#53: Immaterial support for artists is important.|#14: Can you also remain a toddler institution?|#65: No excuses: Thursday morning, team meeting.|#56: Take a lunch break.|#29: We make the program for the artist that we exhibit.|#30: Don’t work with artists who are assholes.|#127: Remain practical: what happens to the work in an endless exhibition?|#21: Live with the exhibition, spend time with it.|#20: Are exhibitions the most suitable form for the art that we present?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#40: Follow the artist|#105: Kunsthal Gent is local in scale, but globally connected.|#61: No all male install teams.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#94: No objections? Just do it.|#124: Do less, do it better.|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#16: Kunsthal Gent will always be a construction site.|#137: Use the publication as programming space|#26: More artists, less borders.|#4: Pay what you can.|#53: Immaterial support for artists is important.|#14: Can you also remain a toddler institution?|#65: No excuses: Thursday morning, team meeting.|#56: Take a lunch break.|#29: We make the program for the artist that we exhibit.|#30: Don’t work with artists who are assholes.|#127: Remain practical: what happens to the work in an endless exhibition?|#21: Live with the exhibition, spend time with it.|#20: Are exhibitions the most suitable form for the art that we present?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#40: Follow the artist|#105: Kunsthal Gent is local in scale, but globally connected.|#61: No all male install teams.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#94: No objections? Just do it.|#124: Do less, do it better.|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#16: Kunsthal Gent will always be a construction site.|#137: Use the publication as programming space|#26: More artists, less borders.|#4: Pay what you can.|
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Opening: 07.02.2020 – 20:00

08.02—22.03.2020

Tentoonstelling

Nikolaas Demoen:
Papers, Books and Bolero

Nikolaas Demoen - 'Papers, Books and Bolero'
Cinema Kunsthal Gent
08/02 - 22/03/2020, za/zo 11:00-18:00

De film 'Papers, Books and Bolero' is een dialoog tussen in karton gefictionaliseerde Franse filosofen en gevonden beelden in boeken en losse papieren, en suggereert een mogelijke relatie tussen de verschillende afbeeldingen. Enerzijds toont de film werken uit de kunstgeschiedenis (Tiepolo, Palladio,...) en anderzijds verschijnen beelden uit glossy magazines (Purple Fashion, Vogue). Beide uiteenlopende bronnen worden met elkaar in verband gebracht door sculpturale artefacten uit karton en klei. Op het ritme van Maurice Ravels Bolero verschijnen één voor één de papers and books, die de kijker gaandeweg in een roes brengen.

Papers, Books and Bolero, 2020
Muziek: Maurice Ravel, Bolero
7:02 min, 16 x 9
i.s.m. Christophe Albertijn

Nikolaas Demoen is beeldend kunstenaar en uitgever, gevestigd in Gent, België. In zijn werk onderzoekt hij de relatie tussen de hedendaagse cultuur en de traditie van schoonheid in de kunst, en hoe de individuele mens deze kunstmatige grenzen voortdurend overschrijdt.

Nikolaas Demoen:
Papers, Books and Bolero

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