#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#21: Live with the exhibition, spend time with it.|#119: Be a space of production.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#105: Kunsthal Gent is local in scale, but globally connected.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#30: Don’t work with artists who are assholes.|#15: Kunsthal Gent aims to be an extension of public space.|#16: Kunsthal Gent will always be a construction site.|#82: Clean and sterile looks professional, but really boring.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#17: An exhibition is never finished.|#40: Follow the artist|#54: What about disabled artists?|#14: Can you also remain a toddler institution?|#61: No all male install teams.|#26: More artists, less borders.|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#111: Do it together.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#21: Live with the exhibition, spend time with it.|#119: Be a space of production.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#105: Kunsthal Gent is local in scale, but globally connected.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#30: Don’t work with artists who are assholes.|#15: Kunsthal Gent aims to be an extension of public space.|#16: Kunsthal Gent will always be a construction site.|#82: Clean and sterile looks professional, but really boring.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#17: An exhibition is never finished.|#40: Follow the artist|#54: What about disabled artists?|#14: Can you also remain a toddler institution?|#61: No all male install teams.|#26: More artists, less borders.|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#111: Do it together.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|
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Opening: 25.05.2019 – 14:00

25—27.05.2019

Tentoonstelling

BOB KIL:
BOB, BOB

In 2013 gebruikte kunstenaar Bob Kil het productiebudget voor haar solotentoonstelling in Objectif Exhibitions in Antwerpen om het oppervlak van de betonnen vloer van de organisatie te herstellen. Zo creëerde ze 'You owe me big time' - een permanent kunstwerk dat zowel haar tentoonstelling als de organisatie zelf heeft overleefd.

Op 25 mei 2019 om 14:00 uur performt Kil 'bob bob' in de binnentuin van Kunsthal Gent, via een reeks verspreide luidsprekers.

Curator: Chris Fitzpatrick

Bob Kil gebruikt in haar performances de vorm van een slaapreis. Haar stem stijgt en daalt met pieken en dalen in een onverwacht tempo. Bob Kil deed haar eerste publieke performance op het DRAF x O2 Forum 11e Avond van Optredens, Londen, 2 oktober 2018. Bob Kil woont en werkt in Berlijn.

Chris Fitzpatrick (1978, VS) was directeur van Kunstverein München, in München, van 2015 tot 2019. Hij was directeur van Objectif Exhibitions in Antwerpen van 2012 tot 2015.

BOB KIL:
BOB, BOB

Bobkil