#92: We’re a learning organisation.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#124: Do less, do it better.|#84: The White Cube is a lie.|#107: Build a community / scene.|#30: Don’t work with artists who are assholes.|#89: Build-in impurity within the organisation.|#59: Always protect the floor when painting (or pouring concrete)|#74: Last one out turns of the lights.|#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#15: Kunsthal Gent aims to be an extension of public space.|#94: No objections? Just do it.|#98: The success of it will not lie in the result but in the process.|#40: Follow the artist|#26: More artists, less borders.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#6: Demand that visitors are active.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#92: We’re a learning organisation.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#124: Do less, do it better.|#84: The White Cube is a lie.|#107: Build a community / scene.|#30: Don’t work with artists who are assholes.|#89: Build-in impurity within the organisation.|#59: Always protect the floor when painting (or pouring concrete)|#74: Last one out turns of the lights.|#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#15: Kunsthal Gent aims to be an extension of public space.|#94: No objections? Just do it.|#98: The success of it will not lie in the result but in the process.|#40: Follow the artist|#26: More artists, less borders.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#6: Demand that visitors are active.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|
