#56: Take a lunch break.|#64: Arrange a distribution of forces.|#6: Demand that visitors are active.|#30: Don’t work with artists who are assholes.|#21: Live with the exhibition, spend time with it.|#28: Make Contracts.|#89: Build-in impurity within the organisation.|#61: No all male install teams.|#26: More artists, less borders.|#35: The artist fee should be good.|#111: Do it together.|#4: Pay what you can.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#37: Operate with radical transparency.|#112: Spaces today don’t need to be curated, but occupied.|#14: Can you also remain a toddler institution?|#68: Once in a while we need to get out of utopia and get something done.|#119: Be a space of production.|#94: No objections? Just do it.|#32: Be pan-gender polyphonic.|#56: Take a lunch break.|#64: Arrange a distribution of forces.|#6: Demand that visitors are active.|#30: Don’t work with artists who are assholes.|#21: Live with the exhibition, spend time with it.|#28: Make Contracts.|#89: Build-in impurity within the organisation.|#61: No all male install teams.|#26: More artists, less borders.|#35: The artist fee should be good.|#111: Do it together.|#4: Pay what you can.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#37: Operate with radical transparency.|#112: Spaces today don’t need to be curated, but occupied.|#14: Can you also remain a toddler institution?|#68: Once in a while we need to get out of utopia and get something done.|#119: Be a space of production.|#94: No objections? Just do it.|#32: Be pan-gender polyphonic.|
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Opening: 21.05.2021 – 20:00

21.05—13.06.2021

Tentoonstelling

BEN THORP BROWN:
THE ARCADIA CENTER #1

RESERVEREN

Het werk van Ben Thorp Brown (1983, US) onderzoekt de effecten van voortdurende economische, ecologische en technologische veranderingen. Hij werkt met video, sculptuur en installatie en zijn projecten worden vaak ontwikkeld in dialoog met specifieke architecturale sites en landschappen, die een decor worden voor een fictieve wereld.

The Arcadia Center is een organisatie die is ontstaan vanuit de missie om mensen te helpen om hun empathisch vermogen naar elkaar en de natuurlijke wereld te oefenen en verder te ontwikkelen. Bezoekers van The Arcadia Center worden uitgenodigd om zich onder te dompelen in deze parallelle wereld, een toevluchtsoord voor deze donkere tijden. In eerdere edities in Jeu de Paume, CAPC Bordeaux, en Museo Amparo werd het project geënsceneerd door middel van film, sculptuur, meubels, en geluidsinstallatie. Het is geïnspireerd op ideeën voor het bouwen van werelden, die variëren van modernistische architectuur, Romeinse mythologie tot sciencefiction-praktijken.

De installatie in het paviljoen is een proloog op een toevoeging aan de Endless Exhibition in het voorjaar van 2022.

BEN THORP BROWN:
THE ARCADIA CENTER #1

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