#132: Things will always look weird when you’re the first doing it.|#59: Always protect the floor when painting (or pouring concrete)|#16: Kunsthal Gent will always be a construction site.|#54: What about disabled artists?|#30: Don’t work with artists who are assholes.|#19: Have fun at the exhibition.|#35: The artist fee should be good.|#89: Build-in impurity within the organisation.|#81: Things come alive when there is friction.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#65: No excuses: Thursday morning, team meeting.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#44: No name tags at dinner.|#34: We pay artists.|#119: Be a space of production.|#29: We make the program for the artist that we exhibit.|#90: The best systems have a failure or ‘a hole’ in them…|#105: Kunsthal Gent is local in scale, but globally connected.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#64: Arrange a distribution of forces.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#62: Be kind. Full dishwasher: empty it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#99: Evolve according to changing needs.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#132: Things will always look weird when you’re the first doing it.|#59: Always protect the floor when painting (or pouring concrete)|#16: Kunsthal Gent will always be a construction site.|#54: What about disabled artists?|#30: Don’t work with artists who are assholes.|#19: Have fun at the exhibition.|#35: The artist fee should be good.|#89: Build-in impurity within the organisation.|#81: Things come alive when there is friction.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#65: No excuses: Thursday morning, team meeting.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#44: No name tags at dinner.|#34: We pay artists.|#119: Be a space of production.|#29: We make the program for the artist that we exhibit.|#90: The best systems have a failure or ‘a hole’ in them…|#105: Kunsthal Gent is local in scale, but globally connected.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#64: Arrange a distribution of forces.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#62: Be kind. Full dishwasher: empty it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#99: Evolve according to changing needs.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|
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Opening: 25.01.2019 – 17:00

25.01—∞

Tentoonstelling

Steve Van den Bosch:
Unreliable Sources

Zonder titel
2020
Materialen en afmetingen te bepalen
Een tekst over een ongedefinieerd toekomstig werk zal in de loop van een jaar worden geschreven door curator Post Brothers. Elk stadium van de tekst wordt tentoongesteld naargelang de evolutie ervan.

Autocorrect
2019
Neon, timer

I know but when you ask me, I don’t
2012
Audio
Een digitale opname van de gesproken titel werd opgerekt om samen te vallen met de openingsuren van de tentoonstelling.

Steve Van den Bosch (1975, BE) woont en werkt in Brussel en Antwerpen. Zijn werk wordt wel omschreven als balancerend tussen onzichtbaarheid en ontegensprekelijke materialiteit. De vaak gereduceerde verschijning van zijn werk concentreert zich op de periferie van het kunstwerk. Zijn praktijk is niet beperkt tot een specifiek medium en richt zich op de voorwaarden die (een) werk definiëren en de vaak vervormde uitkomsten van lineair redeneren.

Zijn werk was internationaal te zien, onder meer bij The Front Room, Contemporary Art Museum St. Louis, USA; Shanghai Biennale, CN; Kunsthalle Bern, CH; FormContent, London, UK en Witte de With, Rotterdam, NL.

Steve Van den Bosch:
Unreliable Sources

Steve van Den Bosch, Zonder titel, 2020, materialen en afmetingen te bepalen, foto © Michiel De Cleene

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Steve van Den Bosch, I know but when you ask me, I don't, 2012, audio, foto © Michiel De Cleene Steve van Den Bosch, I know but when you ask me, I don't, 2012, audio, foto © Michiel De Cleene
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