#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#4: Pay what you can.|#32: Be pan-gender polyphonic.|#64: Arrange a distribution of forces.|#20: Are exhibitions the most suitable form for the art that we present?|#35: The artist fee should be good.|#39: Be the early stepping stone in an artist’s career|#111: Do it together.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#137: Use the publication as programming space|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#107: Build a community / scene.|#112: Spaces today don’t need to be curated, but occupied.|#16: Kunsthal Gent will always be a construction site.|#74: Last one out turns of the lights.|#90: The best systems have a failure or ‘a hole’ in them…|#105: Kunsthal Gent is local in scale, but globally connected.|#19: Have fun at the exhibition.|#65: No excuses: Thursday morning, team meeting.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#117: Consider design, organisational structures and architecture as programme.|#81: Things come alive when there is friction.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#4: Pay what you can.|#32: Be pan-gender polyphonic.|#64: Arrange a distribution of forces.|#20: Are exhibitions the most suitable form for the art that we present?|#35: The artist fee should be good.|#39: Be the early stepping stone in an artist’s career|#111: Do it together.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#137: Use the publication as programming space|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#107: Build a community / scene.|#112: Spaces today don’t need to be curated, but occupied.|#16: Kunsthal Gent will always be a construction site.|#74: Last one out turns of the lights.|#90: The best systems have a failure or ‘a hole’ in them…|#105: Kunsthal Gent is local in scale, but globally connected.|#19: Have fun at the exhibition.|#65: No excuses: Thursday morning, team meeting.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#117: Consider design, organisational structures and architecture as programme.|#81: Things come alive when there is friction.|
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Opening: 21.05.2021 – 20:00

21.05—13.06.2021

Tentoonstelling

BEN THORP BROWN:
THE ARCADIA CENTER #1

Kunsthal Gent presenteert een film en installatie uit Ben Thorp Brown's Arcadia Center in het Paviljoen, als proloog op een toevoeging aan de Endless Exhibition in het voorjaar van 2022.

The Arcadia Center is een organisatie die is ontstaan vanuit de missie om mensen te helpen om hun empathisch vermogen naar elkaar en de natuurlijke wereld te oefenen en verder te ontwikkelen. Bezoekers van The Arcadia Center worden uitgenodigd om zich onder te dompelen in deze parallelle wereld, een toevluchtsoord voor deze donkere tijden. In eerdere edities in Jeu de Paume, CAPC Bordeaux, en Museo Amparo werd het project geënsceneerd door middel van film, sculptuur, meubels, en geluidsinstallatie. Het is geïnspireerd op ideeën voor het bouwen van werelden, die variëren van modernistische architectuur, Romeinse mythologie tot sciencefiction-praktijken.

Het werk van Ben Thorp Brown (1983, US) onderzoekt de effecten van voortdurende economische, ecologische en technologische veranderingen. Hij werkt met video, sculptuur en installatie en zijn projecten worden vaak ontwikkeld in dialoog met specifieke architecturale sites en landschappen, die een decor worden voor een fictieve wereld.

BEN THORP BROWN:
THE ARCADIA CENTER #1

MDC KH BTP 006 LR

TENTOONSTELLINGSZICHTEN
MDC KH BTP 001 LR
MDC KH BTP 002 LR
MDC KH BTP 003 LR
MDC KH BTP 004 LR
MDC KH BTP 005 LR
MDC KH BTP 006 LR
MDC KH BTP 007 LR