#40: Follow the artist|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#37: Operate with radical transparency.|#92: We’re a learning organisation.|#14: Can you also remain a toddler institution?|#44: No name tags at dinner.|#117: Consider design, organisational structures and architecture as programme.|#119: Be a space of production.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#56: Take a lunch break.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#35: The artist fee should be good.|#91: Embrace doubt.|#137: Use the publication as programming space|#82: Clean and sterile looks professional, but really boring.|#55: Keep basic human needs on the forefront.|#81: Things come alive when there is friction.|#62: Be kind. Full dishwasher: empty it.|#59: Always protect the floor when painting (or pouring concrete)|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#40: Follow the artist|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#37: Operate with radical transparency.|#92: We’re a learning organisation.|#14: Can you also remain a toddler institution?|#44: No name tags at dinner.|#117: Consider design, organisational structures and architecture as programme.|#119: Be a space of production.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#56: Take a lunch break.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#35: The artist fee should be good.|#91: Embrace doubt.|#137: Use the publication as programming space|#82: Clean and sterile looks professional, but really boring.|#55: Keep basic human needs on the forefront.|#81: Things come alive when there is friction.|#62: Be kind. Full dishwasher: empty it.|#59: Always protect the floor when painting (or pouring concrete)|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|
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Opening: 07.02.2020 – 20:00

08.02—22.03.2020

Tentoonstelling

Nikolaas Demoen:
Papers, Books and Bolero

Nikolaas Demoen - 'Papers, Books and Bolero'
Cinema Kunsthal Gent
08/02 - 22/03/2020, za/zo 11:00-18:00

De film 'Papers, Books and Bolero' is een dialoog tussen in karton gefictionaliseerde Franse filosofen en gevonden beelden in boeken en losse papieren, en suggereert een mogelijke relatie tussen de verschillende afbeeldingen. Enerzijds toont de film werken uit de kunstgeschiedenis (Tiepolo, Palladio,...) en anderzijds verschijnen beelden uit glossy magazines (Purple Fashion, Vogue). Beide uiteenlopende bronnen worden met elkaar in verband gebracht door sculpturale artefacten uit karton en klei. Op het ritme van Maurice Ravels Bolero verschijnen één voor één de papers and books, die de kijker gaandeweg in een roes brengen.

Papers, Books and Bolero, 2020
Muziek: Maurice Ravel, Bolero
7:02 min, 16 x 9
i.s.m. Christophe Albertijn

Nikolaas Demoen is beeldend kunstenaar en uitgever, gevestigd in Gent, België. In zijn werk onderzoekt hij de relatie tussen de hedendaagse cultuur en de traditie van schoonheid in de kunst, en hoe de individuele mens deze kunstmatige grenzen voortdurend overschrijdt.

Nikolaas Demoen:
Papers, Books and Bolero

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