#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#4: Pay what you can.|#32: Be pan-gender polyphonic.|#64: Arrange a distribution of forces.|#20: Are exhibitions the most suitable form for the art that we present?|#35: The artist fee should be good.|#39: Be the early stepping stone in an artist’s career|#111: Do it together.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#137: Use the publication as programming space|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#107: Build a community / scene.|#112: Spaces today don’t need to be curated, but occupied.|#16: Kunsthal Gent will always be a construction site.|#74: Last one out turns of the lights.|#90: The best systems have a failure or ‘a hole’ in them…|#105: Kunsthal Gent is local in scale, but globally connected.|#19: Have fun at the exhibition.|#65: No excuses: Thursday morning, team meeting.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#117: Consider design, organisational structures and architecture as programme.|#81: Things come alive when there is friction.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#4: Pay what you can.|#32: Be pan-gender polyphonic.|#64: Arrange a distribution of forces.|#20: Are exhibitions the most suitable form for the art that we present?|#35: The artist fee should be good.|#39: Be the early stepping stone in an artist’s career|#111: Do it together.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#137: Use the publication as programming space|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#107: Build a community / scene.|#112: Spaces today don’t need to be curated, but occupied.|#16: Kunsthal Gent will always be a construction site.|#74: Last one out turns of the lights.|#90: The best systems have a failure or ‘a hole’ in them…|#105: Kunsthal Gent is local in scale, but globally connected.|#19: Have fun at the exhibition.|#65: No excuses: Thursday morning, team meeting.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#117: Consider design, organisational structures and architecture as programme.|#81: Things come alive when there is friction.|
