#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#74: Last one out turns of the lights.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#68: Once in a while we need to get out of utopia and get something done.|#112: Spaces today don’t need to be curated, but occupied.|#29: We make the program for the artist that we exhibit.|#26: More artists, less borders.|#132: Things will always look weird when you’re the first doing it.|#20: Are exhibitions the most suitable form for the art that we present?|#10: Don’t be obsessed with numbers.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#30: Don’t work with artists who are assholes.|#21: Live with the exhibition, spend time with it.|#82: Clean and sterile looks professional, but really boring.|#15: Kunsthal Gent aims to be an extension of public space.|#99: Evolve according to changing needs.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#65: No excuses: Thursday morning, team meeting.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#92: We’re a learning organisation.|#16: Kunsthal Gent will always be a construction site.|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|#55: Keep basic human needs on the forefront.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#74: Last one out turns of the lights.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#68: Once in a while we need to get out of utopia and get something done.|#112: Spaces today don’t need to be curated, but occupied.|#29: We make the program for the artist that we exhibit.|#26: More artists, less borders.|#132: Things will always look weird when you’re the first doing it.|#20: Are exhibitions the most suitable form for the art that we present?|#10: Don’t be obsessed with numbers.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#30: Don’t work with artists who are assholes.|#21: Live with the exhibition, spend time with it.|#82: Clean and sterile looks professional, but really boring.|#15: Kunsthal Gent aims to be an extension of public space.|#99: Evolve according to changing needs.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#65: No excuses: Thursday morning, team meeting.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#92: We’re a learning organisation.|#16: Kunsthal Gent will always be a construction site.|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|#55: Keep basic human needs on the forefront.|
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Opening: 07.02.2020 – 20:00

08.02—22.03.2020

Tentoonstelling

Nikolaas Demoen:
Papers, Books and Bolero

Nikolaas Demoen - 'Papers, Books and Bolero'
Cinema Kunsthal Gent
08/02 - 22/03/2020, za/zo 11:00-18:00

De film 'Papers, Books and Bolero' is een dialoog tussen in karton gefictionaliseerde Franse filosofen en gevonden beelden in boeken en losse papieren, en suggereert een mogelijke relatie tussen de verschillende afbeeldingen. Enerzijds toont de film werken uit de kunstgeschiedenis (Tiepolo, Palladio,...) en anderzijds verschijnen beelden uit glossy magazines (Purple Fashion, Vogue). Beide uiteenlopende bronnen worden met elkaar in verband gebracht door sculpturale artefacten uit karton en klei. Op het ritme van Maurice Ravels Bolero verschijnen één voor één de papers and books, die de kijker gaandeweg in een roes brengen.

Papers, Books and Bolero, 2020
Muziek: Maurice Ravel, Bolero
7:02 min, 16 x 9
i.s.m. Christophe Albertijn

Nikolaas Demoen is beeldend kunstenaar en uitgever, gevestigd in Gent, België. In zijn werk onderzoekt hij de relatie tussen de hedendaagse cultuur en de traditie van schoonheid in de kunst, en hoe de individuele mens deze kunstmatige grenzen voortdurend overschrijdt.

Nikolaas Demoen:
Papers, Books and Bolero

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