#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#92: We’re a learning organisation.|#82: Clean and sterile looks professional, but really boring.|#111: Do it together.|#90: The best systems have a failure or ‘a hole’ in them…|#127: Remain practical: what happens to the work in an endless exhibition?|#61: No all male install teams.|#28: Make Contracts.|#105: Kunsthal Gent is local in scale, but globally connected.|#56: Take a lunch break.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#34: We pay artists.|#16: Kunsthal Gent will always be a construction site.|#54: What about disabled artists?|#51: How do we invite the true unknown?|#99: Evolve according to changing needs.|#17: An exhibition is never finished.|#10: Don’t be obsessed with numbers.|#107: Build a community / scene.|#2: Bring something new to the city of Ghent.|#29: We make the program for the artist that we exhibit.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#98: The success of it will not lie in the result but in the process.|#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#92: We’re a learning organisation.|#82: Clean and sterile looks professional, but really boring.|#111: Do it together.|#90: The best systems have a failure or ‘a hole’ in them…|#127: Remain practical: what happens to the work in an endless exhibition?|#61: No all male install teams.|#28: Make Contracts.|#105: Kunsthal Gent is local in scale, but globally connected.|#56: Take a lunch break.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#34: We pay artists.|#16: Kunsthal Gent will always be a construction site.|#54: What about disabled artists?|#51: How do we invite the true unknown?|#99: Evolve according to changing needs.|#17: An exhibition is never finished.|#10: Don’t be obsessed with numbers.|#107: Build a community / scene.|#2: Bring something new to the city of Ghent.|#29: We make the program for the artist that we exhibit.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#98: The success of it will not lie in the result but in the process.|
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Opening: 25.05.2019 – 14:00

25—27.05.2019

Tentoonstelling

BOB KIL:
BOB, BOB

In 2013 gebruikte kunstenaar Bob Kil het productiebudget voor haar solotentoonstelling in Objectif Exhibitions in Antwerpen om het oppervlak van de betonnen vloer van de organisatie te herstellen. Zo creëerde ze 'You owe me big time' - een permanent kunstwerk dat zowel haar tentoonstelling als de organisatie zelf heeft overleefd.

Op 25 mei 2019 om 14:00 uur performt Kil 'bob bob' in de binnentuin van Kunsthal Gent, via een reeks verspreide luidsprekers.

Curator: Chris Fitzpatrick

Bob Kil gebruikt in haar performances de vorm van een slaapreis. Haar stem stijgt en daalt met pieken en dalen in een onverwacht tempo. Bob Kil deed haar eerste publieke performance op het DRAF x O2 Forum 11e Avond van Optredens, Londen, 2 oktober 2018. Bob Kil woont en werkt in Berlijn.

Chris Fitzpatrick (1978, VS) was directeur van Kunstverein München, in München, van 2015 tot 2019. Hij was directeur van Objectif Exhibitions in Antwerpen van 2012 tot 2015.

BOB KIL:
BOB, BOB

Bobkil