#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#35: The artist fee should be good.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#119: Be a space of production.|#19: Have fun at the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#111: Do it together.|#92: We’re a learning organisation.|#82: Clean and sterile looks professional, but really boring.|#54: What about disabled artists?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#89: Build-in impurity within the organisation.|#107: Build a community / scene.|#65: No excuses: Thursday morning, team meeting.|#30: Don’t work with artists who are assholes.|#98: The success of it will not lie in the result but in the process.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#74: Last one out turns of the lights.|#94: No objections? Just do it.|#64: Arrange a distribution of forces.|#137: Use the publication as programming space|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#35: The artist fee should be good.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#119: Be a space of production.|#19: Have fun at the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#111: Do it together.|#92: We’re a learning organisation.|#82: Clean and sterile looks professional, but really boring.|#54: What about disabled artists?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#89: Build-in impurity within the organisation.|#107: Build a community / scene.|#65: No excuses: Thursday morning, team meeting.|#30: Don’t work with artists who are assholes.|#98: The success of it will not lie in the result but in the process.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#74: Last one out turns of the lights.|#94: No objections? Just do it.|#64: Arrange a distribution of forces.|#137: Use the publication as programming space|
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Opening: 25.05.2019 – 14:00

25—27.05.2019

Tentoonstelling

BOB KIL:
BOB, BOB

In 2013 gebruikte kunstenaar Bob Kil het productiebudget voor haar solotentoonstelling in Objectif Exhibitions in Antwerpen om het oppervlak van de betonnen vloer van de organisatie te herstellen. Zo creëerde ze 'You owe me big time' - een permanent kunstwerk dat zowel haar tentoonstelling als de organisatie zelf heeft overleefd.

Op 25 mei 2019 om 14:00 uur performt Kil 'bob bob' in de binnentuin van Kunsthal Gent, via een reeks verspreide luidsprekers.

Curator: Chris Fitzpatrick

Bob Kil gebruikt in haar performances de vorm van een slaapreis. Haar stem stijgt en daalt met pieken en dalen in een onverwacht tempo. Bob Kil deed haar eerste publieke performance op het DRAF x O2 Forum 11e Avond van Optredens, Londen, 2 oktober 2018. Bob Kil woont en werkt in Berlijn.

Chris Fitzpatrick (1978, VS) was directeur van Kunstverein München, in München, van 2015 tot 2019. Hij was directeur van Objectif Exhibitions in Antwerpen van 2012 tot 2015.

BOB KIL:
BOB, BOB

Bobkil