#2: Bring something new to the city of Ghent.|#61: No all male install teams.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#39: Be the early stepping stone in an artist’s career|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#6: Demand that visitors are active.|#74: Last one out turns of the lights.|#92: We’re a learning organisation.|#17: An exhibition is never finished.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#34: We pay artists.|#65: No excuses: Thursday morning, team meeting.|#21: Live with the exhibition, spend time with it.|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#35: The artist fee should be good.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#119: Be a space of production.|#64: Arrange a distribution of forces.|#2: Bring something new to the city of Ghent.|#61: No all male install teams.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#39: Be the early stepping stone in an artist’s career|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#6: Demand that visitors are active.|#74: Last one out turns of the lights.|#92: We’re a learning organisation.|#17: An exhibition is never finished.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#34: We pay artists.|#65: No excuses: Thursday morning, team meeting.|#21: Live with the exhibition, spend time with it.|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#35: The artist fee should be good.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#119: Be a space of production.|#64: Arrange a distribution of forces.|