#98: The success of it will not lie in the result but in the process.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#2: Bring something new to the city of Ghent.|#119: Be a space of production.|#54: What about disabled artists?|#59: Always protect the floor when painting (or pouring concrete)|#53: Immaterial support for artists is important.|#29: We make the program for the artist that we exhibit.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#62: Be kind. Full dishwasher: empty it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#10: Don’t be obsessed with numbers.|#56: Take a lunch break.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#39: Be the early stepping stone in an artist’s career|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#28: Make Contracts.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#90: The best systems have a failure or ‘a hole’ in them…|#34: We pay artists.|#98: The success of it will not lie in the result but in the process.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#2: Bring something new to the city of Ghent.|#119: Be a space of production.|#54: What about disabled artists?|#59: Always protect the floor when painting (or pouring concrete)|#53: Immaterial support for artists is important.|#29: We make the program for the artist that we exhibit.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#62: Be kind. Full dishwasher: empty it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#10: Don’t be obsessed with numbers.|#56: Take a lunch break.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#39: Be the early stepping stone in an artist’s career|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#28: Make Contracts.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#90: The best systems have a failure or ‘a hole’ in them…|#34: We pay artists.|
