#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#17: An exhibition is never finished.|#68: Once in a while we need to get out of utopia and get something done.|#53: Immaterial support for artists is important.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#81: Things come alive when there is friction.|#44: No name tags at dinner.|#35: The artist fee should be good.|#90: The best systems have a failure or ‘a hole’ in them…|#6: Demand that visitors are active.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#82: Clean and sterile looks professional, but really boring.|#4: Pay what you can.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#37: Operate with radical transparency.|#2: Bring something new to the city of Ghent.|#28: Make Contracts.|#111: Do it together.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#124: Do less, do it better.|#15: Kunsthal Gent aims to be an extension of public space.|#40: Follow the artist|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#17: An exhibition is never finished.|#68: Once in a while we need to get out of utopia and get something done.|#53: Immaterial support for artists is important.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#81: Things come alive when there is friction.|#44: No name tags at dinner.|#35: The artist fee should be good.|#90: The best systems have a failure or ‘a hole’ in them…|#6: Demand that visitors are active.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#82: Clean and sterile looks professional, but really boring.|#4: Pay what you can.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#37: Operate with radical transparency.|#2: Bring something new to the city of Ghent.|#28: Make Contracts.|#111: Do it together.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#124: Do less, do it better.|#15: Kunsthal Gent aims to be an extension of public space.|#40: Follow the artist|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|
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Opening: 07.02.2020 – 20:00

08.02—22.03.2020

Tentoonstelling

Nikolaas Demoen:
Papers, Books and Bolero

Nikolaas Demoen - 'Papers, Books and Bolero'
Cinema Kunsthal Gent
08/02 - 22/03/2020, za/zo 11:00-18:00

De film 'Papers, Books and Bolero' is een dialoog tussen in karton gefictionaliseerde Franse filosofen en gevonden beelden in boeken en losse papieren, en suggereert een mogelijke relatie tussen de verschillende afbeeldingen. Enerzijds toont de film werken uit de kunstgeschiedenis (Tiepolo, Palladio,...) en anderzijds verschijnen beelden uit glossy magazines (Purple Fashion, Vogue). Beide uiteenlopende bronnen worden met elkaar in verband gebracht door sculpturale artefacten uit karton en klei. Op het ritme van Maurice Ravels Bolero verschijnen één voor één de papers and books, die de kijker gaandeweg in een roes brengen.

Papers, Books and Bolero, 2020
Muziek: Maurice Ravel, Bolero
7:02 min, 16 x 9
i.s.m. Christophe Albertijn

Nikolaas Demoen is beeldend kunstenaar en uitgever, gevestigd in Gent, België. In zijn werk onderzoekt hij de relatie tussen de hedendaagse cultuur en de traditie van schoonheid in de kunst, en hoe de individuele mens deze kunstmatige grenzen voortdurend overschrijdt.

Nikolaas Demoen:
Papers, Books and Bolero

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