#19: Have fun at the exhibition.|#28: Make Contracts.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#94: No objections? Just do it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#81: Things come alive when there is friction.|#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#92: We’re a learning organisation.|#62: Be kind. Full dishwasher: empty it.|#107: Build a community / scene.|#26: More artists, less borders.|#61: No all male install teams.|#56: Take a lunch break.|#53: Immaterial support for artists is important.|#90: The best systems have a failure or ‘a hole’ in them…|#89: Build-in impurity within the organisation.|#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#68: Once in a while we need to get out of utopia and get something done.|#124: Do less, do it better.|#127: Remain practical: what happens to the work in an endless exhibition?|#44: No name tags at dinner.|#84: The White Cube is a lie.|#132: Things will always look weird when you’re the first doing it.|#19: Have fun at the exhibition.|#28: Make Contracts.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#94: No objections? Just do it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#81: Things come alive when there is friction.|#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#92: We’re a learning organisation.|#62: Be kind. Full dishwasher: empty it.|#107: Build a community / scene.|#26: More artists, less borders.|#61: No all male install teams.|#56: Take a lunch break.|#53: Immaterial support for artists is important.|#90: The best systems have a failure or ‘a hole’ in them…|#89: Build-in impurity within the organisation.|#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#68: Once in a while we need to get out of utopia and get something done.|#124: Do less, do it better.|#127: Remain practical: what happens to the work in an endless exhibition?|#44: No name tags at dinner.|#84: The White Cube is a lie.|#132: Things will always look weird when you’re the first doing it.|
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Opening: 25.01.2019 – 17:00

25.01—∞

Tentoonstelling

Steve Van den Bosch:
Unreliable Sources

Zonder titel
2020
Materialen en afmetingen te bepalen
Een tekst over een ongedefinieerd toekomstig werk zal in de loop van een jaar worden geschreven door curator Post Brothers. Elk stadium van de tekst wordt tentoongesteld naargelang de evolutie ervan.

Autocorrect
2019
Neon, timer

I know but when you ask me, I don’t
2012
Audio
Een digitale opname van de gesproken titel werd opgerekt om samen te vallen met de openingsuren van de tentoonstelling.

Steve Van den Bosch (1975, BE) woont en werkt in Brussel en Antwerpen. Zijn werk wordt wel omschreven als balancerend tussen onzichtbaarheid en ontegensprekelijke materialiteit. De vaak gereduceerde verschijning van zijn werk concentreert zich op de periferie van het kunstwerk. Zijn praktijk is niet beperkt tot een specifiek medium en richt zich op de voorwaarden die (een) werk definiëren en de vaak vervormde uitkomsten van lineair redeneren.

Zijn werk was internationaal te zien, onder meer bij The Front Room, Contemporary Art Museum St. Louis, USA; Shanghai Biennale, CN; Kunsthalle Bern, CH; FormContent, London, UK en Witte de With, Rotterdam, NL.

Steve Van den Bosch:
Unreliable Sources

Steve van Den Bosch, Zonder titel, 2020, materialen en afmetingen te bepalen, foto © Michiel De Cleene

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Steve van Den Bosch, I know but when you ask me, I don't, 2012, audio, foto © Michiel De Cleene Steve van Den Bosch, I know but when you ask me, I don't, 2012, audio, foto © Michiel De Cleene
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