#91: Embrace doubt.|#16: Kunsthal Gent will always be a construction site.|#59: Always protect the floor when painting (or pouring concrete)|#40: Follow the artist|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#4: Pay what you can.|#55: Keep basic human needs on the forefront.|#28: Make Contracts.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#51: How do we invite the true unknown?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#64: Arrange a distribution of forces.|#92: We’re a learning organisation.|#29: We make the program for the artist that we exhibit.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#105: Kunsthal Gent is local in scale, but globally connected.|#61: No all male install teams.|#81: Things come alive when there is friction.|#54: What about disabled artists?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#137: Use the publication as programming space|#14: Can you also remain a toddler institution?|#53: Immaterial support for artists is important.|#91: Embrace doubt.|#16: Kunsthal Gent will always be a construction site.|#59: Always protect the floor when painting (or pouring concrete)|#40: Follow the artist|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#4: Pay what you can.|#55: Keep basic human needs on the forefront.|#28: Make Contracts.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#51: How do we invite the true unknown?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#64: Arrange a distribution of forces.|#92: We’re a learning organisation.|#29: We make the program for the artist that we exhibit.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#105: Kunsthal Gent is local in scale, but globally connected.|#61: No all male install teams.|#81: Things come alive when there is friction.|#54: What about disabled artists?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#137: Use the publication as programming space|#14: Can you also remain a toddler institution?|#53: Immaterial support for artists is important.|
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Opening: 25.01.2019 – 17:00

25.01—∞

Tentoonstelling

Steve Van den Bosch:
Unreliable Sources

Zonder titel
2020
Materialen en afmetingen te bepalen
Een tekst over een ongedefinieerd toekomstig werk zal in de loop van een jaar worden geschreven door curator Post Brothers. Elk stadium van de tekst wordt tentoongesteld naargelang de evolutie ervan.

Autocorrect
2019
Neon, timer

I know but when you ask me, I don’t
2012
Audio
Een digitale opname van de gesproken titel werd opgerekt om samen te vallen met de openingsuren van de tentoonstelling.

Steve Van den Bosch (1975, BE) woont en werkt in Brussel en Antwerpen. Zijn werk wordt wel omschreven als balancerend tussen onzichtbaarheid en ontegensprekelijke materialiteit. De vaak gereduceerde verschijning van zijn werk concentreert zich op de periferie van het kunstwerk. Zijn praktijk is niet beperkt tot een specifiek medium en richt zich op de voorwaarden die (een) werk definiëren en de vaak vervormde uitkomsten van lineair redeneren.

Zijn werk was internationaal te zien, onder meer bij The Front Room, Contemporary Art Museum St. Louis, USA; Shanghai Biennale, CN; Kunsthalle Bern, CH; FormContent, London, UK en Witte de With, Rotterdam, NL.

Steve Van den Bosch:
Unreliable Sources

Steve van Den Bosch, Zonder titel, 2020, materialen en afmetingen te bepalen, foto © Michiel De Cleene
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Steve van Den Bosch, I know but when you ask me, I don't, 2012, audio, foto © Michiel De Cleene Steve van Den Bosch, I know but when you ask me, I don't, 2012, audio, foto © Michiel De Cleene
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