation.|#59: Always protect the floor when painting (or pouring concrete)|#74: Last one out turns of the lights.|#35: The artist fee should be good.|#98: The success of it will not lie in the result but in the process.|#65: No excuses: Thursday morning, team meeting.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#21: Live with the exhibition, spend time with it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#29: We make the program for the artist that we exhibit.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#82: Clean and sterile looks professional, but really boring.|