#61: No all male install teams.|#74: Last one out turns of the lights.|#53: Immaterial support for artists is important.|#56: Take a lunch break.|#105: Kunsthal Gent is local in scale, but globally connected.|#39: Be the early stepping stone in an artist’s career|#82: Clean and sterile looks professional, but really boring.|#98: The success of it will not lie in the result but in the process.|#89: Build-in impurity within the organisation.|#59: Always protect the floor when painting (or pouring concrete)|#17: An exhibition is never finished.|#44: No name tags at dinner.|#99: Evolve according to changing needs.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#55: Keep basic human needs on the forefront.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#29: We make the program for the artist that we exhibit.|#92: We’re a learning organisation.|#65: No excuses: Thursday morning, team meeting.|#36: We support production separately.|#21: Live with the exhibition, spend time with it.|#16: Kunsthal Gent will always be a construction site.|#61: No all male install teams.|#74: Last one out turns of the lights.|#53: Immaterial support for artists is important.|#56: Take a lunch break.|#105: Kunsthal Gent is local in scale, but globally connected.|#39: Be the early stepping stone in an artist’s career|#82: Clean and sterile looks professional, but really boring.|#98: The success of it will not lie in the result but in the process.|#89: Build-in impurity within the organisation.|#59: Always protect the floor when painting (or pouring concrete)|#17: An exhibition is never finished.|#44: No name tags at dinner.|#99: Evolve according to changing needs.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#55: Keep basic human needs on the forefront.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#29: We make the program for the artist that we exhibit.|#92: We’re a learning organisation.|#65: No excuses: Thursday morning, team meeting.|#36: We support production separately.|#21: Live with the exhibition, spend time with it.|#16: Kunsthal Gent will always be a construction site.|
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Opening: 21.05.2021 – 20:00

21.05—13.06.2021

Tentoonstelling

BEN THORP BROWN:
THE ARCADIA CENTER #1

Kunsthal Gent presenteert een film en installatie uit Ben Thorp Brown's Arcadia Center in het Paviljoen, als proloog op een toevoeging aan de Endless Exhibition in het voorjaar van 2022.

The Arcadia Center is een organisatie die is ontstaan vanuit de missie om mensen te helpen om hun empathisch vermogen naar elkaar en de natuurlijke wereld te oefenen en verder te ontwikkelen. Bezoekers van The Arcadia Center worden uitgenodigd om zich onder te dompelen in deze parallelle wereld, een toevluchtsoord voor deze donkere tijden. In eerdere edities in Jeu de Paume, CAPC Bordeaux, en Museo Amparo werd het project geënsceneerd door middel van film, sculptuur, meubels, en geluidsinstallatie. Het is geïnspireerd op ideeën voor het bouwen van werelden, die variëren van modernistische architectuur, Romeinse mythologie tot sciencefiction-praktijken.

Het werk van Ben Thorp Brown (1983, US) onderzoekt de effecten van voortdurende economische, ecologische en technologische veranderingen. Hij werkt met video, sculptuur en installatie en zijn projecten worden vaak ontwikkeld in dialoog met specifieke architecturale sites en landschappen, die een decor worden voor een fictieve wereld.

BEN THORP BROWN:
THE ARCADIA CENTER #1

MDC KH BTP 006 LR

TENTOONSTELLINGSZICHTEN
MDC KH BTP 001 LR
MDC KH BTP 002 LR
MDC KH BTP 003 LR
MDC KH BTP 004 LR
MDC KH BTP 005 LR
MDC KH BTP 006 LR
MDC KH BTP 007 LR