#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#68: Once in a while we need to get out of utopia and get something done.|#127: Remain practical: what happens to the work in an endless exhibition?|#40: Follow the artist|#19: Have fun at the exhibition.|#98: The success of it will not lie in the result but in the process.|#64: Arrange a distribution of forces.|#137: Use the publication as programming space|#16: Kunsthal Gent will always be a construction site.|#81: Things come alive when there is friction.|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#26: More artists, less borders.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#59: Always protect the floor when painting (or pouring concrete)|#44: No name tags at dinner.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#65: No excuses: Thursday morning, team meeting.|#124: Do less, do it better.|#84: The White Cube is a lie.|#107: Build a community / scene.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#55: Keep basic human needs on the forefront.|#10: Don’t be obsessed with numbers.|#39: Be the early stepping stone in an artist’s career|#56: Take a lunch break.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#117: Consider design, organisational structures and architecture as programme.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#62: Don’t be a dick. Full dishwasher: empty it.|#91: Embrace doubt.|#51: How do we invite the true unknown?|#29: We make the program for the artist that we exhibit.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#36: We support production separately.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#35: The artist fee should be good.|#37: Operate with radical transparency.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#21: Live with the exhibition, spend time with it.|#14: Can you also remain a toddler institution?|#32: Be pan-gender polyphonic.|#99: Evolve according to changing needs.|#74: Last one out turns of the lights.|#89: Build-in impurity within the organisation.|#90: The best systems have a failure or ‘a hole’ in them…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#34: We pay artists.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#17: An exhibition is never finished.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#54: What about disabled artists?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#28: Make Contracts.|#92: We’re a learning organisation.|#105: Kunsthal Gent is local in scale, but globally connected.|#112: Spaces today don’t need to be curated, but occupied.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#94: No objections? Just do it.|#61: No all male install teams.|#82: Clean and sterile looks professional, but really boring.|#111: Do it together.|#15: Kunsthal Gent aims to be an extension of public space.|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#68: Once in a while we need to get out of utopia and get something done.|#127: Remain practical: what happens to the work in an endless exhibition?|#40: Follow the artist|#19: Have fun at the exhibition.|#98: The success of it will not lie in the result but in the process.|#64: Arrange a distribution of forces.|#137: Use the publication as programming space|#16: Kunsthal Gent will always be a construction site.|#81: Things come alive when there is friction.|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#26: More artists, less borders.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#59: Always protect the floor when painting (or pouring concrete)|#44: No name tags at dinner.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#65: No excuses: Thursday morning, team meeting.|#124: Do less, do it better.|#84: The White Cube is a lie.|#107: Build a community / scene.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#55: Keep basic human needs on the forefront.|#10: Don’t be obsessed with numbers.|#39: Be the early stepping stone in an artist’s career|#56: Take a lunch break.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#117: Consider design, organisational structures and architecture as programme.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#62: Don’t be a dick. Full dishwasher: empty it.|#91: Embrace doubt.|#51: How do we invite the true unknown?|#29: We make the program for the artist that we exhibit.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#36: We support production separately.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#35: The artist fee should be good.|#37: Operate with radical transparency.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#21: Live with the exhibition, spend time with it.|#14: Can you also remain a toddler institution?|#32: Be pan-gender polyphonic.|#99: Evolve according to changing needs.|#74: Last one out turns of the lights.|#89: Build-in impurity within the organisation.|#90: The best systems have a failure or ‘a hole’ in them…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#34: We pay artists.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#17: An exhibition is never finished.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#54: What about disabled artists?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#28: Make Contracts.|#92: We’re a learning organisation.|#105: Kunsthal Gent is local in scale, but globally connected.|#112: Spaces today don’t need to be curated, but occupied.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#94: No objections? Just do it.|#61: No all male install teams.|#82: Clean and sterile looks professional, but really boring.|#111: Do it together.|#15: Kunsthal Gent aims to be an extension of public space.|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|
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Opening: 22.11.2019 – 19:00

22.11—∞

Tentoonstelling

Charlotte Stuby:
Keepsake

CHARLOTTE STUBY (CH)
Keepsake
Kunsthal Gent, 22/11/19 - ∞

Opening 22 november 2019
Muziekperformance 20.00 uur

Keepsake is een textielinstallatie van Charlotte Stuby, gemaakt voor Kunsthal Gent.

Charlotte Stuby's onderzoek naar textiel in stedelijke landschappen getuigt van een fascinatie voor de functionaliteit van textiel. Haar werk is een reactie op observaties en herinneringen, maar speelt ook met bestaande ideeën die verband houden met klassieke tapijten, zoals lay-out, schaal, kwetsbaarheid en vorm. Haar werk bevraagt het gangbare gebruik van symbolen en oriëntatiepunten, waarbij deze toe-eigeningen het onderwerp worden van nieuwe verhalen. Met "appliqué"-technieken en borduurwerk in primaire kleuren laat ze (niet-)verwijzingen en (niet-)figuratieve vormen overlappen en vormt deze elementen tot een verhalende compositie.

Met deze installatie wordt textiel een centraal element in de historische architectuur van Kunsthal Gent. Het wandkleed herdefinieert de ruimte door haar chronologie te herschikken. Het werk van Charlotte Stuby sluit aan bij de Endless Exhibition van Kunsthal Gent, waarin werken geen definitieve plaats hebben maar in de toekomst kunnen worden verplaatst of aangepast. Haar installatie is gemaakt om zowel binnen als buiten te kunnen worden geïnstalleerd, als een banier voor een steeds veranderende toekomst van Kunsthal Gent.

Charlotte Stuby (1989, CH) woont en werkt in Brussel. Na een bachelor in de beeldende kunst aan ECAL in Lausanne (CH) in 2013, vervolgde Stuby haar studies in België en behaalde ze in 2017 haar masterdiploma Textielontwerp aan de LUCA School of Arts in Gent.

Ze nam deel aan verschillende tentoonstellingen in Zwitserland (Pazioli, La Placette, Indiana) en in België: in Gent (019, Museum of Moving Practice), Brussel (Sagacity), Leuven (LUCA Biënnale). Haar boek Creature in Reality verscheen in 2018 bij Grafische Cel, LUCA School of Arts, Gent.

Charlotte Stuby:
Keepsake

MDC KH C Stuby buiten 007 LR

GERELATEERDE EVENTS

TENTOONSTELLINGSZICHTEN
MDC KH C Stuby 002 HR
MDC KH C Stuby 004 HR
MDC KH C Stuby 006 HR
MDC KH C Stuby 007 HR
MDC KH C Stuby 008 HR
MDC KH C Stuby buiten 005 LR
MDC KH C Stuby buiten 007 LR
MDC KH C Stuby buiten 001 LR
MDC KH C Stuby buiten 002 LR
MDC KH C Stuby buiten 003 LR
MDC KH C Stuby buiten 004 LR
MDC KH C Stuby buiten 006 LR
MDC KH S Van Den Bosch LR