#54: What about disabled artists?|#127: Remain practical: what happens to the work in an endless exhibition?|#37: Operate with radical transparency.|#15: Kunsthal Gent aims to be an extension of public space.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#20: Are exhibitions the most suitable form for the art that we present?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#17: An exhibition is never finished.|#32: Be pan-gender polyphonic.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#61: No all male install teams.|#92: We’re a learning organisation.|#14: Can you also remain a toddler institution?|#117: Consider design, organisational structures and architecture as programme.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#91: Embrace doubt.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#84: The White Cube is a lie.|#54: What about disabled artists?|#127: Remain practical: what happens to the work in an endless exhibition?|#37: Operate with radical transparency.|#15: Kunsthal Gent aims to be an extension of public space.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#20: Are exhibitions the most suitable form for the art that we present?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#17: An exhibition is never finished.|#32: Be pan-gender polyphonic.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#61: No all male install teams.|#92: We’re a learning organisation.|#14: Can you also remain a toddler institution?|#117: Consider design, organisational structures and architecture as programme.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#91: Embrace doubt.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#84: The White Cube is a lie.|
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Opening: 25.05.2019 – 14:00

25—27.05.2019

Tentoonstelling

BOB KIL:
BOB, BOB

In 2013 gebruikte kunstenaar Bob Kil het productiebudget voor haar solotentoonstelling in Objectif Exhibitions in Antwerpen om het oppervlak van de betonnen vloer van de organisatie te herstellen. Zo creëerde ze 'You owe me big time' - een permanent kunstwerk dat zowel haar tentoonstelling als de organisatie zelf heeft overleefd.

Op 25 mei 2019 om 14:00 uur performt Kil 'bob bob' in de binnentuin van Kunsthal Gent, via een reeks verspreide luidsprekers.

Curator: Chris Fitzpatrick

Bob Kil gebruikt in haar performances de vorm van een slaapreis. Haar stem stijgt en daalt met pieken en dalen in een onverwacht tempo. Bob Kil deed haar eerste publieke performance op het DRAF x O2 Forum 11e Avond van Optredens, Londen, 2 oktober 2018. Bob Kil woont en werkt in Berlijn.

Chris Fitzpatrick (1978, VS) was directeur van Kunstverein München, in München, van 2015 tot 2019. Hij was directeur van Objectif Exhibitions in Antwerpen van 2012 tot 2015.

BOB KIL:
BOB, BOB

Bobkil