#28: Make Contracts.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#132: Things will always look weird when you’re the first doing it.|#14: Can you also remain a toddler institution?|#40: Follow the artist|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#36: We support production separately.|#74: Last one out turns of the lights.|#112: Spaces today don’t need to be curated, but occupied.|#6: Demand that visitors are active.|#119: Be a space of production.|#15: Kunsthal Gent aims to be an extension of public space.|#81: Things come alive when there is friction.|#65: No excuses: Thursday morning, team meeting.|#127: Remain practical: what happens to the work in an endless exhibition?|#68: Once in a while we need to get out of utopia and get something done.|#32: Be pan-gender polyphonic.|#35: The artist fee should be good.|#61: No all male install teams.|#111: Do it together.|#84: The White Cube is a lie.|#92: We’re a learning organisation.|#91: Embrace doubt.|#19: Have fun at the exhibition.|#26: More artists, less borders.|#34: We pay artists.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#51: How do we invite the true unknown?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#20: Are exhibitions the most suitable form for the art that we present?|#21: Live with the exhibition, spend time with it.|#124: Do less, do it better.|#44: No name tags at dinner.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#2: Bring something new to the city of Ghent.|#82: Clean and sterile looks professional, but really boring.|#98: The success of it will not lie in the result but in the process.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#64: Arrange a distribution of forces.|#53: Immaterial support for artists is important.|#4: Pay what you can.|#10: Don’t be obsessed with numbers.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#105: Kunsthal Gent is local in scale, but globally connected.|#62: Don’t be a dick. Full dishwasher: empty it.|#117: Consider design, organisational structures and architecture as programme.|#55: Keep basic human needs on the forefront.|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#29: We make the program for the artist that we exhibit.|#137: Use the publication as programming space|#17: An exhibition is never finished.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#56: Take a lunch break.|#90: The best systems have a failure or ‘a hole’ in them…|#37: Operate with radical transparency.|#16: Kunsthal Gent will always be a construction site.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#107: Build a community / scene.|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#39: Be the early stepping stone in an artist’s career|#54: What about disabled artists?|#89: Build-in impurity within the organisation.|#28: Make Contracts.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#132: Things will always look weird when you’re the first doing it.|#14: Can you also remain a toddler institution?|#40: Follow the artist|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#36: We support production separately.|#74: Last one out turns of the lights.|#112: Spaces today don’t need to be curated, but occupied.|#6: Demand that visitors are active.|#119: Be a space of production.|#15: Kunsthal Gent aims to be an extension of public space.|#81: Things come alive when there is friction.|#65: No excuses: Thursday morning, team meeting.|#127: Remain practical: what happens to the work in an endless exhibition?|#68: Once in a while we need to get out of utopia and get something done.|#32: Be pan-gender polyphonic.|#35: The artist fee should be good.|#61: No all male install teams.|#111: Do it together.|#84: The White Cube is a lie.|#92: We’re a learning organisation.|#91: Embrace doubt.|#19: Have fun at the exhibition.|#26: More artists, less borders.|#34: We pay artists.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#51: How do we invite the true unknown?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#20: Are exhibitions the most suitable form for the art that we present?|#21: Live with the exhibition, spend time with it.|#124: Do less, do it better.|#44: No name tags at dinner.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#2: Bring something new to the city of Ghent.|#82: Clean and sterile looks professional, but really boring.|#98: The success of it will not lie in the result but in the process.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#64: Arrange a distribution of forces.|#53: Immaterial support for artists is important.|#4: Pay what you can.|#10: Don’t be obsessed with numbers.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#105: Kunsthal Gent is local in scale, but globally connected.|#62: Don’t be a dick. Full dishwasher: empty it.|#117: Consider design, organisational structures and architecture as programme.|#55: Keep basic human needs on the forefront.|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#29: We make the program for the artist that we exhibit.|#137: Use the publication as programming space|#17: An exhibition is never finished.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#56: Take a lunch break.|#90: The best systems have a failure or ‘a hole’ in them…|#37: Operate with radical transparency.|#16: Kunsthal Gent will always be a construction site.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#107: Build a community / scene.|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#39: Be the early stepping stone in an artist’s career|#54: What about disabled artists?|#89: Build-in impurity within the organisation.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie
Word vrijwilliger bij Kunsthal Gent

Kunsthal Gent is steeds op zoek naar enthousiaste vrijwilligers om de werking te versterken.

Functie
  • Je bemant samen met een andere vrijwilliger het onthaal tijdens openingsuren.
  • Je verwelkomt bezoekers en legt uit wat er te zien is.
  • Je beantwoordt (algemene) vragen over Kunsthal Gent en de tentoonstellingen.
  • Optioneel: je opent en sluit zelfstandig de deuren in het weekend.
  • Optioneel: praktische ondersteuning of hulp aan de bar tijdens evenementen
Profiel
  • Je spreekt vlot Nederlands of Engels.
  • Je hebt interesse in beeldende kunst.
  • Je spreekt vlot mensen aan of hebt zin om daarin te groeien.
  • Je bent regelmatig vrij in het weekend (zaterdag of zondag, tussen 11u en 18u).
Aanbod
  • Een vrijwilligersvergoeding van 34 euro per dag (forfait).
  • Een spannende en dynamische werkomgeving binnen de hedendaagse kunstwereld.
Nog vragen? Mail ons!