#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#35: The artist fee should be good.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#119: Be a space of production.|#19: Have fun at the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#111: Do it together.|#92: We’re a learning organisation.|#82: Clean and sterile looks professional, but really boring.|#54: What about disabled artists?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#89: Build-in impurity within the organisation.|#107: Build a community / scene.|#65: No excuses: Thursday morning, team meeting.|#30: Don’t work with artists who are assholes.|#98: The success of it will not lie in the result but in the process.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#74: Last one out turns of the lights.|#94: No objections? Just do it.|#64: Arrange a distribution of forces.|#137: Use the publication as programming space|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#35: The artist fee should be good.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#119: Be a space of production.|#19: Have fun at the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#111: Do it together.|#92: We’re a learning organisation.|#82: Clean and sterile looks professional, but really boring.|#54: What about disabled artists?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#89: Build-in impurity within the organisation.|#107: Build a community / scene.|#65: No excuses: Thursday morning, team meeting.|#30: Don’t work with artists who are assholes.|#98: The success of it will not lie in the result but in the process.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#74: Last one out turns of the lights.|#94: No objections? Just do it.|#64: Arrange a distribution of forces.|#137: Use the publication as programming space|
