#39: Be the early stepping stone in an artist’s career|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#10: Don’t be obsessed with numbers.|#29: We make the program for the artist that we exhibit.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#51: How do we invite the true unknown?|#112: Spaces today don’t need to be curated, but occupied.|#17: An exhibition is never finished.|#55: Keep basic human needs on the forefront.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#14: Can you also remain a toddler institution?|#98: The success of it will not lie in the result but in the process.|#61: No all male install teams.|#32: Be pan-gender polyphonic.|#2: Bring something new to the city of Ghent.|#89: Build-in impurity within the organisation.|#90: The best systems have a failure or ‘a hole’ in them…|#92: We’re a learning organisation.|#19: Have fun at the exhibition.|#39: Be the early stepping stone in an artist’s career|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#10: Don’t be obsessed with numbers.|#29: We make the program for the artist that we exhibit.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#51: How do we invite the true unknown?|#112: Spaces today don’t need to be curated, but occupied.|#17: An exhibition is never finished.|#55: Keep basic human needs on the forefront.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#14: Can you also remain a toddler institution?|#98: The success of it will not lie in the result but in the process.|#61: No all male install teams.|#32: Be pan-gender polyphonic.|#2: Bring something new to the city of Ghent.|#89: Build-in impurity within the organisation.|#90: The best systems have a failure or ‘a hole’ in them…|#92: We’re a learning organisation.|#19: Have fun at the exhibition.|
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Opening: 22.11.2019 – 19:00

22.11—∞

Tentoonstelling

Charlotte Stuby:
Keepsake

CHARLOTTE STUBY (CH)
Keepsake
Kunsthal Gent, 22/11/19 - ∞

Opening 22 november 2019
Muziekperformance 20.00 uur

Keepsake is een textielinstallatie van Charlotte Stuby, gemaakt voor Kunsthal Gent.

Charlotte Stuby's onderzoek naar textiel in stedelijke landschappen getuigt van een fascinatie voor de functionaliteit van textiel. Haar werk is een reactie op observaties en herinneringen, maar speelt ook met bestaande ideeën die verband houden met klassieke tapijten, zoals lay-out, schaal, kwetsbaarheid en vorm. Haar werk bevraagt het gangbare gebruik van symbolen en oriëntatiepunten, waarbij deze toe-eigeningen het onderwerp worden van nieuwe verhalen. Met "appliqué"-technieken en borduurwerk in primaire kleuren laat ze (niet-)verwijzingen en (niet-)figuratieve vormen overlappen en vormt deze elementen tot een verhalende compositie.

Met deze installatie wordt textiel een centraal element in de historische architectuur van Kunsthal Gent. Het wandkleed herdefinieert de ruimte door haar chronologie te herschikken. Het werk van Charlotte Stuby sluit aan bij de Endless Exhibition van Kunsthal Gent, waarin werken geen definitieve plaats hebben maar in de toekomst kunnen worden verplaatst of aangepast. Haar installatie is gemaakt om zowel binnen als buiten te kunnen worden geïnstalleerd, als een banier voor een steeds veranderende toekomst van Kunsthal Gent.

Charlotte Stuby (1989, CH) woont en werkt in Brussel. Na een bachelor in de beeldende kunst aan ECAL in Lausanne (CH) in 2013, vervolgde Stuby haar studies in België en behaalde ze in 2017 haar masterdiploma Textielontwerp aan de LUCA School of Arts in Gent.

Ze nam deel aan verschillende tentoonstellingen in Zwitserland (Pazioli, La Placette, Indiana) en in België: in Gent (019, Museum of Moving Practice), Brussel (Sagacity), Leuven (LUCA Biënnale). Haar boek Creature in Reality verscheen in 2018 bij Grafische Cel, LUCA School of Arts, Gent.

Charlotte Stuby:
Keepsake

MDC KH FEB2022 006 LR

GERELATEERDE EVENTS

TENTOONSTELLINGSZICHTEN
MDC KH 15022022 030 LR
MDC KHG 20210129 CS 001 LR
MDC KHG 20210129 CS 002 LR
MDC KH C Stuby 002 HR
MDC KH C Stuby 004 HR
MDC KH C Stuby 006 HR
MDC KH C Stuby 007 HR
MDC KH C Stuby 008 HR
MDC KH C Stuby buiten 005 LR
MDC KH C Stuby buiten 007 LR
MDC KH C Stuby buiten 001 LR
MDC KH C Stuby buiten 002 LR
MDC KH C Stuby buiten 003 LR
MDC KH C Stuby buiten 004 LR
MDC KH C Stuby buiten 006 LR
MDC KH S Van Den Bosch LR
MDC KH 15022022 031 LR