#6: Demand that visitors are active.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#53: Immaterial support for artists is important.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#91: Embrace doubt.|#36: We support production separately.|#19: Have fun at the exhibition.|#17: An exhibition is never finished.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#94: No objections? Just do it.|#137: Use the publication as programming space|#84: The White Cube is a lie.|#99: Evolve according to changing needs.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#61: No all male install teams.|#40: Follow the artist|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#55: Keep basic human needs on the forefront.|#92: We’re a learning organisation.|#112: Spaces today don’t need to be curated, but occupied.|#111: Do it together.|#16: Kunsthal Gent will always be a construction site.|#132: Things will always look weird when you’re the first doing it.|#6: Demand that visitors are active.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#53: Immaterial support for artists is important.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#91: Embrace doubt.|#36: We support production separately.|#19: Have fun at the exhibition.|#17: An exhibition is never finished.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#94: No objections? Just do it.|#137: Use the publication as programming space|#84: The White Cube is a lie.|#99: Evolve according to changing needs.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#61: No all male install teams.|#40: Follow the artist|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#55: Keep basic human needs on the forefront.|#92: We’re a learning organisation.|#112: Spaces today don’t need to be curated, but occupied.|#111: Do it together.|#16: Kunsthal Gent will always be a construction site.|#132: Things will always look weird when you’re the first doing it.|
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Opening: 25.01.2019 – 17:00

25.01—∞

Tentoonstelling

Steve Van den Bosch:
Unreliable Sources

Zonder titel
2020
Materialen en afmetingen te bepalen
Een tekst over een ongedefinieerd toekomstig werk zal in de loop van een jaar worden geschreven door curator Post Brothers. Elk stadium van de tekst wordt tentoongesteld naargelang de evolutie ervan.

Autocorrect
2019
Neon, timer

I know but when you ask me, I don’t
2012
Audio
Een digitale opname van de gesproken titel werd opgerekt om samen te vallen met de openingsuren van de tentoonstelling.

Steve Van den Bosch (1975, BE) woont en werkt in Brussel en Antwerpen. Zijn werk wordt wel omschreven als balancerend tussen onzichtbaarheid en ontegensprekelijke materialiteit. De vaak gereduceerde verschijning van zijn werk concentreert zich op de periferie van het kunstwerk. Zijn praktijk is niet beperkt tot een specifiek medium en richt zich op de voorwaarden die (een) werk definiëren en de vaak vervormde uitkomsten van lineair redeneren.

Zijn werk was internationaal te zien, onder meer bij The Front Room, Contemporary Art Museum St. Louis, USA; Shanghai Biennale, CN; Kunsthalle Bern, CH; FormContent, London, UK en Witte de With, Rotterdam, NL.

Steve Van den Bosch:
Unreliable Sources

Steve van Den Bosch, Zonder titel, 2020, materialen en afmetingen te bepalen, foto © Michiel De Cleene

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Steve van Den Bosch, I know but when you ask me, I don't, 2012, audio, foto © Michiel De Cleene Steve van Den Bosch, I know but when you ask me, I don't, 2012, audio, foto © Michiel De Cleene
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