#26: More artists, less borders.|#84: The White Cube is a lie.|#65: No excuses: Thursday morning, team meeting.|#39: Be the early stepping stone in an artist’s career|#54: What about disabled artists?|#35: The artist fee should be good.|#29: We make the program for the artist that we exhibit.|#20: Are exhibitions the most suitable form for the art that we present?|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#53: Immaterial support for artists is important.|#44: No name tags at dinner.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#17: An exhibition is never finished.|#124: Do less, do it better.|#105: Kunsthal Gent is local in scale, but globally connected.|#107: Build a community / scene.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#30: Don’t work with artists who are assholes.|#92: We’re a learning organisation.|#21: Live with the exhibition, spend time with it.|#119: Be a space of production.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#26: More artists, less borders.|#84: The White Cube is a lie.|#65: No excuses: Thursday morning, team meeting.|#39: Be the early stepping stone in an artist’s career|#54: What about disabled artists?|#35: The artist fee should be good.|#29: We make the program for the artist that we exhibit.|#20: Are exhibitions the most suitable form for the art that we present?|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#53: Immaterial support for artists is important.|#44: No name tags at dinner.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#17: An exhibition is never finished.|#124: Do less, do it better.|#105: Kunsthal Gent is local in scale, but globally connected.|#107: Build a community / scene.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#30: Don’t work with artists who are assholes.|#92: We’re a learning organisation.|#21: Live with the exhibition, spend time with it.|#119: Be a space of production.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|
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Opening: 07.02.2020 – 20:00

08.02—22.03.2020

Tentoonstelling

Nikolaas Demoen:
Papers, Books and Bolero

Nikolaas Demoen - 'Papers, Books and Bolero'
Cinema Kunsthal Gent
08/02 - 22/03/2020, za/zo 11:00-18:00

De film 'Papers, Books and Bolero' is een dialoog tussen in karton gefictionaliseerde Franse filosofen en gevonden beelden in boeken en losse papieren, en suggereert een mogelijke relatie tussen de verschillende afbeeldingen. Enerzijds toont de film werken uit de kunstgeschiedenis (Tiepolo, Palladio,...) en anderzijds verschijnen beelden uit glossy magazines (Purple Fashion, Vogue). Beide uiteenlopende bronnen worden met elkaar in verband gebracht door sculpturale artefacten uit karton en klei. Op het ritme van Maurice Ravels Bolero verschijnen één voor één de papers and books, die de kijker gaandeweg in een roes brengen.

Papers, Books and Bolero, 2020
Muziek: Maurice Ravel, Bolero
7:02 min, 16 x 9
i.s.m. Christophe Albertijn

Nikolaas Demoen is beeldend kunstenaar en uitgever, gevestigd in Gent, België. In zijn werk onderzoekt hij de relatie tussen de hedendaagse cultuur en de traditie van schoonheid in de kunst, en hoe de individuele mens deze kunstmatige grenzen voortdurend overschrijdt.

Nikolaas Demoen:
Papers, Books and Bolero

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