#119: Be a space of production.|#68: Once in a while we need to get out of utopia and get something done.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#6: Demand that visitors are active.|#51: How do we invite the true unknown?|#124: Do less, do it better.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#4: Pay what you can.|#61: No all male install teams.|#89: Build-in impurity within the organisation.|#44: No name tags at dinner.|#82: Clean and sterile looks professional, but really boring.|#94: No objections? Just do it.|#21: Live with the exhibition, spend time with it.|#117: Consider design, organisational structures and architecture as programme.|#111: Do it together.|#10: Don’t be obsessed with numbers.|#81: Things come alive when there is friction.|#107: Build a community / scene.|#35: The artist fee should be good.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#53: Immaterial support for artists is important.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#36: We support production separately.|#119: Be a space of production.|#68: Once in a while we need to get out of utopia and get something done.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#6: Demand that visitors are active.|#51: How do we invite the true unknown?|#124: Do less, do it better.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#4: Pay what you can.|#61: No all male install teams.|#89: Build-in impurity within the organisation.|#44: No name tags at dinner.|#82: Clean and sterile looks professional, but really boring.|#94: No objections? Just do it.|#21: Live with the exhibition, spend time with it.|#117: Consider design, organisational structures and architecture as programme.|#111: Do it together.|#10: Don’t be obsessed with numbers.|#81: Things come alive when there is friction.|#107: Build a community / scene.|#35: The artist fee should be good.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#53: Immaterial support for artists is important.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#36: We support production separately.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

Opening: 07.02.2020 – 20:00

08.02—22.03.2020

Tentoonstelling

Nikolaas Demoen:
Papers, Books and Bolero

Nikolaas Demoen - 'Papers, Books and Bolero'
Cinema Kunsthal Gent
08/02 - 22/03/2020, za/zo 11:00-18:00

De film 'Papers, Books and Bolero' is een dialoog tussen in karton gefictionaliseerde Franse filosofen en gevonden beelden in boeken en losse papieren, en suggereert een mogelijke relatie tussen de verschillende afbeeldingen. Enerzijds toont de film werken uit de kunstgeschiedenis (Tiepolo, Palladio,...) en anderzijds verschijnen beelden uit glossy magazines (Purple Fashion, Vogue). Beide uiteenlopende bronnen worden met elkaar in verband gebracht door sculpturale artefacten uit karton en klei. Op het ritme van Maurice Ravels Bolero verschijnen één voor één de papers and books, die de kijker gaandeweg in een roes brengen.

Papers, Books and Bolero, 2020
Muziek: Maurice Ravel, Bolero
7:02 min, 16 x 9
i.s.m. Christophe Albertijn

Nikolaas Demoen is beeldend kunstenaar en uitgever, gevestigd in Gent, België. In zijn werk onderzoekt hij de relatie tussen de hedendaagse cultuur en de traditie van schoonheid in de kunst, en hoe de individuele mens deze kunstmatige grenzen voortdurend overschrijdt.

Nikolaas Demoen:
Papers, Books and Bolero

MDC KH tenten 047 HR

GERELATEERDE EVENTS

TENTOONSTELLINGSZICHTEN
MDC KH tenten 047 HR
MDC KH tenten 052 HR
MDC KH tenten 050 HR
Postkaart labyrinth