#81: Things come alive when there is friction.|#61: No all male install teams.|#17: An exhibition is never finished.|#65: No excuses: Thursday morning, team meeting.|#84: The White Cube is a lie.|#107: Build a community / scene.|#55: Keep basic human needs on the forefront.|#54: What about disabled artists?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#2: Bring something new to the city of Ghent.|#127: Remain practical: what happens to the work in an endless exhibition?|#39: Be the early stepping stone in an artist’s career|#98: The success of it will not lie in the result but in the process.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#35: The artist fee should be good.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#56: Take a lunch break.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#64: Arrange a distribution of forces.|#16: Kunsthal Gent will always be a construction site.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#137: Use the publication as programming space|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#91: Embrace doubt.|#81: Things come alive when there is friction.|#61: No all male install teams.|#17: An exhibition is never finished.|#65: No excuses: Thursday morning, team meeting.|#84: The White Cube is a lie.|#107: Build a community / scene.|#55: Keep basic human needs on the forefront.|#54: What about disabled artists?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#2: Bring something new to the city of Ghent.|#127: Remain practical: what happens to the work in an endless exhibition?|#39: Be the early stepping stone in an artist’s career|#98: The success of it will not lie in the result but in the process.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#35: The artist fee should be good.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#56: Take a lunch break.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#64: Arrange a distribution of forces.|#16: Kunsthal Gent will always be a construction site.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#137: Use the publication as programming space|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#91: Embrace doubt.|
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Opening: 25.05.2019 – 14:00

25—27.05.2019

Tentoonstelling

BOB KIL:
BOB, BOB

In 2013 gebruikte kunstenaar Bob Kil het productiebudget voor haar solotentoonstelling in Objectif Exhibitions in Antwerpen om het oppervlak van de betonnen vloer van de organisatie te herstellen. Zo creëerde ze 'You owe me big time' - een permanent kunstwerk dat zowel haar tentoonstelling als de organisatie zelf heeft overleefd.

Op 25 mei 2019 om 14:00 uur performt Kil 'bob bob' in de binnentuin van Kunsthal Gent, via een reeks verspreide luidsprekers.

Curator: Chris Fitzpatrick

Bob Kil gebruikt in haar performances de vorm van een slaapreis. Haar stem stijgt en daalt met pieken en dalen in een onverwacht tempo. Bob Kil deed haar eerste publieke performance op het DRAF x O2 Forum 11e Avond van Optredens, Londen, 2 oktober 2018. Bob Kil woont en werkt in Berlijn.

Chris Fitzpatrick (1978, VS) was directeur van Kunstverein München, in München, van 2015 tot 2019. Hij was directeur van Objectif Exhibitions in Antwerpen van 2012 tot 2015.

BOB KIL:
BOB, BOB

Bobkil