#55: Keep basic human needs on the forefront.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#82: Clean and sterile looks professional, but really boring.|#132: Things will always look weird when you’re the first doing it.|#16: Kunsthal Gent will always be a construction site.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#54: What about disabled artists?|#127: Remain practical: what happens to the work in an endless exhibition?|#34: We pay artists.|#30: Don’t work with artists who are assholes.|#111: Do it together.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#98: The success of it will not lie in the result but in the process.|#32: Be pan-gender polyphonic.|#6: Demand that visitors are active.|#65: No excuses: Thursday morning, team meeting.|#10: Don’t be obsessed with numbers.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#39: Be the early stepping stone in an artist’s career|#137: Use the publication as programming space|#90: The best systems have a failure or ‘a hole’ in them…|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#55: Keep basic human needs on the forefront.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#82: Clean and sterile looks professional, but really boring.|#132: Things will always look weird when you’re the first doing it.|#16: Kunsthal Gent will always be a construction site.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#54: What about disabled artists?|#127: Remain practical: what happens to the work in an endless exhibition?|#34: We pay artists.|#30: Don’t work with artists who are assholes.|#111: Do it together.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#98: The success of it will not lie in the result but in the process.|#32: Be pan-gender polyphonic.|#6: Demand that visitors are active.|#65: No excuses: Thursday morning, team meeting.|#10: Don’t be obsessed with numbers.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#39: Be the early stepping stone in an artist’s career|#137: Use the publication as programming space|#90: The best systems have a failure or ‘a hole’ in them…|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|